Pan Africanism And Black Assimilation In Lorraine Hansberry S A Raisin In The Sun
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Set in 1950s Chicago, 'A Raisin in the Sun' is a classic play about a black family's struggle for equality, and the first play written by a black woman to be produced on Broadway.
"Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic."
Assimilation in American Life by Milton M. Gordon Pdf
The first full-scale sociological survey of the assimilation of minorities in America, this classic work presents significant conclusions about the problems of prejudice and discrimination in America and offers positive suggestions for the achievement of a healthy balance among societal, subgroup, and individual needs.
The Psychological Impacts of Apartheid on Black South Africans by Susanna Harper Pdf
Seminar paper from the year 2012 in the subject History - Africa, grade: 1,5, University of Education Freiburg im Breisgau, language: English, abstract: Apartheid was a highly colonial system. Its main issue was not so much the segregation of races – as the name suggests –, but rather the severe inequality that came with racial classification and segregation. Because Whites believed themselves to be superior to people of colour, they reserved for themselves rights and privileges which were not granted to members of other racial groups. Consequently, the life of Blacks (Africans, Coloureds, and Indians) was marked with restrictions, prohibitions, and ill-treatment. Recognizing Apartheid as a form of colonialism, this paper espouses the argument that its legacy is not only one of physical or economic sequelae, but also one of psychological damage on the former oppressed. It attempts to prove that any form of ill-treatment leaves some sort of psychological impact on the person concerned, which then leads to a change in behaviour as an outward expression of his or her changed inner state. For this purpose, this paper will start out by giving a short introduction to the psychology of oppression. Next, it will look at the formation of the white South African mind-set during Apartheid, as the foundation and cause of oppression, leading up to the main subject of this paper. Finally, chapter three will deal with the kind of treatment black South Africans experienced under the rule of the National Party and what psychological research has found out about the possible affects of such treatment. Since most of the research done on Black psychology and the psychology of oppression stems from overseas countries such as the USA, the literature used in this paper has a wide range. Nevertheless, it was endeavoured to continuously link the existing research to the South African context and situation. A recent newspaper article on the importance of teaching struggle history at schools and a critical discussion on interracial marriages in modern South Africa first triggered my interest in studying the mind-set of white South Africans during Apartheid. This eventually lead me to my research question with the aim of wanting to find out more about the psychological impact this kind of mind-set had on the country’s oppressed population.
Beauvoir in Time situates Simone de Beauvoir's The Second Sex in the historical context of its writing and in later contexts of its international reception, from then till now. The book takes up three aspects of Beauvoir's work more recent feminists find embarrassing: "bad sex," "dated" views about lesbians, and intersections with race and class. Through close reading of Beauvoir's writing in many genres, alongside contemporaneous discourses (good and bad novels in French and English, outmoded psychoanalytic and sexological authorities, ethnographic surrealism, the writing of Richard Wright and Franz Fanon), and in light of her travels to the U.S. and China, the author uncovers insights more recent feminist methodologies obscure, showing that Beauvoir is still good to think with today.
From the acclaimed author of Daughters and Brown Girl, Brownstones comes a “work of exceptional wisdom, maturity, and generosity, one in which the palpable humanity of its characters transcends any considerations of race or sex”(Washington Post Book World). Avey Johnson—a black, middle-aged, middle-class widow given to hats, gloves, and pearls—has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel—and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. “Astonishingly moving.”—Anne Tyler, The New York Times Book Review
Author : C. W. E. Bigsby Publisher : Cambridge University Press Page : 469 pages File Size : 51,9 Mb Release : 2006-10-12 Category : History ISBN : 9780521841320
Examines African American writers and artists of the 1950s, tracing leftist ideas and activism within their work, recounts the events of the 1959 Black Writers' Conference and explores the ongoing influence of the Black Popular Front.
The Norton Introduction to Literature by Kelly J Mays Pdf
The Norton Introduction to Literature presents an engaging, balanced selection of literature to suit any course. Offering a thorough treatment of historical and critical context, the most comprehensive media package available, and a rich suite of tools to encourage close reading and thoughtful writing, the Shorter Twelfth Edition is unparalleled in its guidance of understanding, analyzing, and writing about literature.
Although contemporary art may sometimes shock us, more alarming are recent attempts to regulate its display. Drawing upon extensive interviews, a broad sampling of media accounts, legal documents and his own observations of important events, sociologist Steven Dubin surveys the recent trend in censorship of the visual arts, photography and film, as well as artistic upstarts such as video and performance art. He examines the dual meaning of arresting images--both the nature of art work which disarms its viewers and the social reaction to it. Arresting Images examines the battles which erupt when artists address such controversial issues as racial polarization, AIDS, gay-bashing and sexual inequality in their work.
Annotation Once dominated by black-white relations, discussions of race in the USA are increasingly informed by an awareness of strife between non-white racial groups. Combining race history, legal theory, theology, social psychology and anecdote, this work offers an examination of race and responsibility.
Kwame Nkrumah's Politico-Cultural Thought and Politics by Kwame Botwe-Asamoah Pdf
This study critically synthesizes and analyses the relationship between Kwame Nkrumah's politico-cultural philosophy and policies as an African-centered paradigm for the post-independence African revolution. It also argues for the relevance of his theories and politics in today's Africa.
Trauma has become a hotly contested topic in literary studies. But interest in trauma is not new; its roots extend to the Romantic period, when novelists and the first psychiatrists influenced each others' investigations of the »wounded mind«. This book looks back to these early attempts to understand trauma, reading a selection of Romantic novels in dialogue with Romantic and contemporary psychiatry. It then carries that dialogue forward to postmodern fiction, examining further how empirical approaches can deepen our theorizations of trauma. Within an interdisciplinary framework, this study reveals fresh insights into the poetics, politics, and ethics of trauma fiction.