Un Ottoman En Orient Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Un Ottoman En Orient book. This book definitely worth reading, it is an incredibly well-written.
The Sultan's World by Palais des beaux-arts (Bruxelles).,Raphael Beuing Pdf
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
The Representation of the Ottoman Orient in Eighteenth Century English Literature by Hasan Baktir Pdf
Inspired by the growing interest in oriental countries and cultures, Hasan Baktir examines the representation of the "Ottoman Orient" in 18th century English literature, taking a new perspective to achieve a comprehensive understanding and investigating different aspects of the interaction between the Ottoman Orient and 18th century Europe.A number of questions continue to arise in the wake of Said's 1978 landmark study, "Orientalism". How monodirectional was the flow of power in such representations? To what extent did the travelling observer also participate and become influenced by the phenomena he tried to depict without attachment? What variety of motivations lay behind the desire to know and represent the Oriental other -- was it simply a question of political control? Or were there deeper, more enigmatic factors at play -- sexuality, existential affirmation, even utter idiosyncrasy? How various and diverse was the Western response to the East -- can we discern degrees of sympathy, knowledge, and difference in the various Orients offered to us by the canonical and non-canonical figures of 18th century English letters? Baktir's study provides answers to many aspects of these questions, through a detailed examination of very different texts.Baktir does not completely reject Said's argument that European writers created a separate discourse to represent the Orient; rather, he shows us that there was also a dialogic and negotiating tendency which did not make a radical distinction between the East and the West. Relying his argument on 18th century pseudo-oriental letters, oriental tales, and oriental travelogues, Baktir demonstrates that the representation of the Ottoman Orient in 18th century English literature differs essentially from earlier centuries because a developing critical and liberal spirit established a negotiation between the two worlds. In this book, he indicates how the critical and inquisitive spirit of the age of Enlightenment interanimated Oriental and European cultures.
World War I and the End of the Ottomans by Hans-Lukas Kieser,Kerem Oktem,Maurus Reinkowski Pdf
With the end of the First World War, the centuries-old social fabric of the Ottoman world an entangled space of religious co-existence throughout the Balkans and the Middle East came to its definitive end. In this new study, Hans-Lukas Kieser argues that while the Ottoman Empire officially ended in 1922, when the Turkish nationalists in Ankara abolished the Sultanate, the essence of its imperial character was destroyed in 1915 when the Young Turk regime eradicated the Armenians from Asia Minor. This book analyses the dynamics and processes that led to genocide and left behind today s crisis-ridden post-Ottoman Middle East. Going beyond Istanbul, the book also studies three different but entangled late Ottoman areas: Palestine, the largely Kurdo-Armenian eastern provinces and the Aegean shores; all of which were confronted with new claims from national movements that questioned the Ottoman state. All would remain regions of conflict up to the present day.Using new primary material, World War I and the End of the Ottoman World brings together analysis of the key forces which undermined an empire, and marks an important new contribution to the study of the Ottoman world and the Middle East. "
Cultures en Couleurs- Cultures in Colours by Valeria Heuberger,Geneviève Humbert,Elisabeth Vyslonzil Pdf
Les contributions de cet ouvrage sont consacrées à l'héritage de l'Empire ottoman et à la Monarchie austro-hongroise dans l'Orient et dans l'Occident. Le livre présente les résultats de recherches contemporaines concernant l'impact historique, politique et culturel de cet héritage et il donne une vue d'ensemble d'approches comparatives aux études balkaniques et ottomanes. Les thèmes discutés portent sur les droits des minorités, le rôle des femmes dans la société, le «droit à la différence» et l'influence des médias sur la politique dans les deux empires. Cultures en couleurs apporte des conclusions importantes concernant ce thème complexe et fascinant. The contributions to this book are dedicated to the heritage of the Ottoman Empire and the Austro-Hungarian Monarchy in the Orient and Occident. The book presents current research concerning the historical, political and cultural impact of this legacy and gives an overview of comparative approaches to Balkan and Ottoman studies. Issues discussed are: minority rights, the role of women in society, «droit à la différence» and the media's influence on politics in both empires. Cultures in Colours provides valuable insights into this complex and fascinating topic.
