Signac

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Signac, 1863-1935

Author : Paul Signac,Marina Bocquillon-Ferretti,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 354 pages
File Size : 47,7 Mb
Release : 2001
Category : Neo-impressionism (Art)
ISBN : 9780870999987

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Signac, 1863-1935 by Paul Signac,Marina Bocquillon-Ferretti,Metropolitan Museum of Art (New York, N.Y.) Pdf

This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc

Paul Signac: 111 Paintings

Author : Jessica Findley
Publisher : Osmora Incorporated
Page : 116 pages
File Size : 43,5 Mb
Release : 2014-11-27
Category : Art
ISBN : 9782765906346

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Paul Signac: 111 Paintings by Jessica Findley Pdf

Paul Signac was a neo-impressionist painter who, working with Georges Seurat, helped develop the pointillist style. Under Monet's influence Signac abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He loved to paint the water and experimented with various media. As well as oil paintings and watercolors he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and André Derain in particular, thus playing a decisive role in the evolution of Fauvism.

Paul Signac (1863–1935)

Author : George Szabo
Publisher : Metropolitan Museum of Art
Page : 56 pages
File Size : 46,6 Mb
Release : 1977-12-01
Category : Art
ISBN : 8210379456XXX

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Paul Signac (1863–1935) by George Szabo Pdf

Paul Signac and Georges Sureat were the founders and the chief proponents of the Neo-Impressionist group of artists, the most prominent force in French art from 1886 until 1891. This exhibition represents the complete holdings of Paul Signac's work in the Metropolitan Museum of Art, the majority of which are in the Robert Lehman Collection. Parallel to this show, drawings and oil sketches of Seurat from New York collections are exhibited in the galleries of the Department of Drawings. Robert Lehman was very fond of Signac's art. He appreciated the dignified serenity and exact organization of the compositions, and he admired the free-flowing arabesques of line and the brilliance of the colors. Mr. Lehman acquired several oils and dozens of watercolors by Signac during the long years of his collecting. Many of these were given to museums and friends, but a considerable group of the artist's works remained in the collection at the time it entered the Metropolitan Museum. Therefore, it seemed natural that as part of our program of making available to the public larger segments of the Robert Lehman Collection, an exhibition of Paul Signac's works should be organized. Furthermore, for the first time, we have included in this exhibition the Signac holdings of other departments of the Museum. The drawings and oils sketches of Georges Seurat from the Robert Lehman Collection are naturally all included in the Seurat exhibition.

Modern Art and the Idea of the Mediterranean

Author : Vojtech Jirat-Wasiuty?ski,Anne Elizabeth Dymond,Vojt?ch Jirat-Wasiuty?ski
Publisher : University of Toronto Press
Page : 337 pages
File Size : 52,5 Mb
Release : 2007-01-01
Category : Social Science
ISBN : 9780802091703

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Modern Art and the Idea of the Mediterranean by Vojtech Jirat-Wasiuty?ski,Anne Elizabeth Dymond,Vojt?ch Jirat-Wasiuty?ski Pdf

The Mediterranean is an invented cultural space, on the frontier between North and South, West and East. Modern Art and the Idea of the Mediterranean examines the representation of this region in the visual arts since the late eighteenth century, placing the 'idea of the Mediterranean' - a cultural construct rather than a physical reality - at the centre of our understanding of modern visual culture. This collection of essays features an international group of scholars who examine competing visions of the Mediterranean in terms of modernity and cultural identity, questioning and illuminating both European and non-European representations. An introductory essay frames the analysis in terms of a new spatial paradigm of the Mediterranean as a geographic, historical, and cultural region that emerged in the late eighteenth century, as France and Britain colonized the surrounding territories. Essays are grouped around three vital themes: visualization of the space of the new Mediterranean; varied uses of the classical paradigm; and issues of identity and resistance in an age of modernity and colonialism. Drawing on recent geographical, historical, cultural and anthropological studies, contributors address the visual representation of identity in both the European and the 'Oriental, ' the colonial and post-colonial Mediterranean.

Paul Signac

Author : Marina Bocquillon-Ferretti,Paul Signac,Charles Cachin
Publisher : Unknown
Page : 136 pages
File Size : 45,8 Mb
Release : 2000
Category : Art
ISBN : UOM:39015049553129

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Paul Signac by Marina Bocquillon-Ferretti,Paul Signac,Charles Cachin Pdf

Katalog wystawy w Arkansas Arts Center, Litle Rock, 19 luty - 9 kwiecień 2000.

Paul Signac and Color in Neo-impressionism

Author : Floyd Ratliff
Publisher : Unknown
Page : 342 pages
File Size : 51,7 Mb
Release : 1992
Category : Art
ISBN : UOM:39015022268356

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Paul Signac and Color in Neo-impressionism by Floyd Ratliff Pdf

Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an integrated way. Signac was the principal advocate for the new movement launched by Georges Seurat in the 1880s. The book is handsomely illustrated with both Neo-Impressionist paintings and scientific drawings and diagrams. Ratliff's five-part essay provides an extended introduction to a translation of Signac's monograph, From Eugene Delacroix to Neo-Impressionism, widely regarded as the basic document of the movement, but never before available in English. This will be an invaluable reference for scholars in art and design, as well as students of the psychology and neurophysiology of color vision and those interested in the relation between the arts and the sciences. Its clarity of style also makes it accessible to the general reader interested in art history, painting, or the perception of color, particularly with its glossary of technical and art terms, index, and bibliography.

A Theory of the Tache in Nineteenth-Century Painting

Author : ?stein Sj?ad
Publisher : Routledge
Page : 190 pages
File Size : 51,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351577939

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A Theory of the Tache in Nineteenth-Century Painting by ?stein Sj?ad Pdf

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.

