1 2 3 Avant Gardes

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1,2,3 -- Avant-gardes

Author : Łukasz Ronduda,Florian Zeyfang,Centrum Sztuki Współczesnej (Warsaw, Poland),Sala Rekalde (Bilbao, Spain)
Publisher : Sternberg Press
Page : 238 pages
File Size : 47,8 Mb
Release : 2007
Category : Art
ISBN : UCSD:31822034682781

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1,2,3 -- Avant-gardes by Łukasz Ronduda,Florian Zeyfang,Centrum Sztuki Współczesnej (Warsaw, Poland),Sala Rekalde (Bilbao, Spain) Pdf

Edited by ?ukasz Ronduda and Florian Zeyfang, 1,2,3? Avant-Gardes includes texts by David Crowley, Steven Ball and David Curtis, Anselm Franke, Leire Vergara, Jan Verwoert, Axel John Wieder and Micha? Wolinski. Artist pages by Pawe? Althamer and Artur ?mijewski, Bernadette Corporation, Matthew Buckingham, Judith Hopf and Katrin Pesch, Igor Krenz, Jonathan Monk, Jeroen de Rijke and Willem de Rooij, and Wilhelm Sasnal complete this compendium as a contribution toward an extended examination of the history and practice of experimental filmmaking and art.Artists: Akademia Ruchu, Antosz & Andzia, Pawe? Althamer/Artur ?mijewski, Piotr Andrejew, Bernadette Corporation, Kazimierz Bendkowski, Matthew Buckingham, Bogdan Dziworski, Marcin Gi'ycki, Janusz Haka, Oskar Hansen, Judith Hopf / Katrin Pesch, Tadeusz Junak, Jacques de Koning, Igor Krenz, Grzegorz Krolikiewicz, Zo'a Kulik, Pawe? Kwiek, Przemys'aw Kwiek, Natalia LL, Jolanta Marcolla, Jonathan Monk, Ewa Partum, Andrzej Paw'owski, Zygmunt Piotrowski, Jeroen de Rijke/Willem de Rooij, Jozef Robakowski, Zbigniew Rybczy'ski, Zygmunt Rytka, Wilhelm Sasnal, Jadwiga Singer, Zdzis'aw Sosnowski, Mieczys'aw Szczuka , Micha? Tarkowski, Stefan & Franciszka Themerson, Teresa Tyszkiewicz, Ryszard Wa'ko, Jan S. Wojciechowski, Krzysztof Zar'bski, Florian Zeyfang

Democracy, Law and the Modernist Avant-Gardes

Author : Sascha Bru
Publisher : Edinburgh University Press
Page : 264 pages
File Size : 50,8 Mb
Release : 2009-10-20
Category : Literary Criticism
ISBN : 9780748641765

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Democracy, Law and the Modernist Avant-Gardes by Sascha Bru Pdf

This is the first book to look at the ties between European modernism and democracy in a cross-cultural manner. Focusing on the continental avant-gardes of the nineteen-tens and twenties, Sascha Bru's original and provocative book fundamentally revises our understanding of modernism's cultural and political history. Bru brings together a wide range of European experimental writers and provides detailed analyses of Italian futurist F.T. Marinetti, German Dadaist Richard Huelsenbeck and Belgian expressionist Paul van Ostaijen. Bru locates these writers within their exceptional democratic context and demonstrates how the modernist avant-garde, during the First World War and the upheavals that followed, found itself caught up in a series of 'states of exception'. In such states legal democratic institutions were bracketed and set aside, and 'literature' as an autonomous realm was temporarily suspended. Faced with extreme forms of politicisation, avant-gardists throughout Europe tried to safeguard literature's autonomy in a variety of ways. These included turning politics and law into genuinely artistic materials and producing a repertoire of alternatives to existent frameworks of democracy.Against assertions that anti-art avant-garde gestures were meant to overcome art's autonomy and approximate the condition of politics, Bru shows that European avant-gardists may well have been one of the staunchest defenders of art's sovereignty in modern times.Key Features* Facilitates dialogue between Anglo-American and European modernist studies* Presents new interpretations of Berlin Dada, futurism and expressionism, and brings an innovative historical framework with which to analyse continental modernism* Provides an original perspective on modernist writing and theory during the first decades of the foregoing century* Offers, in the introductory chapter, a survey of ways in which to relate experimental writing to politics

A Dictionary of the Avant-Gardes

Author : Anonim
Publisher : Routledge
Page : 735 pages
File Size : 41,8 Mb
Release : 2013-05-13
Category : Music
ISBN : 9781136806209

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A Dictionary of the Avant-Gardes by Anonim Pdf

A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.

Avant-Garde on Record

Author : Jonathan Goldman
Publisher : Cambridge University Press
Page : 337 pages
File Size : 44,9 Mb
Release : 2023-11-09
Category : Music
ISBN : 9781009363440

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Avant-Garde on Record by Jonathan Goldman Pdf

An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.

