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Author : Anonim
Publisher : Unknown
Page : 430 pages
File Size : 51,7 Mb
Release : 1820
Category : Geology
ISBN : IND:30000036673113
Author : Anonymous
Publisher : Legare Street Press
Page : 0 pages
File Size : 49,6 Mb
Release : 2022-10-27
Category : Education
ISBN : 1017689326
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Anonim
Publisher : Unknown
Page : 532 pages
File Size : 54,6 Mb
Release : 1827
Category : Electronic
ISBN : HARVARD:32044106374655
Author : Anonim
Publisher : Unknown
Page : 472 pages
File Size : 46,8 Mb
Release : 1818
Category : Science
ISBN : HARVARD:32044106374846
Author : Anonim
Publisher : Unknown
Page : 468 pages
File Size : 55,9 Mb
Release : 1820
Category : Geology
ISBN : UOM:39015023955589
Author : Anonim
Publisher : Unknown
Page : 478 pages
File Size : 52,9 Mb
Release : 1828
Category : Industrial arts
ISBN : CORNELL:31924062404698
Author : James Samuelson,William Crookes
Publisher : Unknown
Page : 664 pages
File Size : 52,6 Mb
Release : 1868
Category : Science
ISBN : UOM:39015066716344
Author : Anonim
Publisher : Unknown
Page : 670 pages
File Size : 48,8 Mb
Release : 1926-07
Category : Arts
ISBN : IOWA:31858046108100
Author : Hannah Star Rogers
Publisher : MIT Press
Page : 327 pages
File Size : 43,6 Mb
Release : 2022-05-17
Category : Science
ISBN : 9780262369596
How the tools of STS can be used to understand art and science and the practices of these knowledge-making communities. In Art, Science, and the Politics of Knowledge, Hannah Star Rogers suggests that art and science are not as different from each other as we might assume. She shows how the tools of science and technology studies (STS) can be applied to artistic practice, offering new ways of thinking about people and objects that have largely fallen outside the scope of STS research. Arguing that the categories of art and science are labels with specific powers to order social worlds—and that art and science are best understood as networks that produce knowledge—Rogers shows, through a series of cases, the similarities and overlapping practices of these knowledge communities. The cases, which range from nineteenth-century artisans to contemporary bioartists, illustrate how art can provide the basis for a new subdiscipline called art, science, and technology studies (ASTS), offering hybrid tools for investigating art–science collaborations. Rogers’s subjects include the work of father and son glassblowers, the Blaschkas, whose glass models, produced in the nineteenth century for use in biological classification, are now displayed as works of art; the physics photographs of documentary photographer Berenice Abbott; and a bioart lab that produces work functioning as both artwork and scientific output. Finally, Rogers, an STS scholar and contemporary art–science curator, draws on her own work to consider the concept of curation as a form of critical analysis.
Author : National Library of Medicine (U.S.)
Publisher : Unknown
Page : 1076 pages
File Size : 51,7 Mb
Release : 1886
Category : Incunabula
ISBN : CHI:102416923
Author : Warren Sack
Publisher : MIT Press
Page : 401 pages
File Size : 54,9 Mb
Release : 2019-04-09
Category : Computers
ISBN : 9780262039703
An alternative history of software that places the liberal arts at the very center of software's evolution. In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software's evolution. Tracing the origins of software to eighteenth-century French encyclopedists' step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts. Sack offers a reading of the texts of computing—code, algorithms, and technical papers—that emphasizes continuity between prose and programs. He translates concepts and categories from the liberal and mechanical arts—including logic, rhetoric, grammar, learning, algorithm, language, and simulation—into terms of computer science and then considers their further translation into popular culture, where they circulate as forms of digital life. He considers, among other topics, the “arithmetization” of knowledge that presaged digitization; today's multitude of logics; the history of demonstration, from deduction to newer forms of persuasion; and the post-Chomsky absence of meaning in grammar. With The Software Arts, Sack invites artists and humanists to see how their ideas are at the root of software and invites computer scientists to envision themselves as artists and humanists.
Author : Anonim
Publisher : Unknown
Page : 492 pages
File Size : 45,8 Mb
Release : 1935
Category : Electronic
ISBN : PSU:000060063960
Author : Anonim
Publisher : Unknown
Page : 432 pages
File Size : 45,6 Mb
Release : 1850
Category : Humanities
ISBN : UOM:39015039678696
Author : Anonim
Publisher : Unknown
Page : 938 pages
File Size : 48,8 Mb
Release : 1849
Category : Electronic
ISBN : STANFORD:36105119103062
Author : Antonio Sgamellotti,Brunetto Giovanni Brunetti,Costanza Miliani
Publisher : Royal Society of Chemistry
Page : 464 pages
File Size : 50,7 Mb
Release : 2014-08-21
Category : Antiques & Collectibles
ISBN : 9781849738187
A series of case studies to show how the cooperation between science and humanities can lead to the developments in knowledge and conservation of paintings.