Venanzio Rauzzini

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Venanzio Rauzzini in Britain

Author : Paul Francis Rice
Publisher : Boydell & Brewer
Page : 416 pages
File Size : 51,5 Mb
Release : 2015
Category : Biography & Autobiography
ISBN : 9781580465328

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Venanzio Rauzzini in Britain by Paul Francis Rice Pdf

The remarkable career of Venanzio Rauzzini (1746-1810) sheds new light on changing musical tastes in late eighteenth-century Britain. Rauzzini was a leading soprano castrato who sang in the premiere of Mozart's Lucio Silla in 1772. Mozart was so pleased with the singer that he composed the famous motet Exsultate Jubilate for him. This book examines Rauzzini's career in Britain, starting with his three seasons as a principal singer at the King's Theatre in London (1774-77). Rauzzini was the first castrato to make Britain his home, and he enjoyed a multifaceted career there as a singer, concert director, composer (operas, chamber music, and songs), and voice teacher. Rauzzini's leadership of the Bath subscription concerts from 1780-1810 reveals the degree to which shifts in the social demographics of Bath over this period caused him to reevaluate his compositional choices, especially in light of the patriotic fervor that swept the nation during the protracted war with France. Furthermore, the recovery of much of the repertory performed during these concerts provides specific insights into issues of concert management at the time. Paul F. Rice, Professor of Musicology in the School of Music, Memorial University of Newfoundland, is the author of four previous books and has edited scores for CD recordings on the Naxos, Dorian, and Centaur labels.

Venanzio Rauzzini and the Birth of a New Style in English Singing

Author : Brianna E. Robertson-Kirkland
Publisher : Routledge
Page : 271 pages
File Size : 52,9 Mb
Release : 2022-01-31
Category : History
ISBN : 9781000536843

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Venanzio Rauzzini and the Birth of a New Style in English Singing by Brianna E. Robertson-Kirkland Pdf

Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.

Europe, Empire, and Spectacle in Nineteenth-Century British Music

Author : Julian Rushton
Publisher : Routledge
Page : 320 pages
File Size : 50,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351567640

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Europe, Empire, and Spectacle in Nineteenth-Century British Music by Julian Rushton Pdf

This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.

Observations on the Castrati in Britain

Author : Paul F. Rice
Publisher : Cambridge Scholars Publishing
Page : 208 pages
File Size : 49,6 Mb
Release : 2022-12-08
Category : Social Science
ISBN : 9781527590823

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Observations on the Castrati in Britain by Paul F. Rice Pdf

This book highlights the experiences of castrato singers in Britain during the long eighteenth-century. These singers stood apart from traditional cultural and sexual norms of the period by nature of their altered bodies. The work investigates the fears surrounding the possibility of Catholic influence in the nation, and the ability of sensual Italian operatic music to feminize the male population and weaken the country’s leaders. The castrato as a possible romantic rival to “normal” men is also discussed, while the contributions of the castrati to cultural leadership in the areas of teaching, concert direction and social influence are examined. This book will appeal to music historians and those interested in cultural and gender studies.

Thematic Catalogues in Music

Author : Barry S. Brook,Richard J. Viano
Publisher : Pendragon Press
Page : 658 pages
File Size : 50,9 Mb
Release : 1997
Category : Juvenile Nonfiction
ISBN : 091872886X

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Thematic Catalogues in Music by Barry S. Brook,Richard J. Viano Pdf

In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. 3. New double-column format. 4. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.

The Grove Book of Opera Singers

Author : Laura Williams Macy
Publisher : Unknown
Page : 649 pages
File Size : 47,9 Mb
Release : 2008
Category : Biography & Autobiography
ISBN : 9780195337655

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The Grove Book of Opera Singers by Laura Williams Macy Pdf

Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colorful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. In addition, there are indexes of singers by voice type and by opera role premiers. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers. A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work, beautifully illustrated with color and black-and-white pictures. It is an essential volume--and the perfect gift--for opera lovers everywhere.

Music Entries at Stationers' Hall, 1710–1818

Author : Michael Kassler
Publisher : Routledge
Page : 764 pages
File Size : 47,8 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092056

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Music Entries at Stationers' Hall, 1710–1818 by Michael Kassler Pdf

The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

The Harmonicon

Author : William Ayrton
Publisher : Unknown
Page : 538 pages
File Size : 51,6 Mb
Release : 1830
Category : Music
ISBN : NYPL:33433068938095

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The Harmonicon by William Ayrton Pdf

“The” Harmonicon

Author : Anonim
Publisher : Unknown
Page : 540 pages
File Size : 45,9 Mb
Release : 2024-07-01
Category : Electronic
ISBN : ONB:+Z254925502

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“The” Harmonicon by Anonim Pdf

Viotti and the Chinnerys

Author : Denise Yim
Publisher : Routledge
Page : 436 pages
File Size : 47,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351537636

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Viotti and the Chinnerys by Denise Yim Pdf

The Italian violinist and composer Giovanni Battista Viotti (1755-1824) is considered today to have been one of the most significant forces in the history of violin playing. In 1792 he met Margaret and William Chinnery, a wealthy English couple with strong connections in the world of arts and letters. From that point onwards Viotti's life became inextricably bound up with theirs; he moved into their home and became a second father to their children, forming a remarkably successful m?ge ?rois. Henceforth, all Viotti's career decisions were taken with this family's welfare in mind. The Chinnery Family Papers feature over 100 Viotti letters and other documents. Drawing extensively on these papers, this book investigates the new light that they cast on Viotti's life and career, as well as the context in which he lived and worked. Fresh insights are given into the reception of Viotti's concertos in London and the solo performances he gave while in England, together with new information on his role as a music teacher in the Chinnery household, and his relationship with Mme de Sta?and the Philharmonic Society.

Historic Houses in Bath, and Their Associations

Author : Robert Edward Myhill Peach
Publisher : Unknown
Page : 198 pages
File Size : 47,5 Mb
Release : 1884
Category : Bath (England)
ISBN : OXFORD:555055735

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Historic Houses in Bath, and Their Associations by Robert Edward Myhill Peach Pdf

Historical Dictionary of Music of the Classical Period

Author : Bertil H. Van Boer
Publisher : Scarecrow Press
Page : 665 pages
File Size : 41,5 Mb
Release : 2012
Category : Music
ISBN : 9780810871830

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Historical Dictionary of Music of the Classical Period by Bertil H. Van Boer Pdf

When we speak of "classical music" it often refers rather loosely to serious "art" music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today's repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.

A Revolution Almost Beyond Expression

Author : Jocelyn Harris
Publisher : University of Delaware Press
Page : 288 pages
File Size : 41,8 Mb
Release : 2007
Category : Literary Criticism
ISBN : 087413966X

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A Revolution Almost Beyond Expression by Jocelyn Harris Pdf

Origins for Persuasion -- The reviser at work : MS chapter 10 to chapters X-XI (1818) -- At the White Hart : MS chapter 11 to chapter XII (1818) -- The history of Buonaparte -- Domestic virtues and national importance -- A critique on Walter Scott -- Prejudice on the side of ancestry -- The worth of Lyme -- The white glare of Bath -- Conclusion: Meaning to have spring again.

Music by Subscription

Author : Simon D.I. Fleming,Martin Perkins
Publisher : Routledge
Page : 310 pages
File Size : 51,8 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781000519983

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Music by Subscription by Simon D.I. Fleming,Martin Perkins Pdf

This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.