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"Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. [This is a portrait of that creative partnership]"--Amazon.com
The Rodgers and Hammerstein Encyclopedia by Thomas S. Hischak Pdf
Still the most influential and popular songwriting team in the history of the American Musical Theatre, Richard Rodgers and Oscar Hammerstein represent Broadway musicals at their finest. The team revolutionized the musical play with Oklahoma! in 1943 and then went on to explore territory never put on the musical stage before in such beloved shows as Carousel, South Pacific, The King and I and The Sound of Music. The team also worked in film, as with State Fair, and in the new medium of television, with Cinderella. For the first time, the lives, careers, works, songs, and themes of Rodgers and Hammerstein have been gathered together in an encyclopedia that covers the many talents of these men. In addition to their plays and films together, every work that each man did with other collaborators is also discussed. Hundreds of their songs are described, and there are entries on the many actors, directors, and other creative artists who they worked with. A complete list of awards, recordings, and books about the team are included, as well as a chronology of everything either man wrote. But The Rodgers and Hammerstein Encyclopedia is not just about facts. It explains their work, explores themes in their musicals, and illustrates why they remain a driving force in the American Theatre. This is the first encyclpoedia to look specifically at the careers and works of Rodgers and Hammerstein, covering all their musicals together for stage, screen and televsion, but also everything they wrote with others. The purpose is to create a comprehensive guide to the American Musical Theatres foremost collaboration. The encyclopedia is (1) comprehensve, describing the works, the people involved in those works, and many of their famous songs; ( 2) up-to-date, including the most recent revivals of their works and new recordings of their scores; and (3) easy to use, being alphabetically arranged with cross-reference listings, chronological lists, lists of awards and recordings, and bibliographic information for further reading.
Rodgers and Hammerstein's Carousel by Tim Carter Pdf
"Following the success of their first collaboration, Oklahoma! (1943), composer Richard Rodgers and librettist Oscar Hammerstein II worked again with producers Theresa Helburn and Lawrence Langner, director Rouben Mamoulian, and choreographer Agnes de Mille to put on a very different kind of show. Based on the play Liliom (1909) by Hungarian playwright Ferenc Molnaaar, Carousel (1945) took Broadway musical theater in a far darker direction than it had gone before with its gritty plot, anti-hero protagonist, and extensive music that critics claimed came close to opera. Carousel transplants the themes of Molnaaa's play into a new setting on the New England coast, telling the story of two social misfits struggling to survive harsh economic times: Julie Jordan defies the conventions of small-town America in her choice of a husband, and Billy Bigelow--unemployed and prone to domestic violence--dies in the course of committing a robbery. Author Tim Carter examines how this troubling subject matter fits into the context of a country moving through the end of World War II to an uncertain future, and how Carousel transformed the American musical on stage and screen."--Back cover.
The Complete Lyrics of Oscar Hammerstein II by Oscar Hammerstein II Pdf
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
The Rodgers & Hammerstein Collection (Songbook) by Anonim Pdf
(P/V/G Composer Collection). It's a grand collection fit for two of the most influential and successful composers of the modern era! This folio presents 70 songs from 11 of their blockbusters, complete with background information on each show and a great bio of this famous team. It also features an index by show and an alphabetical song title index. Songs include: Bali Ha'i * The Carousel Waltz * Climb Ev'ry Mountain * Dites-Moi (Tell Me Why) * Do-Re-Mi * Edelweiss * A Fellow Needs a Girl * Getting to Know You * A Hundred Million Miracles * I Cain't Say No * I Enjoy Being a Girl * I'm Gonna Wash That Man Right Outa My Hair * It Might as Well Be Spring * It's a Grand Night for Singing * June Is Bustin' Out All Over * Kansas City * My Favorite Things * Oh, What a Beautiful Mornin' * Oklahoma * Our State Fair * Shall We Dance? * Some Enchanted Evening * The Surrey with the Fringe on Top * There Is Nothin' like a Dame * You'll Never Walk Alone * You've Got to Be Carefully Taught * and more.
Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 390 pages File Size : 55,6 Mb Release : 2018-02-01 Category : Music ISBN : 9781540025487
Broadway Sheet Music Collection: 2010-2017 by Hal Leonard Corp. Pdf
(Piano/Vocal/Guitar Songbook). 39 favorites from contemporary Broadway hit shows are featured in this collection of piano/vocal/guitar arrangements. Includes songs from: The Addams Family * Aladdin * The Book of Mormon * Bright Star * A Bronx Tale * Come from Away * Dear Evan Hansen * Hamilton * Kinky Boots * Natasha, Pierre and the Great Comet of 1812 * Newsies * Something Rotten! * Waitress * and more.
The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times—Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.
Rodgers & Hammerstein's South Pacific by Richard Rodgers,Oscar Hammerstein,Joshua Logan Pdf
Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices. Based on Tales of the South Pacific, James Michener's collection of short stories, South Pacific opened on Broadway at the the Majestic Theatre on April 7, 1949, starring Mary Martin, Ezio Pinza and Juanita Hall. South Pacific received the 1950 Pulitzer Prize for Drama, and for the first time the committee included a composer in the drama prize. The show received ten Tony Awards (including Best Musical), a Grammy Award and countless other accolades. For years the second-longest running show in Broadway history (right behind Oklahoma!), South Pacific returned to Broadway in a celebrated 2008 revival starring Kelli O'Hara and Paolo Szot. The show has proven itself a classic in countless productions around the world and was adapted onscreen in the 1958 film starring Rossano Brazzi and Mitzi Gaynor and in a 2001 made-for-television film starring Glenn Close and Harry Connick, Jr.
Pipe Dream by Richard Rodgers,Oscar Hammerstein Pdf
(Vocal Score). Complete vocal score to the 1955 musical with 22 pieces in all: All at Once You Love Her * All Kinds of People * Everybody's Got a Home but Me * How Long * The Man I Used to Be * Suzy Is a Good Thing * Sweet Thursday * Will You Marry Me * and more.
A Study Guide for Mary Rodgers's "Once Upon a Mattress" by Gale, Cengage Learning Pdf
A Study Guide for Mary Rodgers's "Once Upon a Mattress," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
