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In this gentle yet powerful presentation of the gospel, Love Comes Down is a story about the humble nature of God's love, lushly illustrated in a children's board book. The melodic tale will inspire children all over the world to connect their everyday experiences to the Incarnation of Christ whether planting seeds, kissing cats, or choosing to be kind to a sibling. Conveying deep truths with joy and simplicity, this is a book children and their caregivers will want to read and sing and dance to again and again.Written as an original song, the sheet music is found at the end of the book, and a downloadable audio recording is available at the Ancient Faith website.
American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R&B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. They survive through their savvy mix of talent, hubris, and honesty about their lives and their music.
Selection from the Dramatic Works of William T. Moncrieff, Etc. [With a Portrait.] by William Thomas Moncrieff (pseud. [i.e. William Thomas Thomas.]) Pdf
Joe Davis, the focus of The Melody Man, enjoyed a 50-year career in the music industry, which covered nearly every aspect of the business. He hustled sheet music in the 1920s, copyrighted compositions by artists as diverse as Fats Waller, Carson Robison, Otis Blackwell, and Rudy Vallee, oversaw hundreds of recording session, and operated several record companies beginning in the 1940s. Davis also worked fearlessly to help insure that black recording artists and song writers gained equal treatment for their work. Much more than a biography, this book is an investigation of the role played by music publishers during much of the twentieth century. Joe Davis was not a music “great” but he was one of those individuals who enabled “greats” to emerge. A musician, manager, and publisher, his long career reveals much about the nature of the music industry and offers insight into how the industry changed from the 1920s to the 1970s. By the summer of 1924, when Davis was handling the “Race talent” for Ajax records, he had already worked in the music business for most of a decade and there was more than five decades of musical career ahead of him. The fact that his fascinating life has gone so long under-appreciated is remedied by the publication of Never Sell A Copyright. Originally published in England, in 1990, Never Sell a Copyright: Joe Davis and His Role in the New York Music Scene, 1916-1978 was never released in the United States and available in a very limited print run in England. The author, noted blues scholar and folklorist Bruce Bastin, has worked with fellow music scholar Kip Lornell to completely update, condense, and improve the book for this first-ever American edition.
The Number One bestselling phenomenon moves to Simon & Schuster with a heartwarming novel of mothers and daughters, secrets and lies On a crystal clear Mediterranean day, Briony McAllister sits playing with her four-year-old daughter, Katie, while she waits for her mother, Valerie, to join them. Valerie has recently moved to a picturesque town in southern Spain to finally leave behind her turbulent past and find a peace that has always eluded her. Briony has no idea that in a few moments' time her relationship with her mother will change irrevocably. As Katie plays, Briony pulls from her bag an old photo album, found in a box in her mother's new home. As she begins to study the faded photos, a letter falls to the ground. It is addressed to her. As Briony reads the words with mounting shock, realisation dawns. Her mother lied to her about what happened with her beloved grandmother Tessa all those years ago - and denied Briony that most precious of relationships, the type of relationship Valerie now enjoys with Katie. Secrets, lies, betrayals and sacrifices - the complex bonds between mothers, daughters and granddaughters are intricately explored as Patricia Scanlan takes us into the hearts and homes of a family at war. **Now including an exclusive short story,'Life Begins at Forty'** Praise for Patricia Scanlan: 'There can be little doubt that Patricia Scanlan is the prolific queen of contemporary Irish popular fiction.' Sunday Times 'There is a heartbreaking authenticity in her observations.' Irish Times 'The ultimate comfort read.' Glamour
Down Where My Love Lives is a bittersweet yet triumphant love story—a tale of one man's journey through the darkness of despair and into the light of hope. Together in one volume, read Dylan and Maggie’s love story in bestselling author Charles Martin’s debut novel and its sequel. The Dead Don’t Dance: In a sleepy rural town in South Carolina, Dylan and Maggie Styles are a young couple in love, preparing eagerly for the birth of their first son. But events take a tragic turn in the delivery room, and their child is delivered stillborn. When Maggie hemorrhages and slips into a coma, Dylan slips into what can only be described as a walking coma, holding vigil at his beloved wife’s bedside. Usually tough and self-reliant, an outdoorsman and a farmer, Dylan finds that everything he has known is suddenly thrown into doubt. Refusing to give up on Maggie’s recovery, a devastated Dylan takes a job as an English professor in order to pay for Maggie’s medical bills. Dylan connects with his students despite himself and offers hope to others amid his own disappointment and grief. As Dylan waits for some change in Maggie's condition, he reflects on his life and hers. Through friends and grace-filled moments of insight, Dylan slowly begins to heal, but it will take a second tragedy—and an anxious period of wrestling with God—to truly awaken him from his stupor and open him up to a new life. Maggie: Life began again for Dylan Styles when his beloved wife Maggie awoke from a coma. A coma brought on by the intense two-day labor that resulted in heartbreaking loss. In this poignant love story that is redolent with Southern atmosphere, Dylan and Maggie must come to terms with their past before they can embrace their future. Emotive Southern fiction New York Times bestselling author Charles Martin’s debut novel and sequel in one volume Contains the complete Awakening Series: The Dead Don’t Dance and Maggie
Raised in a Ladino-speaking family of Bulgarian Jewish immigrants, Pinhas-Cohen fuses the ancient Sephardic chant of her childhood with the contemporary rhythm of Israeli life. This singular talent for bridging the ancient and the modern sets her apart from most other Hebrew poets of her generation. Secular in style and spirit, yet rooted in the life cycle of religious Judaism, Pinhas-Cohen’s poems portray everyday life in modern Israel through a sacred yet personal language. Awarded the coveted Prime Minister’s Prize for her poetry, Pinhas-Cohen is a poet whose verse in English translation is long overdue. This bilingual collection offers readers a careful selection of poems from each of her seven published volumes. Hart-Green has worked closely with the poet herself on these translations, several of which have appeared in journals such as the Jewish Quarterly and the Toronto Journal of Jewish Thought. Her lively translations display the dazzling breadth and depth of Pinhas-Cohen’s oeuvre, making Bridging the Divide not only the first but the definitive English-language edition of this vital Hebrew poet’s work.
Are you ready to view faith and Christianity in the same way you would your favorite pair of jeans? Comfort is essential and so is joy. In The Blue Jeans Gospel, author Rob Cruver cuts through misunderstandings and complicated rules and practices of modern Christianity by focusing on its core message of loving, living, and serving others. In this inspiring book, Cruver invites you to love, live, and serve as Jesus did. Through scripture and personal stories, Rob Cruver shows us how to develop a comfortable relationship with Jesus. He teaches us about love and how we should live rationally, with forgiveness and humility. He also encourages us to do this even when the blue jeans aren’t necessarily that comfortable. The author’s straightforward message of compassion and understanding is both refreshing and uplifting.
A lavish presentation of 208 folksongs collected throughout Alabama in the 1940s Alabama is a state rich in folksong tradition, from old English ballads sung along the Tennessee River to children’s game songs played in Mobile, from the rhythmic work songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical heritage of blacks and whites, rich and poor, hill folk and cotton farmers, these songs endure as a living part of the state’s varied past. In the mid 1940s Byron Arnold, an eager young music professor from The University of Alabama, set out to find and record as many of these songs as he could and was rewarded by unstinting cooperation from many informants. Mrs. Julia Greer Marechal of Mobile, for example, was 90 years old, blind, and a semi-invalid, but she sang for Arnold for three hours, allowing the recording of 33 songs and exhausting Arnold and his technician. Helped by such living repositories as Mrs. Marechal, the Arnold collection grew to well over 500 songs, augmented by field notes and remarkable biographical information on the singers. An Alabama Songbook is the result of Arnold’s efforts and those of his informants across the state and has been shaped by Robert W. Halli Jr. into a narrative enriched by more than 200 significant songs-lullabies, Civil War anthems, African-American gospel and secular songs, fiddle tunes, temperance songs, love ballads, play-party rhymes, and work songs. In the tradition of Alan Lomax’s The Folk Songs of North America and Vance Randolph’s Ozark Folksongs, this volume will appeal to general audiences, folklorists, ethnomusicologists, preservationists, traditional musicians, and historians.
The History of Pendennis by William Makepeace Thackeray Pdf
Arthur Pendennis, romantic and weak, is always doing something irresponsible like falling in love with unsuitable women or spending too much money. Fortunately for him, his relatives bail him out, until he does mature!