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Love by Night begins with anxious hesitation and nervous attraction, grows into tender affection, blossoms into passionate love, delves deep into whimsical dreams, and finally builds an image of an idyllic future together, as the reader develops along with the two characters of this poetic story. Written as a conversation between two points of view in constant change and flux with each other, this book invites the reader into the conversation about the love that connects one person to another, but also all of us to each other. Through this written testament to the emotional journeys books can take us on, S. K. Williams breaks down stereotypes, sexism, relationship roles, and brings awareness to mental health, grief, anxiety, depression, how to move forward, how to love in a healthy way, and, most of all, how to love yourself when it feels impossible.
NEW YORK TIMES BESTSELLER Based on his wildly popular New Yorker piece, Thurber Prize-winner John Kenney presents a hilarious collection of love poems for, well, married people. Full of brilliant wit, dynamic energy, and a heavy dose of reality, Love Poems for Married People takes the poetic form, turns it upside down and leaves it in the dishwasher to dry. Inspired by one of the most shared New Yorker pieces of all time, this collection captures the reality of life once the spark of a relationship has settled--and hilariously so. With brand new pieces that cover all areas of married life, from parental gripes to dwindling sex lives, Kenney's wry observations and sharp humor remind us exactly what it's like to spend the rest of your life with the person you love. I was almost feeling fondness for you As you gave me a shoulder massage at the sink-- What a small, lovely surprise. And then you grabbed my boobs and made a "wha-wha" noise. In an instant, I felt disgust and sadness and regret.
“A breezy, inviting collection of love poems that celebrates the divine as much as it does the natural world or human relationships . . . An eloquent celebration of simple joy from one of America’s most beloved poets.” —The Washington Post “Oliver’s poems are thoroughly convincing—as genuine, moving, and implausible as the first caressing breeze of spring.” —New York Times Book Review Mary Oliver, winner of the Pulitzer Prize, celebrates love in this collection of poems "If I have any secret stash of poems, anywhere, it might be about love, not anger," Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.
Love Poems from Around the World by Hippocrene Books (Firm) Pdf
From one corner of the globe to the other-and among the diverse countries, cultures and peoples in between-one thing will always remain universal: the powerful grasp of love. This charming, extensive collection of over 350 poems from around the world celebrates love in all of its unique facets. From the countryside of Ireland tot he city streets of China, the reader is swept away on an amazing cross-cultural journey through lost love, love's follies, love's strength, unrequited love, and love attained.
Following the success of Poetry Out Loud (now in its eighth printing), an affectionate celebration of the declaimed poem, Love Poetry Out Loud now turns to the choppier waters of affection itself. From Hello, I Love You to Pleasures of the Flesh to Loves Me Not, this collection of one hundred poems shouts out life’s grand passion with the help of the voices of poets old and new. Rubin’s informed, irreverent style skillfully reveals the humor, beauty, variety, tradition, and passion of love poetry. Insightful commentary on the poems’ meanings and on ways to read them aloud, as well as notes on their history and background, are found on every page. Whether long lived like Shakespeare’s sonnets or newly-hewn like Carolyn Forché’s “Taking Off My Clothes,” Love Poetry Out Loud makes each poem as fresh and inspiring as the first time it was uttered.
Love begets poetry; poetry begets love. So thinkers from Plato onwards have claimed; and even today, when poetry has largely disappeared from the mainstream of popular culture, it is still commonly considered the most seductive of all forms of art. But why should this be? What are the connections between poetry and love that lead us to associate them so strongly with one another? In this study Erik Gray draws on a broad range of Western thought and poetry to reveal the qualities and structures that love and poetry share. Above all, he argues, both are founded on paradox. Love is at once necessarily public (because interpersonal) and intensely private; hence love both requires expression and resists it. Likewise the experience of love is simultaneously surprising and familiar, singular and conventional. In poetry, especially lyric poetry - which is similarly both dependent on and resistant to language, both exceptionally regular and exceptionally irregular - love finds a natural outlet. The Art of Love Poetry illuminates many of the recurrent tropes that poets across the centuries have employed to represent and express love, exploring such topics as the poetic kiss, the lyric of conjugal love, and the role of animals in love poetry. In describing the inherent erotics of poetry, it offers new insights not only into the long tradition of love lyric but into the nature of love itself.
The light, for as far as I can see, is that of any number of late afternoons I remember still: how the light seemed a bell; how it seemed I'd been living insider it, waiting - I'd heard all about that one clear note it gives. --from "Late Apollo III" In The Rest of Love, his seventh book, Carl Phillips examines the conflict between belief and disbelief, and our will to believe: Aren't we always trying, Phillips asks, to contain or to stave off facing up to, even briefly, the hard truths we're nevertheless attracted to? Phillips's signature terse line and syntax enact this constant tension between abandon and control; following his impeccable interior logic, "passionately austere" (Rita Dove, The Washington Post Book World), Phillips plumbs the myths we make and return to in the name of desire--physical, emotional, and spiritual. The Rest of Love is a 2004 National Book Award Finalist for Poetry.
Sensual, earthy love poems that formed the basis for the popular movie Il Postino, now in a beautiful gift book perfect for weddings, Valentine's Day, anniversaries, or just to say "I love you!" Charged with sensuality and passion, Pablo Neruda’s love poems caused a scandal when published anonymously in 1952. In later editions, these verses became the most celebrated of the Noble Prize winner’s oeuvre, captivating readers with earthbound images that reveal in gentle lingering lines an erotic re-imagining of the world through the prism of a lover’s body: "today our bodies became vast, they grew to the edge of the world / and rolled melting / into a single drop / of wax or meteor...." Written on the paradisal island of Capri, where Neruda "took refuge" in the arms of his lover Matilde Urrutia, Love Poems embraces the seascapes around them, saturating the images of endless shores and waves with a new, yearning eroticism. This wonderful book collects Neruda’s most passionate verses.
Award-winning Arab Australian poet Omar Sakr presents a pulsating collection of poetry that interrogates the bonds and borders of family, faith, queerness, and nationality. Visceral and energetic, Sakr’s poetry confronts the complicated notion of “belonging” when one’s family, culture, and country are at odds with one’s personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontë, William Blake, Christina Rossetti, Elizabeth Dickinson, Percy Shelley, and many more. Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics, and allegorical illustrations mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works.
Michael Farrell is the most adventurous and experimental of contemporary Australian poets, continually pushing the boundaries of what poetry can do. Highly regarded for the playful rhythms and comic, gestural qualities of his poetry, his poems set language, syntax and punctuation in motion. His eye for metaphor and the unexpected combination, for punning and the letter – in both its verbal and visual aspects — gives his poetry its unique humour and energy. In poems like ‘AC/DC As First Emu Prime Minister’, ‘Sheep, Golden Syrup, Elizabeth Bishop’, and ‘Cate Blanchett And The Difficult Poem’, I Love Poetry scrambles a landscape of colloquial and obscure images. Michael Farrell’s collections include living at the z, ode ode (shortlisted for the Age Poetry Book of the Year Award), BREAK ME OUCH, a raiders guide (published by Giramondo in 2008), thempark and thou sand. His second collection with Giramondo, Open Sesame (2011) was shortlisted for the NSW Premier’s Award for Poetry. Cocky’s Joy (Giramondo 2015) was shortlisted for the Prime Minister’s Literary Award for Poetry. He was the winner of the 2012 Peter Porter Poetry Prize. He is the author of a work of literary criticism, Writing Australian Unsettlement: Modes of Poetic Invention 1796–1945 (Palgrave Macmillan).
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.