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Author : Moritz Moszkowski,Maurice Hinson,Allison Nelson Publisher : Alfred Music Page : 56 pages File Size : 53,5 Mb Release : 2013-06-11 Category : Music ISBN : 9781470622152
Spanish Dances, Op. 12 by Moritz Moszkowski,Maurice Hinson,Allison Nelson Pdf
The Spanish Dances, Op. 12, are probably Moszkowski's most famous piano works. These five duets are beautifully conceived for the piano and have a winning appeal. They often sound more difficult than they are and lie well under the hands. This edition includes historical information, as well as helpful editorial fingering.
12 Spanish Dances, Op. 5 by Enrique Granados,Olga Llano Kuehl-White Pdf
Granados's 12 Spanish Dances is a cycle of keyboard vignettes depicting Spanish life. This is the first critical edition published in the United States that includes Granados's final revisions. Performance notes, historical information and a glossary of Spanish terms are included. This edition aids in interpretation through added fingerings, editorial pedal, and indications for subtle changes in tempo, which are integral to the performance of Spanish music. Dr. Kuehl-White studied in Barcelona with legendary Spanish pianist Alicia de Larrocha, who provided a tremendous legacy regarding the performance practice traditions of Granados's music. Titles: * Galante * Oriental * Fandango * Villanesca * Andaluza * Rondalla Aragonesa * Valenciana * Asturiana * Romántica * Melancólica * Arabesca * Bolero
The Three Spanish Dances, from Opus 12 by Moritz Moszkowski (1854-1925), were originally written for piano in 1875. These were among his most popular works. Arranged here for flute and guitar, these pieces are melodic works that are fun to play and thoroughly enjoyable to listen to. Arranger Garth Baxter is noted for his modern traditionalist style of writing.This is a style that combines the traditions of form and clear melodic writing with the use of contemporary approaches to harmonies and other elements. Upper-intermediate to advanced in difficulty. A free solo flute part plus audio downloads are available for use with this title.
Goyescas, Spanish dances, and other works by Enrique Granados Pdf
Includes four of the great Spanish composer's most admired and most performed suites for the piano, including his greatest work, Goyescas, the popular Spanish Dances, and the less-well-known but beautiful Escenas romanticas and Escenas poeticas, all reprinted from the original Spanish editions. Table of Contents.
Goyescas, Spanish Dances and Other Works for Solo Piano by Enrique Granados Pdf
Features 4 of the great composer's most admired, most performed suites for the piano, in definitive Spanish editions. Includes his greatest work, Goyescas, the popular Spanish Dances, plus the beautiful Escenas romanticas and Escenas poeticas.
Antonio Triana and the Spanish Dance by Rita Vega de Triana Pdf
This book also traces the evolution of the Spanish Dance technique, marked as it is by a turbulent history. Antonio Triana was a dancer of mature artistry, dignity and power. His physical and technical achievements went beyond what is generally known about Spanish Dance. His dance presented the essence of the Spanish character and, in his choreography, he used his traditional background for his brilliant inspirations. He partnered the legendary La Argentinita, Pilar Lopez and Carmen Amaya with spirit and gallantry. Over the years he developed a very distinct method of teaching and he became one of the foremost Spanish Flamenco dancers and teachers of his time. Rita Vega de Triana formed the Triana Ballet Español with her late husband. She currently teaches Hispanic dance and related subjects at the University of Texas at El Paso and directs her own school as well as performing around the United States as a guest artist and choreographer.
Carmen and the Staging of Spain by Michael Christoforidis,Elizabeth Kertesz Pdf
Carmen and the Staging of Spain explores the Belle Époque fascination with Spanish entertainment that refashioned Bizet's opera and gave rise to an international "Carmen industry." Authors Michael Christoforidis and Elizabeth Kertesz challenge the notion of Carmen as an unchanging exotic construct, tracing the ways in which performers and productions responded to evolving fashions for Spanish style from its 1875 premiere to 1915. Focusing on selected realizations of the opera in Paris, London and New York, Christoforidis and Kertesz explore the cycles of influence between the opera and its parodies; adaptations in spoken drama, ballet and film; and the panorama of flamenco, Spanish dance, and musical entertainments. Their findings also uncover Carmen's dynamic interaction with issues of Hispanic identity against the backdrop of Spain's changing international fortunes. The Spanish response to this now most-Spanish of operas is illuminated by its early reception in Madrid and Barcelona, adaptations to local theatrical genres, and impact on Spanish composers of the time. A series of Spanish Carmens, from opera singers Elena Sanz and Maria Gay to the infamous music-hall star La Belle Otero, had a crucial influence on the interpretation of the title role. Their stories provide a fresh context for the book's reappraisal of leading Carmens of the era, including Emma Calvé and Geraldine Farrar.
The History Of Dance - The Dance In Portugal, Spain, And Italy by Lilly Grove Pdf
Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Dancing Mestizo Modernisms by Jose Luis Reynoso Pdf
This book analyzes how national and international dancers contributed to developing Mexico's cultural politics and notions of the nation at different historical moments. It emphasizes how dancers and other moving bodies resisted and reproduced racial and social hierarchies stemming from colonial Mexico (1521-1821). Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, author Jose Reynoso examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). In so doing, the book analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities. The book proposes and develops two main concepts that explore these mutually formative interactions among such diverse people: embodied mestizo modernisms and transnational nationalisms. 'Embodied mestizo modernisms' refers to combinations of indigenous, folkloric, ballet, and modern dance practices in works choreographed by national and international dancers with different racial and social backgrounds. The book contends that these mestizo modernist dance practices challenged assumptions about racial neutrality with which whiteness historically established its ostensible supremacy in constructing Mexico's 'transnational nationalisms'. This argument holds that notions of the nation-state and national identities are not produced exclusively by a nation's natives but also by historical transnational forces and (dancing) bodies whose influences shape local politics, economic interests, and artistic practices.
Prince Series K12 - May I Have This Dance? Dances by Kaoru Pdf
The students of Momos Academy for Boys have been invited to a dance event organised by Poposi Academy for Girls. To Alex's surprise, Princess han has requested that he be her dance partner for the first dance. The only problem is Alex doesn't know a thing about dancing. Can the Princes help the very nervous Alex acquire some dance moves?
