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The Palgrave Handbook of German Romantic Philosophy by Elizabeth Millán Brusslan Pdf
This Handbook provides a comprehensive and authoritative analysis of the philosophical dimensions of German Romanticism, a movement that challenged traditional borders between philosophy, poetry, and science. With contributions from leading international scholars, the collection places the movement in its historical context by both exploring its links to German Idealism and by examining contemporary, related developments in aesthetics and scientific research. A substantial concluding section of the Handbook examines the enduring legacy of German romantic philosophy. Key Features: • Highlights the contributions of German romantic philosophy to literary criticism, irony, cinema, religion, and biology. • Emphasises the important role that women played in the movement’s formation. • Reveals the ways in which German romantic philosophy impacted developments in modernism, existentialism and critical theory in the twentieth century. • Interdisciplinary in approach with contributions from philosophers, Germanists, historians and literary scholars. Providing both broad perspectives and new insights, this Handbook is essential reading for scholars undertaking new research on German romantic philosophy as well as for advanced students requiring a thorough understanding of the subject.
Nonfictional Romantic Prose by Steven P. Sondrup,Virgil Nemoianu,Gerald Gillespie Pdf
Nonfictional Romantic Prose: Expanding Borders surveys a broad range of expository, polemical, and analytical literary forms that came into prominence during the last two decades of the eighteenth century and the first half of the nineteenth. They stand in contrast to better-known romantic fiction in that they endeavor to address the world of daily, empirical experience rather than that of more explicitly self-referential, fanciful creation. Among them are genres that have since the nineteenth century come to characterize many aspects of modern life like the periodical or the psychological case study; others flourished and enjoyed wide-spread popularity during the nineteenth century but are much less well-known today like the almanac and the diary. Travel narratives, pamphlets, religious and theological texts, familiar essays, autobiographies, literary-critical and philosophical studies, and discussions of the visual arts and music all had deep historical roots when appropriated by romantic writers but prospered in their hands and assumed distinctive contours indicative of the breadth of romantic thought. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Romantic Women Writers Reviewed, Part III by Ann R Hawkins Pdf
This multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Drama by Gerald Ernest Paul Gillespie Pdf
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia, and of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields Abrahams selected his best work to make up this volume (first published in 1968), one of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world, to detailed essays on figures such as Chopin, Dvorák, Rubinstein and Mussorgsky. A study of realism in Janacek's operas contains a particularly fine analysis of From a House of the Dead and there is an account of the fantastic 'erotic diary' for piano in which Zdenek Fibich, one of the finest nineteenth-century Czech symphonists, recorded the secrets of his love affair with former student and librettist Anezka Schulzová. Gerald Abraham (1904-1988) was a distinguished musicologist, among his official posts those of Professor of Music at the University of Liverpool and Assistant Controller of Music at the BBC.
Lyric Preludes in Romantic Style by William L. Gillock Pdf
Lyric Preludes is an introduction to the whole Romantic period -- from Chopin and Schumann to Brahms and Debussy. Like Chopin, Gillock has written 24 preludes featuring all major and minor keys. But his preludes aren't just imitations of other composer's styles, they are valid, original works. An essential book for all pianists.
The Romantic Legacy of Paradise Lost by Jonathon Shears Pdf
The Romantic Legacy of Paradise Lost offers a new critical insight into the relationship between Milton and the Romantic poets. Shears devotes a chapter to each of the six major Romantics, contextualizing their 'misreadings' of Milton's Paradise Lost within a range of historical, aesthetic, and theoretical contexts. Shears argues that the Romantic inclination towards fragmentation and a polysemous aesthetic leads to disrupted readings of Paradise Lost that obscure the theme, or warp the 'grain', of the poem.
Romantic Writings is an ideal introduction to the cultural phenomenon of Romanticism - one of the most important European literary movements and the cradle of 'Modern' culture. Here you will find an accessible introduction to the well-known male Romantic writers - Blake, Wordsworth, Coleridge, Byron, Shelley and Keats. Alongside are chapters dealing with poems by Charlotte Smith, Mary Robinson, Ann Barbauld, Elizabeth Barrett Browning which challenge the idea that these men are the only Romantic writers. As a further counterpoint the book also includes discussion of two German Romantic short stories by Kleist and Hoffman. Throughout, close-reading of texts is matched by an insistence on reading them in their historical context. Romantic Writings offers invaluable discussions of issues such as the notion of the Romantic artist; colonialism and the exotic; and the particular situation of women writers and readers.
This outstanding anthology of pieces for intermediate to advanced pianists includes Chopin's Polonaise in A-flat Major ("Heroic"), Brahms' Rhapsody in B Minor, Funérailles by Liszt, Debussy's L'isle joyeuse, Schumann's Papillons, plus 13 others.
Ludwig van Beethoven,Robert Schumann,Anton Rubinstein,Peter Ilyich Tchaikovsky,Modest Mussorgsky,Antonin Dvorak,Johannes Brahms,a cura di Francesco Leone,Niccolò Paganini
Author : Ludwig van Beethoven,Robert Schumann,Anton Rubinstein,Peter Ilyich Tchaikovsky,Modest Mussorgsky,Antonin Dvorak,Johannes Brahms,a cura di Francesco Leone,Niccolò Paganini Publisher : Glissato Edizioni Musicali Page : 48 pages File Size : 55,8 Mb Release : 2020-03-20 Category : Music ISBN : 9788835390558
10 Romantic Pieces for Bassoon Duet by Ludwig van Beethoven,Robert Schumann,Anton Rubinstein,Peter Ilyich Tchaikovsky,Modest Mussorgsky,Antonin Dvorak,Johannes Brahms,a cura di Francesco Leone,Niccolò Paganini Pdf
10 Facili brani del periodo romantico arrangiati in 4 differenti tonalità per 2 FAGOTTI, utili per saggi e concerti degli allievi dei primi corsi. ___________________ 10 Easy Romantic Pieces arranged for BASSOON duet (scored in 4 different keys). Contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" - P.I.Tchaikovsky
Author : James Martin Skidmore Publisher : Peter Lang Publishing Page : 224 pages File Size : 50,5 Mb Release : 2005 Category : History ISBN : STANFORD:36105114739845
This is the first book-length study to consider Ricarda Huch's historical-political thought and assess Huch's place within the lively historiographical discourses of the 1920s. One of the most famous writers of her day, Huch (1864-1947) was known for her poetry, fiction, and histories of German Romanticism and the Thirty Years' War. Like many of her generation Huch was shaken by Germany's defeat in the First World War, and this shock motivated her to use her historiography to address Germany's post-war situation. Convinced that the German nation possessed an identity best expressed by the ideals of Romaniticism, Huch attributed Germany's decline to the westernization of German political culture; absolutism and centralization had replaced the theoretical perfection of the decentralized early Holy Roman Empire of the German Nation. Her Weimar histories of medieval and nineteenth-century Germany urged a defeated and traumatized nation to return to a path that had been abandoned during the Wilhelmine Empire. Topics explored include Huch's use of Nietzschean monumentalism, a comparison with popular historians of the period (e.g. E. Kantorowicz), the echoes of her political thought in her poetry and fiction, and her complex relationship to German nationalism.
