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How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Burial of the Rats by Bram Stoker "The Burial of the Rats" is a story by Bram Stoker. Plot Summary: Leaving Paris by the Orleans road, cross the Enceinte, and, turning to the right, you find yourself in a somewhat wild and not at all savoury district. Right and left, before and behind, on every side rise great heaps of dust and waste accumulated by the process of time. Paris has its night as well as its day life, and the sojourner who enters his hotel in the Rue de Rivoli or the Rue St. Honore late at night or leaves it early in the morning, can guess, in coming near Montrouge-if he has not done so already-the purpose of those great waggons that look like boilers on wheels which he finds halting everywhere as he passes.
Gothic Animals by Ruth Heholt,Melissa Edmundson Pdf
This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.
The rat has been described as the shadow of the human: from ancient times through today, it has followed man via routes of commerce and conquest to eventually inhabit nearly every part of the world. Rats have a bad reputation—they spread disease, destroy agricultural produce, and thrive in the darkest corners of human habitation—but they have recently found credibility as a major resource for scientific experimentation. Jonathan Burt here traces the fortunes of the rat in history, myth, and culture. Central to Rat is the history of the relationship between humans and rats and, in particular, the complex human attitudes toward these shrewd creatures. Burt examines why the rat is viewed as more loathsome and verminous than other parasitic animals and considers why humans have had diametrically opposed attitudes about the rat: some cultures greatly admire the rat for its skills, while others consider the rat the scourge of the earth. Burt also draws on a wide range of examples to explore the rat's role in science, culture, and art, from its appearances in children's literature such as The Wind in the Willows to Victorian rat- and dog-baiting pits to its symbolic roles in folklore. Rat offers an intriguing and richly illustrated study of one of nature's most remarkable creatures and ultimately finds that the rat exists as a perverse totem for the worst excesses of human behavior.
While best known for literature's greatest, most popular, and most famous vampire novel, Dracula, Bram Stoker also wrote superlative short stories. Indeed, he was a genius at creating horror within the confines of a short tale. Now readers can sample Stoker's mastery in this treasury of fourteen spine-tingling stories. Not all the selections deal with the ghostly and supernatural, but they are always bizarre, and some—like "The Squaw" and "The Burial of the Rats"—are equal to Poe at his best. In addition to these two masterly tales, the collection includes "The Crystal Cup," "The Chain of Destiny," "The Castle of the King," "The Dualists" (probably Stoker's most horrifying story), "The Judge's House," "The Secret of the Growing Gold," "A Dream of Red Hands," "Crooken Sands," "Dracula's Guest," and three more. Lovers of occult and supernatural fiction will delight in this inexpensive collection of ghost and horror stories, called by Stephen King "absolutely champion short stories."
Since the mid-1970s, the colloquial term zone has often been associated with the troubled post-war housing estates on the outskirts of large French cities. However, it once referred to a more circumscribed space: the zone non aedificandi (non-building zone) which encircled Paris from the 1840s to the 1940s. This unusual territory, although marginal in a social and geographical sense, came to occupy a central place in Parisian culture. Previous studies have focused on its urban and social history, or on particular ways in which it was represented during particular periods. By bringing together and analysing a wider range of sources from the duration of the zone’s existence, this study offers a rich and nuanced account of how the area was perceived and used by successive generations of Parisian novelists (including Zola and Flaubert), poets, songwriters, artists, photographers, film-makers, politicians and town-planners. More generally, it aims to raise awareness of a neglected aspect of Parisian cultural history while pointing to links between current and past perceptions of the city’s periphery.
The Mysteries of London Volume 1 (of 4) (Illustrations) by George William MacArthur Reynolds Pdf
Example in this ebook Between the 10th and 13th centuries Civilisation withdrew from Egypt and Syria, rested for a little space at Constantinople, and then passed away to the western climes of Europe. From that period these climes have been the grand laboratory in which Civilisation has wrought out refinement in every art and every science, and whence it has diffused its benefits over the earth. It has taught commerce to plough the waves of every sea with the adventurous keel; it has enabled handfuls of disciplined warriors to subdue the mighty armaments of oriental princes; and its daring sons have planted its banners amidst the eternal ice of the poles. It has cut down the primitive forests of America; carried trade into the interior of Africa; annihilated time and distance by the aid of steam; and now contemplates how to force a passage through Suez and Panama. The bounties of Civilisation are at present almost everywhere recognised. Nevertheless, for centuries has Civilisation established, and for centuries will it maintain, its headquarters in the great cities of Western Europe: and with Civilisation does Vice go hand-in-hand. Amongst these cities there is one in which contrasts of a strange nature exist. The most unbounded wealth is the neighbour of the most hideous poverty; the most gorgeous pomp is placed in strong relief by the most deplorable squalor; the most seducing luxury is only separated by a narrow wall from the most appalling misery. The crumbs which fall from the tables of the rich would appear delicious viands to starving millions; and yet those millions obtain them not! In that city there are in all districts five prominent buildings: the church, in which the pious pray; the gin-palace, to which the wretched poor resort to drown their sorrows; the pawnbroker's, where miserable creatures pledge their raiment, and their children's raiment, even unto the last rag, to obtain the means of purchasing food, and—alas! too often—intoxicating drink; the prison, where the victims of a vitiated condition of society expiate the crimes to which they have been driven by starvation and despair; and the workhouse, to which the destitute, the aged, and the friendless hasten to lay down their aching heads—and die! And, congregated together in one district of this city, in an assemblage of palaces, whence emanate by night the delicious sounds of music; within whose walls the foot treads upon rich carpets; whose sideboards are covered with plate; whose cellars contain the choicest nectar of the temperate and torrid zones; and whose inmates recline beneath velvet canopies, feast at each meal upon the collated produce of four worlds, and scarcely have to breathe a wish before they find it gratified. Alas! how appalling are these contrasts! And, as if to hide its infamy from the face of heaven, this city wears upon its brow an everlasting cloud, which even the fresh fan of the morning fails to disperse for a single hour each day! And in one delicious spot of that mighty city—whose thousand towers point upwards, from horizon to horizon, as an index of its boundless magnitude—stands the dwelling of one before whom all knees bow, and towards whose royal footstool none dares approach save with downcast eyes and subdued voice. The entire world showers its bounties upon the head of that favoured mortal; a nation of millions does homage to the throne whereon that being is exalted. The dominion of this personage so supremely blest extends over an empire on which the sun never sets—an empire greater than Jenghiz Khan achieved or Mohammed conquered. This is the parent of a mighty nation; and yet around that parent's seat the children crave for bread! To be continue in this ebook
The Best New Horror has established itself as the world's premier annual, showcasing the talents of the very best writers working in the horror and dark fantasy field today. In this latest volume, the multi-award winning editor has once again chosen more than twenty terrifying tales of supernatural fear and psychological dread by some of the most acclaimed authors working in the genre. Along with the most comprehensive review of the year and a fascinating necrology, this is the book no horror fan can afford to miss.
Pre-historic Times, as Illustrated by Ancient Remains, and the Manners and Customs of Modern Savages, Etc. [With Illustrations.] by Sir John Lubbock Pdf