Realisms of the Avant-Garde

Author : Moritz Baßler,Benedikt Hjartarson,Ursula Frohne,David Ayers,Sascha Bru
Publisher : Walter de Gruyter GmbH & Co KG
Page : 708 pages
File Size : 43,7 Mb
Release : 2020-09-21
Category : Literary Criticism
ISBN : 9783110637656

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Realisms of the Avant-Garde by Moritz Baßler,Benedikt Hjartarson,Ursula Frohne,David Ayers,Sascha Bru Pdf

The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.

The Spatiality of the Hispanic Avant-Garde

Author : Claudio Palomares-Salas
Publisher : BRILL
Page : 213 pages
File Size : 47,8 Mb
Release : 2020-06-08
Category : Literary Criticism
ISBN : 9789004406773

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The Spatiality of the Hispanic Avant-Garde by Claudio Palomares-Salas Pdf

The Spatiality of the Hispanic Avant-Ultraísmo & Estridentismo, 1918-1927 is a thorough and original exploration of place and space in the work of the Hispanic vanguards; a transatlantic study that will surely join international discussions on space and modernism.

Late Modernism and the Avant-Garde British Novel

Author : Julia Jordan
Publisher : Oxford University Press
Page : 256 pages
File Size : 52,7 Mb
Release : 2020-03-24
Category : Literary Criticism
ISBN : 9780192599209

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Late Modernism and the Avant-Garde British Novel by Julia Jordan Pdf

In the decades following the immediately postwar period in Britain, a loose grouping of experimental writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but for the broader movement of the novel through the century. This volume takes some of the claims made about experimental fiction—that it is unreadable, nonlinear, elliptical, errant, plotless—and reimagines these descriptors as historically inscribed tendencies that express the period's investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique: attempting to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts—error, indeterminacy, uncertainty, accident—all bear a relation to that which evades or resists interpretation and meaning. Asking what are the wider political, ethical, and philosophical correlates of this incommensurability, Late Modernism and the Avant-Garde British Novel reads experimental literature in this light, as suffused with anxiety about its adequacy in the light of its status as necessarily imitative and derivative, and therefore redolent of the forms of not-knowing and uncertainty that mark late modernism more generally.

Literary History and Avant-Garde Poetics in the Antipodes

Author : A. J. Carruthers
Publisher : Edinburgh University Press
Page : 370 pages
File Size : 45,9 Mb
Release : 2024-03-05
Category : Electronic
ISBN : 9781399526845

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Literary History and Avant-Garde Poetics in the Antipodes by A. J. Carruthers Pdf

Avant-garde poetry in the Antipodes causes all sorts of trouble for literary history. It is an avant-garde that seems to arrive too late and yet right on time. In 1897, Christopher Brennan made his own version of Un Coup de Des, the same year Mallarme published it in Cosmopolis. In the 1940s, the same period avant-gardism was declared dead or fatally injured due to the Ern Malley affair, Harry Hooton began writing a significant body of experimental poetry. From the 1950s to the 1970s, Australian Dada emerged 'belatedly' through figures like Jas H. Duke (Tristan Tzara had previously sung Aboriginal songs at the Cabaret Voltaire in 1916). First Nations and Migrant poets then began reinventing avant-garde poetry in the twentieth and early twenty-first centuries. This book maintains that such a confounding literary history poses a distinct challenge to the theories of the avant-gardes we have become accustomed to and changes our perspective of avant-garde time.

The European Avant-Garde – A Hundred Years Later

Author : Anonim
Publisher : BRILL
Page : 310 pages
File Size : 52,7 Mb
Release : 2024-01-08
Category : Philosophy
ISBN : 9789004685871

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The European Avant-Garde – A Hundred Years Later by Anonim Pdf

The title of this book, The European Avant-Garde – A Hundred Years Later, implies the European avant-garde took place a century ago, that it is a thing of the past. However, it does not aim to consolidate this position, but to question it. It addresses temporality as the central dimension related to the notion of the avant-garde. The book brings forth original revisions of the theories of the avant-garde, the works of the avant-garde, the idea of the avant-garde as being the vanguard, the leading force of change. It addresses the returning of the avant-garde during the twentieth century and today.

The Chaos Avant-garde

Author : Ralph Abraham,Yoshisuke Ueda
Publisher : World Scientific
Page : 231 pages
File Size : 50,7 Mb
Release : 2000
Category : Mathematics
ISBN : 9789810244040

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The Chaos Avant-garde by Ralph Abraham,Yoshisuke Ueda Pdf

This book is an authoritative and unique reference for the history of chaos theory, told by the pioneers themselves. It also provides an excellent historical introduction to the concepts. There are eleven contributions, and six of them are published here for the first time ? two by Steve Smale, three by Yoshisuke Ueda, and one each by Ralph Abraham, Edward Lorenz, Christian Mira, Floris Takens, T Y Li and James A Yorke, and Otto E Rossler.

