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When Salim, a young Indian man, is offered a small business in Central Africa, he accepts. Accompanied by Metty, the son of one of the family slaves, he travels deep into the heart of the continent to become a trader in the town on a bend in the river. As Salim strives to establish himself, he becomes closely involved with the fluid and dangerous politics of the newly-independent state. V.S. Naipaul unfolds a powerful story of changing Africa, sustaining his superb characterization and dramatic invention right to the memorable conclusion. He uses the troubled continent as a text to preach magnificently upon the sickness of a world losing touch with its past. Together with A House for Mr Biswas, A Bend In The River established V.S. Naipaul as one of the pre-eminent novelists of our time.
IS THERE A WARNING BEFORE THE MOMENT LIFE SHATTERS INTO PIECES? In 1968 two young Vietnamese sisters flee to Saigon after their village on the Mekong River is attacked by American forces and burned to the ground. The sole survivors of the brutal massacre that killed their family, the sisters struggle to survive but become estranged, separated by sharply different choices and ideologies. Mai ekes out a living as a GI bar girl, but Tam’s anger festers, and she heads into jungle terrain to fight with the Viet Cong. For nearly ten years, neither sister knows if the other is alive. Do they both survive the war? And if they do, can they mend their fractured relationship? Or are the wounds from their journeys too deep to heal? In a stunning departure from her crime thrillers, Libby Fischer Hellmann delves into a universal story about survival, family, and the consequences of war.
NATIONAL BESTSELLER • At once an incredible adventure narrative and a penetrating biographical portrait—the bestselling author of River of the Gods brings us the true story of Theodore Roosevelt’s harrowing exploration of one of the most dangerous rivers on earth. “A rich, dramatic tale that ranges from the personal to the literally earth-shaking.” —The New York Times The River of Doubt—it is a black, uncharted tributary of the Amazon that snakes through one of the most treacherous jungles in the world. Indians armed with poison-tipped arrows haunt its shadows; piranhas glide through its waters; boulder-strewn rapids turn the river into a roiling cauldron. After his humiliating election defeat in 1912, Roosevelt set his sights on the most punishing physical challenge he could find, the first descent of an unmapped, rapids-choked tributary of the Amazon. Together with his son Kermit and Brazil’s most famous explorer, Cândido Mariano da Silva Rondon, Roosevelt accomplished a feat so great that many at the time refused to believe it. In the process, he changed the map of the western hemisphere forever. Along the way, Roosevelt and his men faced an unbelievable series of hardships, losing their canoes and supplies to punishing whitewater rapids, and enduring starvation, Indian attack, disease, drowning, and a murder within their own ranks. Three men died, and Roosevelt was brought to the brink of suicide. The River of Doubt brings alive these extraordinary events in a powerful nonfiction narrative thriller that happens to feature one of the most famous Americans who ever lived. From the soaring beauty of the Amazon rain forest to the darkest night of Theodore Roosevelt’s life, here is Candice Millard’s dazzling debut. Look for Candice Millard’s latest book, River of the Gods.
Justin Hill was only twenty-one when he arrived starry-eyed in Yuncheng, central China, a small town hidden among the plains of dusty Shanxi province. He was greeted by a place and people designed to shatter the most tightly held of illusions about the glories of Chinese tradition and culture: an ugly grimy town where spitting in public was encouraged and queuing was anathema, where the local TV output consisted of nightly readings of the works of Deng Xiao Ping interspersed with NBA basketball games. But after two years teaching Yuncheng's inhabitants he emerged knowing that nowhere was more authentically Chinese than this outpost nestling in the bend of the Yellow River, battling the contradictions of past and future with robust good humour.
