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The 'myth' of Thomas Arden refers to the play "The Tragedie of Arden of Feversham and Blackwill" presented in 1592 describing the murder of Thomas Arden by his wife. This book re-examines the evidence, setting Arden among his comtemporaries in a more realistic setting. According to a deposition in a court case in 1548, Thomas born in 1508 and died when he was 43 years old.
NEW YORK TIMES BESTSELLER • Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. “A tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale.”—Publishers Weekly (starred review) NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE Vasilisa Petrovna is an unforgettable heroine determined to forge her own path. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all. Praise for The Winter of the Witch “Katherine Arden’s Winternight Trilogy isn’t just good—it’s hug-to-your-chest, straight-to-the-favorites-shelf, reread-immediately good, and each book just gets better. The Winter of the Witch plunges us back to fourteenth-century Moscow, where old gods and new vie for the soul of Russia and fate rests on a witch girl’s slender shoulders. Prepare to have your heart ripped out, loaned back to you full of snow and magic, and ripped out some more.”—Laini Taylor “Luxuriously detailed yet briskly suspenseful . . . a striking literary fantasy informed by Arden’s deep knowledge.”—Kirkus Reviews (starred review)
The Myth of Rome in Shakespeare and his Contemporaries by Warren Chernaik Pdf
When Cleopatra expresses a desire to die 'after the high Roman fashion', acting in accordance with 'what's brave, what's noble', Shakespeare is suggesting that there are certain values that are characteristically Roman. The use of the terms 'Rome' and 'Roman' in Julius Caesar, Antony and Cleopatra or Jonson's Sejanus often carry the implication that most people fail to live up to this ideal of conduct, that very few Romans are worthy of the name. In this book Chernaik demonstrates how, in these plays, Roman values are held up to critical scrutiny. The plays of Shakespeare, Jonson, Massinger and Chapman often present a much darker image of Rome, as exemplifying barbarism rather than civility. Through a comparative analysis of the Roman plays of Shakespeare and his contemporaries, and including detailed discussion of the classical historians Livy, Tacitus and Plutarch, this study examines the uses of Roman history - 'the myth of Rome' - in Shakespeare's age.
The Bear and The Nightingale by Katherine Arden Pdf
_____________________________ Beware the evil in the woods... In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church. But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods. . . Atmospheric and enchanting, with an engrossing adventure at its core, The Bear and the Nightingale is perfect for readers of Naomi Novik's Uprooted, Erin Morgenstern's The Night Circus, and Philip Pullman's His Dark Materials. _____________________________ Now with over 100 5* reviews, readers are spellbound by this magical story: 'This book stayed with me, I didn't want it to end' 'A beautifully written story' 'An entrancing story, which swept me up from the very first chapter' 'Full of magic' _____________________________ Make sure you've read all the books in the acclaimed Winternight Trilogy 1. The Bear and the Nightingale 2. The Girl in the Tower 3. The Winter of the Witch
Author : Richard Helgerson Publisher : University of Chicago Press Page : 260 pages File Size : 46,8 Mb Release : 2000-11 Category : Art ISBN : 0226326241
Arden of Faversham by Tom Lockwood,Martin White Pdf
This 'lamentable and true tragedy', as it is announced on its title page, dramatises a domestic murder of the sort that nowadays scandalises and thrills the readers of tabloid newspapers. Although the title advertises 'the great malice and dissimulation of a wicked woman' and her 'unsatiable desire of filthie lust', the unknown playwright with great dramatic skill and psychological insight manages to balance the motivations of all the main characters. Thomas Arden, one of the rapacious landlords so reviled in mid-Elizabethan social drama, was murdered at his own house in Faversham, Kent, in 1551. His murderers, it turned out, had been hired by his wife Alice, thrall to Mosby, who hoped to rise socially by marrying a rich widow. As the introduction to this edition shows, sexual and material covetousness is the central theme running through the play, which is commonly rated 'unquestionably the best of all Elizabethan domestic tragedies'.
With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberredemonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania
The Oxford Handbook of Tudor Drama by Thomas Betteridge,Greg Walker Pdf
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
This book examines writing both by and about Renaissance women rulers. It offers detailed analyses of poems, letters, and other writings by both Elizabeth I and Mary, Queen of Scots, and situates these firmly within the context of other literary figurings of Renaissance queens and queenship. It looks at a range of texts, ranging from the polemical (and largely ephemeral) treatises on the questions of female rule which were prompted by the sudden explosion of women rulers, to works by Shakespeare, Milton, and Elizabeth Cary, as well as the anonymous Arden of Faversham. The book as a whole thus explores both how Renaissance queens wrote themselves and how they were written by others.
