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"Inspired by the stories her father told her, Dénommé sketches a portrait of a Northern mining town in the 1970s. Shifts in the uranium mine last 100 days, then two weeks to adjust to civilization before returning. The pay is good, the work is grueling and everyone drinks heavily on a Saturday night. Life is hollow, one shift at a time, waiting for the depletion of resources - natural or human. A quiet but powerful read, rendered in gorgeous pencil, like the dust of the mine revealing lives on the page."--
Uranium City started out as a collection of shacks and tents in 1952. In its 30 years of lusty, brawling life it matured into a thriving, close-knit community boasting most of the amenities of towns 800 kilometers to the south. Add to this the advantages of clean air, clean water in pristine lakes and rivers, no traffic jams, very little crime, no juvenile gangs and, aside from the usual problems with alcohol, no drugs.
The Group of Seven Reimagined by Karen Schauber Pdf
A celebration of one hundred years of Canada's most famous group of painters, expertly blending visual artistry with evocative works of short fiction. Founded in 1920, the Group of Seven has been capturing the imaginations of Canadians for nearly a century, helping to shape our national identity with their stunning landscape paintings representing every region of the country. In honour of the one-hundred-year anniversary of the Group's formation, The Group of Seven Reimaginedtakes a fresh look at twenty-one paintings from the Group's vast oeuvre, extracting narrative from landscape and uniting Canada's most beloved works of art with some of its most distinguished names in contemporary literary fiction. This gorgeous full-colour art book includes works by the original Group of Seven--Franklin Carmichael, Lawren Harris, A.Y. Jackson, Frank Johnston, Arthur Lismer, J.E.H. MacDonald, and Frederick H. