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Author : Carl Maria von Weber
Publisher : Unknown
Page : 338 pages
File Size : 50,9 Mb
Release : 1899
Category : Overtures
ISBN : UOM:39015007805305
Author : Michael Robertson
Publisher : Routledge
Page : 298 pages
File Size : 47,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351545419
Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. At many German courts during this time, it was fashionable to emulate everything that was French. As part of this process, German musicians visited Paris throughout the second half of the seventeenth century, and brought French courtly music back with them on their return. For the last two decades of the century, this meant the works of Jean-Baptiste Lully, and his music and its influence spread rapidly through the courts of Europe. Extracts from Lully's dramatic stage works were circulated in both published editions and manuscript. These extracts are considered in some detail, especially in terms of their relationship to the suite. The nobility also played their part in this process: French musicians and German players with specialist knowledge were often hired to coach their German colleagues in the art of playing in the French manner, the franzsischer Art. The book examines the dissemination of dance music, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians. With the possible exception of Georg Muffat's two Florilegium collections of suites, much of the dance music of the German Lullists is largely unknown; court composers such as Cousser, Erlebach, Johann Fischer and Johann Caspar Ferdinand Fischer all wrote fine collections of ensemble suites, and these are examined in detail. Examples from these suites, some published for the first time, are given throughout the book in order to demonstrate the music's quality and show that its neglect is completely unjustifi
Author : Richard D. P. Jones
Publisher : Oxford University Press
Page : 450 pages
File Size : 42,6 Mb
Release : 2007
Category : Music
ISBN : 9780199696284
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Author : United States
Publisher : Unknown
Page : 1370 pages
File Size : 51,9 Mb
Release : 1932
Category : Treaties
ISBN : UOM:39015051412602
Author : A. Nelaton
Publisher : Unknown
Page : 854 pages
File Size : 46,8 Mb
Release : 1844
Category : Electronic
ISBN : RUTGERS:39030031382411
Author : United States
Publisher : Unknown
Page : 752 pages
File Size : 41,9 Mb
Release : 1933
Category : Session laws
ISBN : MINN:31951D02284067X
Author : United States
Publisher : Unknown
Page : 1188 pages
File Size : 42,9 Mb
Release : 1931
Category : Law
ISBN : MINN:31951P010902699
Author : United States
Publisher : Unknown
Page : 1176 pages
File Size : 55,5 Mb
Release : 1933
Category : Law
ISBN : PURD:32754070445709
Author : United States
Publisher : Unknown
Page : 1188 pages
File Size : 55,9 Mb
Release : 1933
Category : Law
ISBN : UCR:31210019461290
Author : Anonim
Publisher : Unknown
Page : 1548 pages
File Size : 51,9 Mb
Release : 1898
Category : Copyright
ISBN : MINN:31951D01806663L
Author : Francis Maseres
Publisher : Unknown
Page : 768 pages
File Size : 50,5 Mb
Release : 1801
Category : Logarithms
ISBN : UOM:39015020103258
Author : Anonim
Publisher : Unknown
Page : 766 pages
File Size : 54,6 Mb
Release : 1801
Category : Electronic
ISBN : IBNN:BN000645206
Author : Michael Robertson
Publisher : Routledge
Page : 336 pages
File Size : 42,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351545402
Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. At many German courts during this time, it was fashionable to emulate everything that was French. As part of this process, German musicians visited Paris throughout the second half of the seventeenth century, and brought French courtly music back with them on their return. For the last two decades of the century, this meant the works of Jean-Baptiste Lully, and his music and its influence spread rapidly through the courts of Europe. Extracts from Lully's dramatic stage works were circulated in both published editions and manuscript. These extracts are considered in some detail, especially in terms of their relationship to the suite. The nobility also played their part in this process: French musicians and German players with specialist knowledge were often hired to coach their German colleagues in the art of playing in the French manner, the franz?sischer Art. The book examines the dissemination of dance music, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians. With the possible exception of Georg Muffat's two Florilegium collections of suites, much of the dance music of the German Lullists is largely unknown; court composers such as Cousser, Erlebach, Johann Fischer and Johann Caspar Ferdinand Fischer all wrote fine collections of ensemble suites, and these are examined in detail. Examples from these suites, some published for the first time, are given throughout the book in order to demonstrate the music's quality and show that its neglect is completely unjustifi
Author : Canada. Legislature. Legislative Assembly
Publisher : Unknown
Page : 722 pages
File Size : 55,5 Mb
Release : 1853
Category : Electronic
ISBN : HARVARD:HXG88Y
Author : Andrew Talle
Publisher : University of Illinois Press
Page : 169 pages
File Size : 53,9 Mb
Release : 2013-12-16
Category : Music
ISBN : 9780252095399
This provocative addition to the Bach Perspectives series offers a counternarrative to the isolated genius status that J. S. Bach and his music currently enjoy. Contributors contextualize Bach by examining the output, reputation, and compositional practices of his contemporaries in Germany whose work was widely played and enjoyed in his time, including Georg Philipp Telemann, Christoph Graupner, Gottlieb Muffat, and Johann Adolf Scheibe. Essays place Bach and his work in relation to his peers, examining avenues of composition they took while he did not and showing how differing treatments of the same subjects or texts resulted in markedly different compositional results and legacies. By looking closely at how Bach's contemporaries addressed the tasks and challenges of their time, this project provides a more nuanced view of the musical world of Bach's time while revealing in more specific terms than ever how and why Bach's own music remains fresh and compelling. In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's. Andrew Talle compares settings and strategies of Vergnügte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J. S. Bach's compositional style by discussing the other composers that Scheibe critiqued.