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The Mahabharata Patriline by Simon Pearse Brodbeck Pdf
The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family. The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.
Nonviolence in the Mahabharata by Alf Hiltebeitel Pdf
In Indian mythological texts like the Mahābhārata and Rāmāyaṇa, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahābhārata poets’ art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyāsa’s “entire thought”—including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahābhārata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahābhārata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahābhārata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.
This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.
Religion, Narrative and Public Imagination in South Asia by James Hegarty Pdf
The Sanskrit Mahabharata is one of the greatest works of world literature and pivotal for the understanding of both Hindu traditions and wider society in ancient, medieval and modern South Asia. This book presents a new synthesis of philological, anthropological and cognitive-linguistic method and theory in relation to the study of narrative text by focusing on the form and function of the Mahabharata in the context of early South Asia. Arguing that the combination of structural and thematic features that have helped to establish the enduring cultural centrality of religious narrative in South Asia was first outlined in the text, the book highlights the Mahabharata’s complex orientation to the cosmic, social and textual past. The book shows the extent to which narrative is integral to human social life, and more generally the creation and maintenance of religious ideologies. It highlights the contexts of origin and transmission and the cultural function of the Mahabharata in first millennium South Asia and, by extension, in medieval and modern South Asiaby drawing on both textual and epigraphic sources. The book draws attention to what is culturally specific about the origination and transmission of early South Asian narrative and what can be used to enrich our orientation to narrative in human social life more globally.
Though Freud never overtly refers to the Mahthe companion volume to Freud's India, Alf Hiltebeitel offers what he calls a "pointillist introduction" to a new theory about the Mah
The claim, often made, that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question, according to Romila Thapar: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. In The Past Before Us, a distinguished scholar of ancient India guides us through a panoramic survey of the historical traditions of North India. Thapar reveals a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature. The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy and continuity amid social change. Spanning an epoch of nearly twenty-five hundred years, from 1000 BCE to 1400 CE, Thapar delineates three distinct historical traditions: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptions, regional accounts, and royal biographies and dramas are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.
Being a Man is a formative work which reveals the myriad and complex negotiations for constructions of masculine identities in the greater ancient Near East and beyond. Through a juxtaposition of studies into Neo-Assyrian artistic representations and omens, biblical hymns and narrative, Hittite, Akkadian, and Indian epic, as well as detailed linguistic studies on gender and sex in the Sumerian and Hebrew languages, the book challenges traditional understandings and assumed homogeneity for what it meant "to be a man" in antiquity. Being a Man is an indispensable resource for students of the ancient Near East, and a fascinating study for anyone with an interest in gender and sexuality throughout history.
Puspika: Tracing Ancient India Through Texts and Traditions by Giovanni Ciotti,Alastair Gornall,Paolo Visigalli Pdf
Puspika 2 is the outcome of the second International Indology Graduate Research Symposium and presents the results of recent research by young scholars into pre-modern South Asian cultures with papers covering a variety of topics related to the intellectual traditions of the region. Focusing on textual sources in the languages in which they were composed, different disciplinary perspectives are offered on intellectual history, linguistics, philosophy, literary criticism and religious studies.
Visions and Revisions in Sanskrit Narrative by Raj Balkaran,McComas Taylor Pdf
Sanskrit narrative is the lifeblood of Indian culture, encapsulating and perpetuating insights and values central to Indian thought and practice. This volume brings together eighteen of the foremost scholars across the globe, who, in an unprecedented collaboration, accord these texts the integrity and dignity they deserve. The last time this was attempted, on a much smaller scale, was a generation ago, with Purāṇa Perennis (1993). The pre-eminent contributors to this landmark collection use novel methods and theory to meaningfully engage Sanskrit narrative texts, showcasing the state of contemporary scholarship on the Sanskrit epics and purāṇas.