Lush and chilling, with razor-sharp edges and an iron core of hope, this bewitching, powerhouse novel of two girls fighting back against the violence the world visits on them will stun and enchant readers. Girls have been going missing in the woods… When Natasha’s sister disappears, Natasha desperately turns to Della, a local girl rumored to be a witch, in the hopes that magic will bring her sister home. But Della has her own secrets to hide. She thinks the beast who’s responsible for the disappearances is her own mother—who was turned into a terrible monster by magic gone wrong. Natasha is angry. Della has little to lose. Both are each other’s only hope. From the author of Ghost Wood Song, this eerie contemporary fantasy is perfect for fans of Wilder Girls and Bone Gap. Praise for Ghost Wood Song: “A gorgeous, creepy gem of a book.” —Claire Legrand, New York Times bestselling author of Furyborn and Sawkill Girls "It will make your heart dance." —Jeff Zentner, Morris Award-winning author of The Serpent King and Goodbye Days "Strikes the perfect balance of atmospheric chills, dark familial secrets, and a yearning for the warm comforts of home.” —Erin A. Craig, New York Times bestselling author of House of Salt and Sorrows “Waters' debut features a bisexual lead with both male and female love interests, an atmospheric southern gothic setting, and, for the musically inclined, lots of folk and bluegrass references.” —Booklist “Haunting and alluring.” —Kirkus
When a team of five explorers embarked on a 1,200-mile journey down the Rio Grande, the river that marks the southern boundary of Texas and the US-Mexico border, their goal was to experience and capture on film the rugged landscapes of this vast frontier before the controversial construction of a border wall changed this part of the river forever. The crew—Texas filmmaker Ben Masters, Brazilian immigrant Filipe DeAndrade, Texas conservationist Jay Kleberg, wildlife biologist Heather Mackey, and Guatemalan-American river guide Austin Alvarado—began the trip in El Paso, pedaling mountain bikes through the city’s dry river bed. Their path took them on horseback through the Big Bend, down the Wild and Scenic stretch of the river in canoes, and back to bikes from Laredo to Brownsville. They paddled the last ten miles through a forest of river cane to the Gulf of Mexico. As they made their way to the Gulf, they met and talked with the people who know and live on the river—border patrol, wildlife biologists, ranchers, politicians, farmers, social workers, locals, and travelers. They climbed the wall (in twenty seconds). They encountered rare black bears, bighorn sheep, and birds of all kinds. And they sought to understand the complexities of immigration, the efficacy of a wall, and the impact of its construction on water access, wildlife, and the culture of the borderlands. The River and the Wall is both a wild adventure on a spectacular river and a sobering commentary on the realities of walling it off.
If elephants could tell just one story, it would be the story of Mud, a young elephant cow orphaned at birth and blessed with visionary powers. Mud’s life on the African plain is changed forever when she and her adopted family are forced by prolonged drought to linger at one of the few remaining watering holes. The herd is ambushed there by ivory poachers, who kill almost all the cows and their young. The traumatized survivors, including a pregnant Mud, set out in search of the talismanic white bone that can lead them to a paradise free from human savagery.
'Exceptional' The Times 'Luminous . . . Unexpected' Guardian Shortlisted for Novel of the Year at the Irish Book Awards, the Dalkey Literary Awards and the Kerry Group Awards Luke O’Brien has left Dublin to live a quiet life on the bend of the River Sullane. Alone in his big house, he longs for a return to his family’s heyday and turns to books for solace. One morning a young woman arrives at his door, presenting Luke and his family with an almost impossible dilemma.
One of the finest living writers in the English language, V. S. Naipaul gives us a tale as wholly unexpected as it is affecting, his first novel since the exultantly acclaimed A Way in the World, published seven years ago. Half a Life is the story of Willie Chandran, whose father, heeding the call of Mahatma Gandhi, turned his back on his brahmin heritage and married a woman of low caste—a disastrous union he would live to regret, as he would the children that issued from it. When Willie reaches manhood, his flight from the travails of his mixed birth takes him from India to London, where, in the shabby haunts of immigrants and literary bohemians of the 1950s, he contrives a new identity. This is what happens as he tries to defeat self-doubt in sexual adventures and in the struggle to become a writer—strivings that bring him to the brink of exhaustion, from which he is rescued, to his amazement, only by the love of a good woman. And this is what happens when he returns with her—carried along, really—to her home in Africa, to live, until the last doomed days of colonialism, yet another life not his own. In a luminous narrative that takes us across three continents, Naipaul explores his great theme of inheritance with an intimacy and directness unsurpassed in his extraordinary body of work. And even as he lays bare the bitter comical ironies of assumed identities, he gives us a poignant spectacle of the enervation peculiar to a borrowed life. In one man’s determined refusal of what he has been given to be, Naipaul reveals the way of all our experience. As Willie comes to see, “Everything goes on a bias. The world should stop, but it goes on.” A masterpiece of economy and emotional nuance, Half a Life is an indelible feat of the imagination.