Paul Signac, 1863-1935

Author : Paul Signac,Marlborough Fine Art (London) Ltd
Publisher : Unknown
Page : 98 pages
File Size : 51,7 Mb
Release : 1986
Category : Art
ISBN : UOM:39015055110459

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Paul Signac, 1863-1935 by Paul Signac,Marlborough Fine Art (London) Ltd Pdf

The Joy of Life

Author : Margaret Werth
Publisher : Univ of California Press
Page : 374 pages
File Size : 44,9 Mb
Release : 2002-11-05
Category : Art
ISBN : 0520221826

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The Joy of Life by Margaret Werth Pdf

"Werth weaves together complex analyses of these paintings and others by Manet, Gauguin, Seurat, Cezanne, and less well known artists with a consideration of their critical reception, literary parallels, and the social and cultural milieu. She moves from artistic concerns with tradition and avant-gardism, decoration and social art, composition and figuration to contemporary debates over human origins and social organization."--BOOK JACKET.

The Neo-Impressionist Portrait, 1886?1904

Author : Jane Block,Ellen Wardwell Lee,ING Cultuurcentrum,Indianapolis Museum of Art
Publisher : Yale University Press
Page : 257 pages
File Size : 47,8 Mb
Release : 2014-03-25
Category : Art
ISBN : 9780300190847

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The Neo-Impressionist Portrait, 1886?1904 by Jane Block,Ellen Wardwell Lee,ING Cultuurcentrum,Indianapolis Museum of Art Pdf

"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."

Van Gogh and the Post-Impressionists for Kids

Author : Carol Sabbeth
Publisher : Chicago Review Press
Page : 162 pages
File Size : 52,6 Mb
Release : 2011-05
Category : Juvenile Nonfiction
ISBN : 9781569768822

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Van Gogh and the Post-Impressionists for Kids by Carol Sabbeth Pdf

A collection of artwork for children by Vincent van Gogh and other French artists.

Color and Meaning

Author : John Gage
Publisher : Univ of California Press
Page : 326 pages
File Size : 52,8 Mb
Release : 1999
Category : Art
ISBN : 0520226119

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Color and Meaning by John Gage Pdf

"John Gage's Color and Meaning is full of ideas. . .He is one of the best writers on art now alive."--A. S. Byatt, Booker Prize winner

Matisse and Decoration

Author : John Klein
Publisher : Yale University Press
Page : 273 pages
File Size : 44,5 Mb
Release : 2018-01-01
Category : Art
ISBN : 9780300135640

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Matisse and Decoration by John Klein Pdf

A brand new look at the extremely beautiful, if underappreciated, later works of one of the most inventive artists of the 20th century Between 1935 and his death at midcentury, Henri Matisse (1869-1954) undertook many decorative projects and commissions. These include mural paintings, stained glass, ceramic tiles, lead crystal pieces, carpets, tapestries, fashion fabrics, and accessories--work that has received no significant treatment until now. By presenting a wealth of new insights and unpublished material, including from the artist's own correspondence, John Klein, an internationally acclaimed specialist in the art of Matisse, offers a richer and more balanced view of Matisse's ambitions and achievements in the often-neglected later phases of his career. Matisse designed many of these decorations in the innovative--and widely admired--medium of the paper cut-out, whose function and significance Klein reevaluates. Matisse and Decoration also opens a window onto the revival and promotion, following World War II, of traditional French decorative arts as part of France's renewed sense of cultural preeminence. For the first time, the idea of the decorative in Matisse's work and the actual decorations he designed for specific settings are integrated in one account, amounting to an understanding of this modern master's work that is simultaneously more nuanced and more comprehensive.

Visualizing Utopia

Author : M. G. Kemperink,Willemien H.S. Roenhorst
Publisher : Peeters Publishers
Page : 274 pages
File Size : 54,5 Mb
Release : 2007
Category : Art
ISBN : 9042918772

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Visualizing Utopia by M. G. Kemperink,Willemien H.S. Roenhorst Pdf

This volume contains the essays presented at the workshop 'Visualizing Utopia' held in May 2005, organized by Mary Kemperink and Willemien Roenhorst. The essays presented here discuss utopian thinking from 1890 until 1930. From the end of the eighteenth century, this utopian thinking developed from what can be called 'classic' utopianism into 'modern' utopianism. Utopianism unmarked by temporality made way for a tale situated in time - future time. Thus what was first regarded as merely a thought experiment gradually assumed the character of a real political programme. In their view of the new world and new people, writers, artists, architects, social reformers, cultural critics, politicians, etc., would often draw on representations already present in the culture. These could be biblical representations, such as those of the Apocalypse, Christ the Saviour and earthly paradise, or ancient myths, such as those of the Age of Gold, Arcadia, the sun-drenched world of Gnosticism and the Wagnerian mythological universe. The workshop concentrated on the following two aspects: the way in which the future Utopia and the path that would lead to its realization was given shape in the artistic field as well as in the non-artistic field, and the question to which culturally rooted concepts these representations were related. This double line of approach created the opportunity for specialized researchers from different disciplines - history, cultural history, art history, history of architecture, literary history - to discuss utopianism as it manifested itself in Europe and the United States at the end of the nineteenth and the beginning of the twentieth century.

Neo-Impressionism and the Dream of Realities

Author : Cornelia Homburg,Paul Smith,Christopher Riopelle
Publisher : Yale University Press
Page : 209 pages
File Size : 46,9 Mb
Release : 2014-01-01
Category : Art
ISBN : 9780300190830

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Neo-Impressionism and the Dream of Realities by Cornelia Homburg,Paul Smith,Christopher Riopelle Pdf

A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.