In World of Wonders, Alf Hiltebeitel addresses the Mahabharata and its supplement, the Harivamsa, as a single literary composition. Looking at the work through the critical lens of the Indian aesthetic theory of rasa, "juice, essence, or taste," he argues that the dominant rasa of these two texts is adbhutarasa, the "mood of wonder." While the Mahabharata signposts whole units of the text as "wondrous" in its table of contents, the Harivamsa foregrounds a stepped-up term for wonder (ascarya) that drives home the point that Vishnu and Krishna are one. Two scholars of the 9th and 10th centuries, Anandavardhana and Abhinavagupta, identified the Mahabharata's dominant rasa as santarasa, the "mood of peace." This has traditionally been received as the only serious contestant for a rasic interpretation of the epic. Hiltebeitel disputes both the positive claim that the santarasa interpretation is correct and the negative claim that adbhutarasa is a frivolous rasa that cannot sustain a major work. The heart of his argument is that the Mahabharata and Harivamsa both deploy the terms for "wonder" and "surprise" (vismaya) in significant numbers that extend into every facet of these heterogeneous texts, showing how adbhutarasa is at work in the rich and contrasting textual strategies which are integral to the structure of the two texts.
Divine Descent and the Four World-Ages in the Mahābhārata – or, Why Does the Kṛṣṇa Avatāra Inaugurate the Worst Yuga? by Simon Brodbeck Pdf
This monograph approaches the Mahābhārata as a single work of literature, and the method is that of close textual study. Key verses are quoted in the original Sanskrit and in English translation. The title problem has been recognised before, but no detailed solution has been forthcoming. The monograph’s objective is to try to articulate a Mahābhārata theology of time. In Chapter 1, the monograph’s argument and synchronic methodology are summarised. In Chapter 2, the cycle of four yugas (world-ages) is outlined and discussed on the basis of the textual evidence. Each yuga is shorter and less moral than the last, and between them they constitute a repeating 12,000-year cycle. In Chapter 3, the Mahābhārata war is shown to be located at the junction between the third and fourth yugas. The idea of God Viṣṇu-Nārāyaṇa descending to improve the world is introduced, and the title question is properly posed: Why does God’s descent as Kṛṣṇa (to make the Mahābhārata war happen) inaugurate the worst yuga? In Chapter 4, the various descents (avatāras, ‘crossings-down’) of God Viṣṇu-Nārāyaṇa are discussed. Also discussed is a theory suggesting that the passage between yugas always requires a divine descent to effect it. The limitations of this theory are described and an alternative sketched. In Chapter 5, two general functions of divine descent are identified: to improve the world morally by killing demons, and to help the personified Earth by reducing the human weight upon her. These two functions are correlated with the two extremities of the four-yuga cycle, between which time oscillates. But the Mahābhārata war is not located at either extremity. Central to the monograph is a survey and discussion of the reasons given for this particular descent. These passages combine the two functions of divine descent, neither of which is entirely appropriate to this moment. It is argued that the descent here represents what happens over the course of the whole cycle. The discussion draws on Vedic literature, touches on gender issues, and shows how the two functions play out in the story of the war. In Chapter 6, the progress of the fourth yuga is tracked through the Mahābhārata’s various characters and then the ancient audience, who would anticipate the start of the next cycle. It is hypothesised that this was to occur through the long-term action of the Mahābhārata, as more and more people would put into practice the teachings presented by Kṛṣṇa in the Bhagavadgītā. The Kṛṣṇa avatāra would thus inaugurate the worst yuga because the seed planted there takes time to ripen. Chapter 7 reflects summarily upon the monograph’s explorations, the theory of divine descent, and the text’s theology of time. By employing a resolutely synchronic methodology the monograph makes a significant contribution on an important and latterly overlooked issue.
The Dharma of Justice in the Sanskrit Epics by Ruth Vanita Pdf
This book shows that many characters in the Sanskrit epics - men and women of all varnas and mixed-varna - discuss and criticize discrimination based on gender, varna, poverty, age, and disability. On the basis of philosophy, logic and devotion, these characters argue that such categories are ever-changing, mixed and ultimately unreal therefore humans should be judged on the basis of their actions, not birth. The book explores the dharmas of singleness, friendship, marriage, parenting, and ruling. Bhakta poets such as Kabir, Tulsidas, Rahim and Raidas drew on ideas and characters from the epics to present a vision of oneness. Justice is indivisible, all bodies are made of the same matter, all beings suffer, and all consciousnesses are akin. This book makes the radical argument that in the epics, kindness to animals, the dharma available to all, is inseparable from all other forms of dharma.
Divine Descent and the Four World-Ages in the Mah¿bh¿rata - Or, Why Does the K¿¿¿a Avat¿ra Inaugurate the Worst Yuga? by Simon Brodbeck Pdf
Divine Descent and the Four World-Ages in the Mahābhārata reflects on the theology of time in this early Hindu text and poses the key question: why does the Krsna avatāra inaugurate the worst yuga?