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The Graves of Tarim narrates the movement of an old diaspora across the Indian Ocean over the past five hundred years. Ranging from Arabia to India and Southeast Asia, Engseng Ho explores the transcultural exchanges—in kinship and writing—that enabled Hadrami Yemeni descendants of the Muslim prophet Muhammad to become locals in each of the three regions yet remain cosmopolitans with vital connections across the ocean. At home throughout the Indian Ocean, diasporic Hadramis engaged European empires in surprising ways across its breadth, beyond the usual territorial confines of colonizer and colonized. A work of both anthropology and history, this book brilliantly demonstrates how the emerging fields of world history and transcultural studies are coming together to provide groundbreaking ways of studying religion, diaspora, and empire. Ho interprets biographies, family histories, chronicles, pilgrimage manuals and religious law as the unified literary output of a diaspora that hybridizes both texts and persons within a genealogy of Prophetic descent. By using anthropological concepts to read Islamic texts in Arabic and Malay, he demonstrates the existence of a hitherto unidentified canon of diasporic literature. His supple conceptual framework and innovative use of documentary and field evidence are elegantly combined to present a vision of this vital world region beyond the histories of trade and European empire.
Transcribing the Graves of All Saints Church, Fenagh, County Carlow, Ireland by Susan Ni Chuileann Pdf
In a sleepy village nestled deep in County Carlow, Ireland, rests a small churchyard filled with ancient headstones. Who knew that one woman’s daily walk through this leafy graveyard would unravel stories of landlords, Cromwellian soldiers, bankers, Quakers, and twins whose parents have never been found? This book follows the author’s journey of transcribing gravestones as a hobby, detailing the village church and the secrets buried within its graves. It illustrates how information on headstones allows a glimpse at long-forgotten social conditions, politics, religion and grave robbing. It highlights the social lives of headstones and touches on ways the famine, typhoid and child mortality affected parts of Carlow, and a selection of sketches show the reader the beauty of Fenagh and its people.
Rudyard Kipling wrote this account of the work of the Imperial War Graves Commission at the Commission's request. Originally an article was published in The Times in 1919 by Rudyard Kipling carrying the Commission's proposal to a broader audience and describing what the graves would look like. The article titled War Graves: Work of Imperial Commission: Mr. Kipling's Survey was quickly republished as an illustrated leaflet, Graves of the Fallen. It was planned to reduce the impact of Kenyon's report as it included illustrations of cemeteries with grown trees and shrubs, contrasting the bleak landscapes depicted in published battlefield photos. There was an instantaneous public uproar following the publication of the reports, specifically about the decision not to repatriate the bodies of the dead. The Imperial War Graves Commission (IWGC) was the British institution that dealt with burying and honoring First World War dead and missing fighters. Today it is responsible for graveyards and memorials of both World Wars in more than 150 countries. Its name was changed to the 'Commonwealth War Graves Commission' in 1960.
For centuries, Vatican sorcerers kept demons and monsters out of our world with the magic found in a grimoire called The Gospel of Shadows. Years ago, to save his people from madmen, Peter Octavian defeated those sorcerers and the Gospel of Shadows itself was banished from the Earth. Ever since, the evils and monstrosities lurking in parallel worlds have been waking to the realization that our magical defenses are down – the barriers keeping them out of our world are crumbling. With massive demonic incursions in locations around the world, Octavian should be focused on using his own sorcery to drive the evil out and rebuild our defenses. But a renegade vampire named Cortez has murdered the person Octavian loves the most and, even with his friends and allies around him, he is so lost in grief that he can think of nothing but revenge. There are others who can fight the darkness – mages and Shadows, witches and Reapers and vampire samurai – but only the warrior-mage, Peter Octavian, can defeat it. If he will answer the call.
The Graves family has just moved to Union City, and they definitely don't fit in. With giant spiders in the living room, a voracious Venus flytrap named Phoebe in the kitchen, and a secret laboratory in the basement, the neighbors are afraid to visit! Except for Seth and Sara Miller, the kids next door, who decide to help them make friends. Maybe if Mr. Graves gives all the bald men in town his amazing hair-growing tonic, which he developed from the follicles of house cats? It seems like a great idea-until the tonic-dosed town council starts chasing birds and running up trees! And then Phoebe nearly devours the Ladies' Auxiliary Garden Club-will the Graves family ever find a way to fit in?
A magisterial account of one of the worst disasters to strike humankind--the Great Irish Potato Famine--conveyed as lyrical narrative history from the acclaimed author of The Great Mortality Deeply researched, compelling in its details, and startling in its conclusions about the appalling decisions behind a tragedy of epic proportions, John Kelly's retelling of the awful story of Ireland's great hunger will resonate today as history that speaks to our own times. It started in 1845 and before it was over more than one million men, women, and children would die and another two million would flee the country. Measured in terms of mortality, the Great Irish Potato Famine was the worst disaster in the nineteenth century--it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe. But even more extraordinary than its scope were its political underpinnings, and TheGraves Are Walking provides fresh material and analysis on the role that Britain's nation-building policies played in exacerbating the devastation by attempting to use the famine to reshape Irish society and character. Religious dogma, anti-relief sentiment, and racial and political ideology combined to result in an almost inconceivable disaster of human suffering. This is ultimately a story of triumph over perceived destiny: for fifty million Americans of Irish heritage, the saga of a broken people fleeing crushing starvation and remaking themselves in a new land is an inspiring story of revival. Based on extensive research and written with novelistic flair, The Graves Are Walking draws a portrait that is both intimate and panoramic, that captures the drama of individual lives caught up in an unimaginable tragedy, while imparting a new understanding of the famine's causes and consequences.