The Danish Avant-Garde and World War II

Author : Kerry Greaves
Publisher : Routledge
Page : 477 pages
File Size : 42,6 Mb
Release : 2019-03-18
Category : Art
ISBN : 9780429885907

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The Danish Avant-Garde and World War II by Kerry Greaves Pdf

This is the first book to focus on Helhesten (The Hell-Horse), an avant-garde artists’ collective active during the Nazi occupation of Denmark and one of the few tangible connections between radical European art groups from the 1920s to the 1960s. The Danes’ deliberately unskilled painterly abstraction, embrace of the tradition of dansk folkelighed (the popular) and its iterations of egalitarianism and consensus reform, called for the political relevance of art and interrogated the ideologies underlying culture itself. The group’s cultural activism presents an alternative trajectory of continuity, which challenges the customary view of World War II as a moment of artistic rupture.

Chaos Avant-garde, The: Memoirs Of The Early Days Of Chaos Theory

Author : Ralph Abraham,Yoshisuke Ueda
Publisher : World Scientific
Page : 231 pages
File Size : 53,6 Mb
Release : 2001-01-04
Category : Science
ISBN : 9789814492461

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Chaos Avant-garde, The: Memoirs Of The Early Days Of Chaos Theory by Ralph Abraham,Yoshisuke Ueda Pdf

This book is an authoritative and unique reference for the history of chaos theory, told by the pioneers themselves. It also provides an excellent historical introduction to the concepts. There are eleven contributions, and six of them are published here for the first time — two by Steve Smale, three by Yoshisuke Ueda, and one each by Ralph Abraham, Edward Lorenz, Christian Mira, Floris Takens, T Y Li and James A Yorke, and Otto E Rossler.

The Ghosts of the Avant-Garde(s)

Author : James M. Harding
Publisher : University of Michigan Press
Page : 247 pages
File Size : 55,6 Mb
Release : 2015-10-22
Category : Art
ISBN : 9780472036103

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The Ghosts of the Avant-Garde(s) by James M. Harding Pdf

Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.

The Last Avant-Garde

Author : David Lehman
Publisher : Anchor
Page : 449 pages
File Size : 44,7 Mb
Release : 1999-11-09
Category : Literary Criticism
ISBN : 9780385495332

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The Last Avant-Garde by David Lehman Pdf

A landmark work of cultural history that tells the story of how four young poets, John Ashbery, Frank O'Hara, James Schuyler, and Kenneth Koch, reinvented literature and turned New York into the art capital of the world. Greenwich Village, New York, circa 1951. Every night, at a rundown tavern with a magnificent bar called the Cedar Tavern, an extraordinary group or painters, writers, poets, and hangers-on arrive to drink, argue, tell jokes, fight, start affairs, and bang out a powerful new aesthetic. Their style is playful, irreverent, tradition-shattering, and brilliant. Out of these friendships, and these conversations, will come the works of art and poetry that will define New York City as the capital of world culture--abstract expressionism and the New York School of Poetry. A richly detailed portrait of one of the great movements in American arts and letters, The Last Avant-Garde covers the years 1948-1966 and focuses on four fast friends--the poets Frank O'Hara, James Schuyler, John Ashbery, and Kenneth Koch. Lehman brings to vivid life the extraordinary creative ferment of the time and place, the relationship of great friendship to art, and the powerful influence that a group of visual artisits--especially Jane Freilicher, Larry Rivers, and Fairfield Porter--had on the literary efforts of the New York School. The Last Avant-Garde is both a definitive and lively view of a quintessentially American aesthetic and an exploration of the dynamics of creativity.

Nothing and Everything - The Influence of Buddhism on the American Avant Garde

Author : Ellen Pearlman
Publisher : North Atlantic Books
Page : 273 pages
File Size : 45,9 Mb
Release : 2012-04-24
Category : Art
ISBN : 9781583943793

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Nothing and Everything - The Influence of Buddhism on the American Avant Garde by Ellen Pearlman Pdf

In America in the late 1950s and early 60s, the world—and life itself—became a legitimate artist’s tool, aligning with Zen Buddhism’s emphasis on “enlightenment at any moment” and living in the now. Simultaneously and independently, parallel movements were occurring in Japan, as artists there, too, strove to break down artistic boundaries. Nothing and Everything brings these heady times into focus. Author Ellen Pearlman meticulously traces the spread of Buddhist ideas into the art world through the classes of legendary scholar D. T. Suzuki as well as those of his most famous student, composer and teacher John Cage, from whose teachings sprouted the art movement Fluxus and the “happenings” of the 1960s. Pearlman details the interaction of these American artists with the Japanese Hi Red Center and the multi-installation group Gutai. Back in New York, abstract-expressionist artists founded The Club, which held lectures on Zen and featured Japan’s first abstract painter, Saburo Hasegawa. And in the literary world, Jack Kerouac and Allen Ginsberg were using Buddhism in their search for new forms and visions of their own. These multiple journeys led to startling breakthroughs in artistic and literary style—and influenced an entire generation. Filled with rare photographs and groundbreaking primary source material, Nothing and Everything is the definitive history of this pivotal time for the American arts. About the Imprint: EVOLVER EDITIONS promotes a new counterculture that recognizes humanity's visionary potential and takes tangible, pragmatic steps to realize it. EVOLVER EDITIONS explores the dynamics of personal, collective, and global change from a wide range of perspectives. EVOLVER EDITIONS is an imprint of North Atlantic Books and is produced in collaboration with Evolver, LLC.