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Recovering the Black Female Body by Michael Bennett,Vanessa D. Dickerson Pdf
Recovering the Black Female Body recognizes the pressing need to highlight through scholarship the vibrant energy of African American women's attempts to wrest control of the physical and symbolic construction of their bodies away from the distortions of others.
Drawing on surveys and interviews with almost 300 female military personnel, Melissa Herbert explores how women's everyday actions, such as choice of uniform, hobby, or social activity, involve the creation and re-creation of what it means to be a woman, and particularly a woman soldier. Do women feel pressured to be "more masculine," to convey that they are not a threat to men's jobs or status and to avoid being perceived as lesbians? She also examines the role of gender and sexuality in the maintenance of the male-defined military institution, proposing that, more than sexual harassment or individual discrimination, it is the military's masculine ideology--which views military service as the domain of men and as a mechanism for the achievement of manhood--which serves to limit women's participation in the military has increased dramatically. In the wake of armed conflict involving female military personnel and several sexual misconduct scandals, much attention has focused on what life is like for women in the armed services. Few, however, have examined how these women negotiate an environment that has been structured and defined as masculine.
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
Female Bodies on the American Stage by J. Mobley Pdf
The fat female body is a unique construction in American culture that has been understood in various ways during the twentieth and early twenty-first centuries. Analyzing post-WWII stage and screen performances, Mobley argues that the fat actress's body signals myriad cultural assumptions and suggests new ways of reading the body in performance.
The Female Body and the Law by Zillah R. Eisenstein Pdf
In dit boek over sekse verschillen stelt Eisenstein dat de ongelijkheid tussen de sekse in stand wordt gehouden door zowel het recht, die de man als standaard neemt bij wetgeving die de formele gelijkheid tussen mannen en vrouwen wil regelen, als door het biologische verschil tussen man en vrouw, waardoor vrouwen beperkt worden tot voortplanting en moederschap. Aan de hand van thema's als positieve actie, abortus en pornografie laat ze zien dat het recht beperkend werkt. Zonder terug te vallen in traditionele ideen stelt ze het 'zwangere lichaam' met de gevolgen daarvan, centraal in de discussie over gelijke behandeling.
The Fragmented Female Body and Identity by Pamela B. June Pdf
The Fragmented Female Body and Identity explores the symbol of the wounded and scarred female body in selected postmodern, multiethnic American women's novels, namely Toni Morrison's Beloved, Theresa Hak Kyung Cha's Dictée, Phyllis Alesia Perry's Stigmata, Gayl Jones's Corregidora, Emma Pérez's Gulf Dreams, Paula Gunn Allen's The Woman Who Owned the Shadows, and Kathy Acker's Blood and Guts in High School and Empire of the Senseless. In each of these novels, disjointed, postmodern writing reflects the novel's focus on fragmented female bodies. The wounded and scarred body emerges from various, often intersecting, forms of oppression, including patriarchy, racism, and heteronormativity. This book emphasizes the different and nuanced forms of oppression each woman faces. However, while the fragmented body symbolizes oppression and pain, it also catalyzes resistance through recognition. When female characters recognize some element of a shared oppression, they form bonds with one another. These feminist unities, as a response to multiple forms of oppression, become viable means for resistance and healing.
The Female Body in Medicine and Literature by Andrew Mangham,Greta Depledge Pdf
The Female Body in Medicine and Literature features essays that explore literary texts in relation to the history of gynaecology and women’s surgery. Gender studies and feminist approaches to literature have become busy and enlightening fields of enquiry in recent times, yet there remains no single work that fully analyses the impact of women’s surgery on literary production or, conversely, ways in which literary trends have shaped the course of gynaecology and other branches of women’s medicine. This book will demonstrate how fiction and medicine have a long-established tradition of looking towards each other for inspiration and elucidation in questions of gender. Medical textbooks and pamphlets have consistently cited fictional plots and characterisations as a way of communicating complex or ‘sensitive’ ideas. Essays explore historical accounts of clinical procedures, the relationship between gynaecology and psychology, and cultural conceptions of motherhood, fertility, and the female organisation through a broad range of texts including Henry More’s Pre-Existency of the Soul (1659), Charlotte Brontë’s Villette (1855), and Eve Ensler’s Vagina Monologues (1998). The Female Body in Medicine and Literature raises important theoretical questions on the relationship between popular culture, literature, and the growth of women’s medicine and will be required reading for scholars in gender studies, literary studies and the history of medicine. This collection explores the complex intersections between literature and the medical treatment of women between 1600 and 2000. Employing a range of methodologies, it furthers our understanding of the development of women’s medicine and comments on its wider cultural ramifications. Although there has been an increase in critical studies of women’s medicine in recent years, this collection is a key contributor to that field because it draws together essays on a wide range of new topics from varying disciplines. It features, for instance, studies of motherhood, fertility, clinical procedure, and the relationship between gynaecology and psychology. Besides offering essays on subjects that have received a lack of critical attention, the essays presented here are truly interdisciplinary; they explore the complex links between gynaecology, art, language, and philosophy, and underscore how popular art forms have served an important function in the formation of ‘women’s science’ prior to the twenty-first century. This book also demonstrates how a number of high-profile controversies were taken up and reworked by novelists, philosophers, and historians. Focusing on the vexed and convoluted story of women’s medicine, this volume offers new ways of thinking about gender, science, and the Western imagination. List of contributors: Janice Allan, Madeleine K. Davies, Greta Depledge, Laurie Garrison, Joanna Grant, Lori Schroeder Haslem, Dominic Janes, Emma L. Jones, Karín Lesnik-Oberstein, Pam Lieske, Andrew Mangham, Emma L. E. Rees, Sheena Sommers, Susan C. Staub, and Carolyn D.Williams.
The politics of reproduction : The prohibition on birth control -- The folklore of birth control -- The criminals -- Prudent sex: neo-Malthusianism and perfectionism. Toward women's power : Voluntary motherhood: the beginnings of the birth-control movement -- Social purity and eugenics -- Race suicide -- Continence or indulgence: the doctors and the "sexual revolution" -- Birth control and social revolution. From women's rights to family planning : The professionalization of birth control -- The Depression -- Planned parenthood -- A note on population control -- Reproductive rights in the 1970s: birth control in the era of the Women's Liberation Movement -- Birth control in the era of conservatism and runaway technology: the 1980s -- Sexuality, feminism, and birth control today
The Black Female Body in American Literature and Art by Caroline Brown Pdf
This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.
Author : Linda Gordon Publisher : New York : Grossman Page : 508 pages File Size : 53,7 Mb Release : 1976 Category : Social Science ISBN : UVA:X000102678
By 1850, most contraceptive methods and abortion were illegal in America. But in the late 19th century, American women began demanding the right to prevent or terminate pregnancy. Gordon traces the story of this controversy, and includes new material on recent movements to outlaw abortion.
Blood Stories by Janet Lee,Jennifer Sasser-Coen Pdf
Blood Stories focuses on menarche as a central aspect of body politics in contemporary US society, emphasizing that women are integrated into the social and sexual order through the body. Using oral and written narratives of 104 diverse women, the authors address the central question of how menarche as a bodily event signifying womanhood takes on cultural significance in a society that devalues women. Exploring issues of contamination and concealment and the sexualization of women's bodies that occurs at menarche, the authors emphasize how the politics of gender are negotiated on/through women's bodies.
Author : Lori Reed,Paula Saukko Publisher : State University of New York Press Page : 318 pages File Size : 51,5 Mb Release : 2012-02-01 Category : Social Science ISBN : 9781438429540