Beating the Graves by Tsitsi Ella Jaji,Tsitsi Jaji Pdf
The poems in Tsitsi Ella Jaji’s Beating the Graves meditate on the meaning of living in diaspora, an experience increasingly common among contemporary Zimbabweans. Vivid evocations of the landscape of Zimbabwe filter critiques of contemporary political conditions and ecological challenges, veiled in the multiple meanings of poetic metaphor. Many poems explore the genre of praise poetry, which in Shona culture is a form of social currency for greeting elders and peers with a recitation of the characteristics of one’s clan. Others reflect on how diasporic life shapes family relations. The praise songs in this volume pay particular homage to the powerful women and gender-queer ancestors of the poet’s lineage and thought. Honoring influences ranging from Caribbean literature to classical music and engaging metaphors from rural Zimbabwe to the post-steel economy of Youngstown, Ohio, Jaji articulates her own ars poetica. These words revel in the utter ordinariness of living globally, of writing in the presence of all the languages of the world, at home everywhere, and never at rest.
Author : Elena Walter-Karydi Publisher : Walter de Gruyter GmbH & Co KG Page : 470 pages File Size : 48,9 Mb Release : 2024-07-22 Category : Social Science ISBN : 9783110716344
The Athenians and Their Graves (1000–300 BC) by Elena Walter-Karydi Pdf
This book offers the first in-depth study of Attic funerary monuments during the geometric, archaic, and classical period. The analysis of forms, images and inscriptions shows, from an anthropological perspective, the Athenian attitude towards death in its fundamental difference to Christian occidental views. The book, which was originally published in German, is revised.
A twelve-year-old grave thief gets caught up in a royal heist in this compelling middle-grade fantasy in the vein of Kelley Armstrong's A Royal Guide to Monster Slaying. Twelve-year-old Spade is a grave thief. With his father and brother, he digs up the recently deceased to steal jewels, the main form of trade in Wyndhail. Digging graves works for Spade -- alone in the graveyard at night, no one notices his limp or calls him names. He's headed for a lifetime of theft when his father comes up with the audacious plan to rob a grave in the Wyndhail castle cemetery. Spade and his brother get caught in a royal trap, and Spade must find the master of the Woegan: a deadly creature that is stalking the castle by night. Along the way, he meets Ember, the queen's niece, and together they race to solve the mystery of the legendary Deepstones and their connection to the Woegan, the queen, a missing king and the mysterious pebble Spade finds in the Wyndhail cemetery. This is a fantastic story of friendship, bravery, grief and acceptance.
Author : Jason De Leon Publisher : Univ of California Press Page : 384 pages File Size : 51,8 Mb Release : 2015-10-23 Category : Social Science ISBN : 9780520958685
In his gripping and provocative debut, anthropologist Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, this policy has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
Returning to her hometown of Catawissa, Pennsylvania, in 1867 to marry a man she has never met, seventeen-year-old Verity Boone gets caught up in the a mystery surrounding the graves of her mother and aunt and a dangerous hunt for Revolutionary-era gold.
Author : United States. Department of the Army Publisher : Unknown Page : 520 pages File Size : 40,6 Mb Release : 1980 Category : Soldiers' bodies, Disposition of ISBN : MINN:31951D03770160Q
Cat Cross Their Graves by Shirley Rousseau Murphy Pdf
The beautiful, serene village of Molena Point, California is the type of place where people go to get away from the harsher realities of life––which is what attracted classic film star Patty Rose to buy the village inn, and settle down to enjoy her golden years. But as the town gathers to celebrate and honor the beautiful, aging actress with a festival of her old films, Patty is brutally murdered––to the horror and shock of this peaceful burg. A gentle tortoiseshell cat, Kit, has been enjoying a retreat to the animal–loving actress's inn, where she's spending time with her feline friends Dulcie, and the slick tomcat sleuth, Joe Grey. But her relaxation is cut short when she hears the gunshots that end Patty's life, and sees her dead body sprawled on the inn's front steps. She glimpses the killer racing into the parking garage, and soon follows his trail. Joe and Dulcie must now follow the naïve Kit's trail, and keep her from getting into serious trouble. To complicate matters, Joe discovers that Dulcie has been hiding a runaway child––one of the lucky humans that these special cats choose to talk to––who has now been kidnapped, likely by the same man who killed their famous friend. In the end, the little girl's abduction leads them to Patty's killer, and the feline friends are all united––but they all must mourn a departed friend as they stand beside the newly laid grave of Patty Rose.