Deep in trouble, Deep in the canyons Fourteen-year-old Dylan Sands has come all the way from North Carolina to Big Bend National Park, on the Texas/Mexico border, to paddle the fabled Rio Grande. His partner in adventure is a local river rat, his cousin Rio. As the two are packing their boats for ten days in the canyons, six Black Hawk helicopters appear overhead and race across the river into Mexico. The army won't tell the boys what's happening, but they are given a weather advisory: A hurricane is approaching the Gulf of Mexico. Dylan and Rio have their hearts set on their trip and can't give it up. Rio believes that their chances of running into border troubles or a major storm are slim to none. By canoe and raft, Dylan and Rio venture into the most rugged and remote reaches of the U.S./Mexico border. You may well not see another human being during the duration of your trip, the guidebook tells them. They don't, until a man stumbles into camp with a seven-year-old boy. A storm is brewing as the man who calls himself Carlos begs for help . . . and the boy is trembling with fear.
In the summer of 1997 renowned nature photographer C. C. Lockwood embarked on a remarkable adventure. First by canoe and then by Grand Canyon–style pontoon raft, he journeyed the length of the Mississippi River—2,320 miles—from its source at Lake Itasca, Minnesota, to its mouth at the Gulf of Mexico. Armed with his camera and computer equipment to transmit stories and pictures to schoolchildren, this “High Tech Huck Finn” trained his lens on spectacular scenes, creating images that vividly depict the life pulsing in and near this vital American artery—water and lands that touch the lives of every American. As Lockwood shows in these brilliant color photographs, the river has many faces. At its birthplace it is nothing more than a trickle among rocks. But as it serpentines south, it slowly grows until, at its end, it pours daily over 420 billion gallons of water into the Gulf of Mexico. Lockwood captures the river in all of its moods: a ghostly foggy morning on the bank; a bright orange sunset over the bends; a quiet snowfall at the headwaters; a sudden rain shower at dusk. He also offers intimate images of the creatures that make their home in the river or along its shores: a whitetail fawn nestled in underbrush; a curious frog peeking out from beneath reeds; a Canada goose marching in line with her goslings; turtles burying themselves in mud. His depiction of the natural beauty of Old Man River is unparalleled. The river comes to appear as a thriving community because Lockwood introduces the people, both ordinary and extraordinary, who live and journey on it. We meet, among others, a performance artist intent on swimming the river’s length; inhabitants of a makeshift houseboat colony near Winona, Minnesota; Tom Sawyer and Becky Thatcher look-alikes in Hannibal, Missouri; and Willie P., who, with the help of thirty-gallon plastic barrels and paddle wheels, employs a most unusual mode of river transportation—a Toyota Celica hatchback. To illustrate the changing riverscape, Lockwood includes images of some of the businesses and industries that line the river’s banks: casino river boats glittering in the night; the jumping blues clubs of Memphis’ Beale Street; bustling industrial plants and the countless barges and push boats that service them. He also offers a detailed memoir of his trip, as well as his other tours of the river by plane, car, tugboat, and river boat, in a delightful introduction. Lockwood’s photographs depict beautifully the varied aspects of the Mississippi River—flourishing community, vital industrial corridor, and priceless environmental treasure. Through this book, readers can join him on his quest to discover the wonders that lie just “around the bend.”
A bestselling, riveting literary delight for fans of All the Light We Cannot See and The Nightingale: an historical novel that is at once an epic love story and a heart-pounding journey across WWI-era Russia, following an ambitious young doctor and her scientist brother in a race against Einstein to solve one of the greatest mysteries of the universe. In Russia, in the summer of 1914, as war with Germany looms and the Czar's army tightens its grip on the local Jewish community, Miri Abramov and her brilliant physicist brother, Vanya, are facing an impossible decision. Since their parents drowned fleeing to America, Miri and Vanya have been raised by their babushka, a famous matchmaker who has taught them to protect themselves at all costs: to fight, to kill if necessary, and always to have an escape plan. But now, with fierce, headstrong Miri on the verge of becoming one of Russia's only female surgeons, and Vanya hoping to solve the final puzzles of Einstein's elusive theory of relativity, can they bear to leave the homeland that has given them so much? Before they have time to make their choice, war is declared and Vanya goes missing, along with Miri's fiancé. Miri braves the firing squad to go looking for them both. As the eclipse that will change history darkens skies across Russia, not only the safety of Miri's own family but the future of science itself hangs in the balance. Grounded in real history -- and inspired by the solar eclipse of 1914 -- A Bend in the Stars offers a heartstopping account of modern science's greatest race amidst the chaos of World War I, and a love story as epic as the railways crossing Russia.
