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Shakespeare's Tragic Perspective by Larry S. Champion Pdf
This work directs attention to the various structural devices by which Shakespeare creates and sustains anticipation in his audience whil simultaneously provoking them to participate in the tragic protagonist's anguish.
From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the second installment in a mystery series that pulls no punches... When Lily Bard agrees to open the gym for her sometime-boyfriend, it’s a sign of something she’s rejected for years—connection. Trust. The beginnings of being part of a community. And when she finds the corpse of a murdered bodybuilder waiting for her, it’s a sign she doesn’t know nearly as much about the home she’s chosen as she thought. Shakespeare, Arkansas has seen three unsolved, seemingly unconnected murders in two months, and the town is tense with suspicion and rage. Lily’s contact on the police force develops an ulterior agenda. An anonymous white supremacist group is papering cars and threatening worse to come. And there’s a new man in town, someone whose face reminds Lily of the darkest time in her past... Shakespeare needs answers, and Lily can’t rest until she has them. But there’s no telling how deep the rot spreads. And if she can’t trust anyone, she’ll be facing it down alone.
Perspective in Shakespeare's English Histories by Larry S. Champion Pdf
Larry S. Champion examines Shakespeare's English history plays and describes the structural devices through which Shakespeare controls the audience's angle of vision and its response to the pattern of historical events. Champion observes the experimentation between stage worlds and the significance of a dramatic technique unique to the history play—one that combines the detachment of a documentary necessary for a broad intellectual view of history and the simultaneous engagement between character and spectator. Champion sees a conscious bifurcation occurring in Shakespeare's dramaturgy after Richard II. In Julius Caesar, Shakespeare continues to focus on the psychological analysis and internalized protagonist which lead to his major tragic achievements. In King John and Henry IV, the playwright develops a middle ground between the polarities of Henry VI, in which the flat, onedimensional characters essentially serve the purposes of the narrative, and the tragedies, in which the spectator's consuming interest is in the developing centralfigure whose critical moments they share. Champion sees Henry V as the culmination of Shakespeare's e fforts in the English history play.
Character and the Supernatural in Shakespeare and Achebe by Kenneth Usongo Pdf
Through mainly a New Historicist critical approach, this book explores how Shakespeare and Achebe employ supernatural devices such as prophecies, dreams, gods/goddesses, beliefs, and divinations to create complex characters. Even though these features indicate the preponderance of the belief in the supernatural by some people of the Elizabethan, Jacobean, and traditional Igbo societies, Shakespeare and Achebe primarily use the supernatural to represent the states of mind of their protagonists. Both writers appropriate supernatural features to mirror tragic flaws such as ambition, arrogance, impulsiveness, and fear that contribute to the downfall of Macbeth, Lear, Okonkwo, and Ezeulu. We relate to some of these characters because they project our inner minds, principal drives that may be hidden within us. Therefore, Shakespeare and Achebe’s preoccupation with the supernatural adds subtlety to their characterization and enhances their readability by situating their art beyond time, place, or particularity.
The Evolution of Shakespeare's Comedy by Larry S. Champion Pdf
The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Shakespeare, Arkansas, is a small Southern town with plenty of secrets, and Charlaine Harris’s Lily Bard, fresh from her acclaimed debut in Shakespeare’s Landlord, is just one more of its residents–albeit one harboring a few secrets of her own–with a desire to live quietly. Lily keeps to herself, between her job as a cleaning woman for several townspeople and her visits to the gym, where she’s a devotee of karate and bodybuilding. These two pursuits seem a bit odd for the petite Southern woman, but as work and play, they keep her focused and balanced. When a fellow gym member is found dead after a workout with a barbell across his throat, Lily wants to believe it’s an accident. But looking at the incident against the background of other recent events in Shakespeare, including a few incidents that appear to be racially motivated, she’s afraid it could be a part of something much, much bigger–and more sinister...in Shakespeare's Champion.
The study concludes with two chapters on the Roman plays and assesses Shakespeare's representation of the problem of conscience (Julius Caesar) and magnanimity (Antony and Cleopatra) in the light of Machiavelli's republicanism."--BOOK JACKET.
Shakespeare, Computers, and the Mystery of Authorship by Hugh Craig,Arthur F. Kinney Pdf
In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly consensus, bringing long-standing questions to something like a final resolution. In other areas the book provides more surprising conclusions: that Shakespeare wrote the 1602 additions to The Spanish Tragedy, for example, and that Marlowe along with Shakespeare was a collaborator on Henry VI, Parts 1 and 2. The methods used are more wholeheartedly statistical, and computationally more intensive, than any that have yet been applied to Shakespeare studies. The book also reveals how word patterns help create a characteristic personal style. In tackling traditional problems with the aid of the processing power of the computer, harnessed through computer science, and drawing upon large amounts of data, the book is an exemplar of the new domain of digital humanities.
Shakespeare and the Idea of Western Civilization by R.V. Young Pdf
William Shakespeare is widely regarded as one of the greatest writers of the Western world and most certainly its greatest playwright. His actual relationship to Western civilization has not, however, been thoroughly investigated. At a time when that civilization, as well as its premier dramatist, is subjected to severe and increasing criticism for both its supposed crimes against the rest of the world and its fundamental principles, a reassessment of the culture of the West is overdue. Shakespeare and the Idea of Western Civilization offers an unprecedented account of how the playwright draws upon his civilization's unique culture and illuminates its basic features. Rather than a treatment of all the works, R.V. Young focuses on how some of Shakespeare's best and most well-known plays dramatize the West's conception of social institutions and historical developments such as love and marriage, ethnic and racial prejudice, political order, colonialism, and religion. Shakespeare and the Idea of Western Civilization provides a spirited defense of the West and its greatest poet at a time when both are the object of virulent academic and political hostility.
This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage, and in the understanding of signs helped produce scripts that still compel us to the act of interpretation. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This edition first published in 1982. Previous edition published in 1972 by Houghton Mifflin. Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive understanding of Shakespeare's drama, focussing on the topics which must be kept in mind: the formative influence of the particular genre chosen for telling a story, the way in which the story is narrated and dramatized, the styles used to convey action, character and mood, and the manner in which Shakespeare has constructed his living characterizations. As well as covering textual analysis, the book looks at Shakespeare's life and career, his theatres and the actors for whom he wrote and the process of printing and preserving Shakespeare's plays. Chapters cover: King Lear in the Renaissance; Providence; Kind; Fortune; Anarchy and Order; Reason and Will; Show and Substance; Redemption and Shakespeare's Poetics.
First published to critical acclaim in 1989, this book is now recognised as one of the most original and influential critical studies of Shakespeare to have appeared in recent times. For this brand-new edition, Kiernan Ryan has not only revised and updated the text throughout, but he has also added a great deal of new material, expanding the book to twice the size of the first edition. The section on Shakespearean comedy now includes an essay on Shakespeare's first scintillating experiment in the genre, The Comedy of Errors, and a study of his most perplexing problem play, Measure for Measure. A provocative new last chapter, '"Dreaming on things to come": Shakespeare and the Future of Criticism', reveals how much modern criticism can learn from the appropriation of Shakespeare by Oscar Wilde, George Bernard Shaw and James Joyce. Students, teachers, and anyone with a passionate interest in what the plays have to say to us today, will find this modern classic of Shakespeare criticism indispensable.