On the Way to the "(Un)Known"? by Doris Gruber,Arno Strohmeyer Pdf
This volume brings together twenty-two authors from various countries who analyze travelogues on the Ottoman Empire between the fifteenth and nineteenth centuries. The travelogues reflect the colorful diversity of the genre, presenting the experiences of individuals and groups from China to Great Britain. The spotlight falls on interdependencies of travel writing and historiography, geographic spaces, and specific practices such as pilgrimages, the hajj, and the harem. Other points of emphasis include the importance of nationalism, the place and time of printing, representations of fashion, and concepts of masculinity and femininity. By displaying close, comparative, and distant readings, the volume offers new insights into perceptions of "otherness", the circulation of knowledge, intermedial relations, gender roles, and digital analysis.
Freemasonry in the Ottoman Empire by Dorothe Sommer Pdf
The network of freemasons and Masonic lodges in the Middle East is an opaque and mysterious one, and is all too often seen – within the area – as a vanguard for Western purposes of regional domination. But here, Dorothe Sommer explains how freemasonry in Greater Syria at the end of the nineteenth and beginning of the twentieth century actually developed a life of its own, promoting local and regional identities. She stresses that during the rule of the Ottoman Empire, freemasonry was actually one of the first institutions in what is now Syria and Lebanon which overcame religious and sectarian divisions. Indeed, the lodges attracted more participants – such as the members of the Trad and Yaziji Family, Khaireddeen Abdulwahab, Hassan Bayhum, Alexander Barroudi and Jurji Yanni - than any other society or fraternity. Freemasonry in the Ottoman Empire analyses the social and cultural structures of the Masonic network of lodges and their interconnections at a pivotal juncture in the history of the Ottoman Empire, making it invaluable for researchers of the history of the Middle East.
'Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient. Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers, artists, musicians and travellers, including Beckford, Byron, Shelley, Walter Scott, Pierre Loti, Thomas Moore, Rossini, Eugene Delacroix, Thackeray and Disraeli, and a host of other Romantics, who were drawn to the Orient in the 18th and 19th centuries. They luxuriate in its exotic sights, sounds, literature and, above all, in the prevailing mythology. Cavaliero analyses the Romantic vision where, as Byron writes, there are 'virgins soft as the roses they twine', but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire, a huge and exotic superpower, an empire to rival Rome, a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'. But to the Romantics, fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments. Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.
L'Orient, Journal de Défense Des Intérêts de l'Empire Ottoman by Nicolas Nicolaïdès Pdf
L'Orient: journal de défense des intérêts de l'Empire ottoman / directeur-propriétaire: N. Nicolaïdès Date de l'édition originale: 1902-03-12 Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
In the wake of the fear that gripped Europe after the fall of Constantinople in 1453, English dramatists, like their continental counterparts, began representing the Ottoman Turks in plays inspired by historical events. The Ottoman milieu as a dramatic setting provided English audiences with a common experience of fascination and fear of the Other. The stereotyping of the Turks in these plays—revolving around complex themes such as tyranny, captivity, war, and conquests—arose from their perception of Islam. The Ottomans' failure in the second siege of Vienna in 1683 led to the reversal of trends in the representation of the Turks on stage. As the ascending strength of a web of European alliances began to check Ottoman expansion, what then began to dazzle the aesthetic imagination of eighteenth century England was the sultan's seraglio with images of extravaganza and decadence. In this book, Esin Akalin draws upon a selective range of seventeenth and eighteenth century plays to reach an understanding, both from a non-European perspective and Western standpoint, how one culture represents the other through discourse, historiography, and drama. The book explores a cluster of issues revolving around identity and difference in terms of history, ideology, and the politics of representation. In contextualizing political, cultural, and intellectual roots in the ideology of representing the Ottoman/Muslim as the West’s Other, the author tackles with the questions of how history serves literature and to what extent literature creates history.
Ottoman Brothers explores Ottoman collective identity, tracing how Muslims, Christians, and Jews became imperial citizens together in Palestine following the 1908 revolution.
Architecture and the Late Ottoman Historical Imaginary by AhmetA. Ersoy Pdf
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.