The Routledge Anthology of Renaissance Drama by Simon Barker,Hilary Hinds Pdf
"The Renaissance saw a dramatic explosion of such force that, four hundred years later, its plays are still amongst the most frequently performed and studied we have. This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and comprehensively annotated texts of the following plays: The Spanish Tragedy (Thomas Kyd); Arden of Faversham (Anon.); Edward II (Christopher Marlowe); A Woman Killed with Kindness (Thomas Heywood); The Tragedy of Mariam (Elizabeth Cary); The Masque of Blackness (Ben Jonson); The Knight of the Burning Pestle (Francis Beaumont); Epicoene, or the Silent Woman (Ben Jonson); The Roaring Girl (Thomas Middleton and Thomas Dekker); The Changeling (Thomas Middleton and William Rowley); and 'Tis Pity She's a Whore (John Ford).".
A New Man Book One The Pondering by Richard Mills Pdf
On the inaccessible sub-continent called The Far East, Ditarin has spawned an indigenous, intelligent species. Only three generations ago, the Ooda added fire to their toolkit, elevating their species above the other animals of the Forest. No longer are the Ooda prey to the Jahi. TT, the Son of their Voice, must prove his strength, swiftness and wisdom to lead the Ooda. Sent off alone, he discovers theirs is not the only Forest and the species living there has been Pondering much longer. Descendants of the survivors of a starship that crashed on Ditarin thirty-six thousand years ago are splitting into two separate species, those with Kee and those without. Faced with the reality of their evolution, myths of a forgotten past become truth. TT's unexpected arrival provides the tinder that could plunge the world to the brink of War. The Pondering, the first novel in the series A New Man, introduces this exotic, changing world and its wide cast of diverse characters and unlikely heroes.
Arden Kress of The Sky has three good reasons to hate humans--her dead father, her dead mother, and her dead brother. When her uncle, king of The Sky, grants a school field trip to visit Earth, Arden is intrigued by the notion of learning about the planet. More than that, she wants--needs to know why her family was slain so brutally by the humans all those years ago. Arden and her people are called Sky Walkers. They are half human and half phoenix. Their sole purpose is to govern the people of Earth, their enemy. In her quest for the truth, her hate for the humans begins to crumble, not only because she's starting to fall for a human boy named Myth but also because when she uncovers secrets about her people, the phoenix in her burns brighter than anything anyone has ever seen. As Arden's true identity begins to unravel, inspiring fear in both phoenix and human alike, she's faced with an unlikely decision--to raze the Earth to its core or go after the The Sky itself. Both may deserve a reckoning. Arden Kress, the only blue-feathered phoenix, faces who she is, who she was in centuries past, and who she is meant to be. As all three identities violently collide, can she temper her rage long enough for both worlds to prove that they don't deserve to be destroyed after all?
Determining the Shakespeare Canon by MacDonald P. Jackson Pdf
Editors of Shakespeare's Complete Works must decide what to include. Although not in the First Folio collection of 1623, The Two Noble Kinsmen and Edward III have now entered the canon as plays co-authored by Shakespeare. Determining the Shakespeare Canon makes the case for lifting Arden of Faversham, first published in 1592, over the same threshold. A wealth of evidence indicates that Shakespeare was wholly or largely responsible for several of its central scenes (constituting Act III in editions divided into acts), and that the domestic tragedy can thus be added to the mounting list of his dramatic collaborations. Shakespeare's beginnings as a playwright are due for reconsideration. The second half of this volume provides solid grounds for accepting that publisher Thomas Thorpe's inclusion of A Lover's Complaint within the 1609 quarto of Shakespeare Sonnets was justified. While A Lover's Complaint has long been part of the Shakespeare canon, according to most editors, the poem's authenticity has been vigorously challenged in recent years. Its status is crucial to how critics assess the authority of the quarto's ordering of sonnets and interpret the structure of the sequence as a whole. These two problems of attribution are each addressed in five separate chapters that describe the converging results of different approaches and rebut counter-arguments. Stylometric techniques, using the resources of computers and electronic databases, are applied and the research methodologies of other scholars explained and evaluated. Quantitative tests are supplemented with traditional literary-critical analysis.
