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First published in the year 1897, 'The Decoration of Houses' is a joint effort of renowned writer Edith Wharton and his friend Ogden Codman. This book guides the readers about ways in which one can design the aesthetics of their dream house.
The Decoration of Houses by Ogden Codman Wharton Pdf
The Historical Tradition Rooms in General Walls Doors Windows Fireplaces Ceilings and Floors Entrance and Vestibule Hall and Stairs The Drawing-room, Boudoir, and Morning-room Gala Rooms: Ball-room, Saloon, Music-room, Gallery The Library, Smoking-room, and "Den" The Dining-room Bedrooms The School-room and Nurseries Bric-à-Bracooms may be decorated in two ways: by a superficial application of ornament totally independent of structure, or by means of those architectural features which are part of the organism of every house, inside as well as out. In the middle ages, when warfare and brigandage shaped the conditions of life, and men camped in their castles much as they did in their tents, it was natural that decorations should be portable, and that the naked walls of the mediæval chamber should be hung with arras, while a ciel, or ceiling, of cloth stretched across the open timbers of its roof. When life became more secure, and when the Italian conquests of the Valois had acquainted men north of the Alps with the spirit of classic tradition, proportion and the relation of voids to masses gradually came to be regarded as the chief decorative values of the interior. Portable hangings were in consequence replaced by architectural ornament: in other words, the architecture of the room became its decoration. This architectural treatment held its own through every change of taste until the second quarter of the present century; but since then various influences have combined to sever the natural connection between the outside of the modern house and its interior. In the average house the architect's task seems virtually confined xx to the elevations and floor-plan. The designing of what are to-day regarded as insignificant details, such as mouldings, architraves, and cornices, has become a perfunctory work, hurried over and unregarded; and when this work is done, the upholsterer is called in to "decorate" and furnish the rooms.
Edith Wharton The Decoration of Houses by Edith Wharton Pdf
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue that such rooms emphasize upholstery at the expense of proper space planning and architectural design and are, therefore, uncomfortable and rarely used. Wharton and Codman advocated the creation of houses with rooms decorated with strong architectural wall and ceiling treatments, accentuated by well-suited furniture, rooms based on simple, classical design principles such as symmetry and proportion and a sense of architectural balance. The Decoration of Houses is considered a seminal work and its success led to the emergence of professional decorators working in the manner advocated by its authors, most notably Elsie de Wolfe.The book was reprinted by The Mount and Rizzoli and in a hardcover facsimile in 2007.
Thousands of books on interior design have come and gone since the 1897 publication of this pioneering manual, but The Decoration of Houses remains, thanks to the insightful and inspiring advice of its co-authors. Before she became the Pulitzer Prize-winning author of The Age of Innocence, Edith Wharton was a society matron, remodeling a summer home in Newport, Rhode Island. With the able assistance of architect Ogden Codman, Jr., Wharton assembled this corrective to the rampant vulgarity of her nouveau riche neighbors. Wharton and Codman defied the excesses of the Gilded Age, counseling readers to reject the popular penchant for clutter in favor of simplicity and balance.More than an engaging item of period charm, this historic guide offers examples of design rooted in architectural principles. Black-and-white photographs illustrate the authors' ideals of classic beauty, depicting grand ballrooms and spacious boudoirs as well as the elements common to homes of every size and era: doors and windows, walls and ceilings, floors, halls, and stairs. One of the genre's most important and influential titles, this volume sparked a Renaissance in American interior design, and its sound advice and practical approach remain forever in style.
A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.
Classical Principles for Modern Design by Thomas Jayne Pdf
Interior designer and decorative arts historian Thomas Jayne takes on the redoubtable Edith Wharton and her co-author Ogden Codman, whose 1897 book The Decoration of Houses is acknowledged as the Bible of American interior design. Wharton and Codman advocated for classical simplicity and balance, replacing the excesses of the Gilded Age. In Jayne’s view, “The Decoration of Houses is the level-headed, indispensable book on the subject. It is not an overstatement to say that it is the most important decorating book ever written.” How much of Wharton and Codman’s advice and how many of their principles are still applicable today? In Classical Principles for Modern Design, Jayne argues that Wharton and Codman’s fundamental ideas about the proportion and planning of space create the most harmonious and livable interiors, whether traditional or contemporary. His authoritative and engaging text traces contemporary ideas about design elements and furnishing rooms back to Wharton and Codman and shows where his design approach coincides and where it diverges from their views. The book follows the chapter organization of The Decoration of Houses—chapters on walls, doors, windows and curtains, ceilings and floors, etc.—and adds important new perspectives on the design of kitchens and the use of color, both major subjects that Wharton and Codman did not address. Drawing on his own work at Jayne Design Studio, Jayne has selected elegant, traditional interiors that demonstrate these principles. Projects range from a restoration of historic eighteenth-century public rooms in Crichel House in Dorset, England, to a mountain retreat in the wilds of Montana to an array of luxurious New York City apartments and country houses in the Hudson Valley. Captured in lush photographs by Don Freeman and others, all speak to Thomas Jayne’s commitment to the primacy of function, quality, and simplicity, derived from the ancient tradition of classical design. As he says, “Tradition is not about what was. Tradition is now.”
The Decoration of Houses by Edith Wharton,Pforzheimer Bruce Rogers Collection,Ogden Codman, Jr Pdf
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The Decoration of Houses by Edith Wharton,De Vinne Press,Ogden Codman Pdf
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
21st Century Architecture Designer Houses by Mark Cleary Pdf
47 designer houses from around the world -- features the latest in contemporary architecture and stylish interior design -- complete with plans and colour photography for each project. This latest addition to IMAGES' 21st Century Architecture series brings together 47 of the world's most stylish contemporary houses from around the world. From Australia and New Zealand, to the Adriatic Coast in Greece, to the rugged mountains of Switzerland; from the suburbs of Japan, to the glittering views from the Hollywood Hills, this diverse selection of modern houses have all been designed by some of the best residential architects working today. Complete with stunning professional colour photography, floor plans and enlightening project descriptions, 21st Century Architecture: DESIGNER HOUSES will be of interest to anyone interested in beautiful houses, those who are looking for inspiration and those who like to dream.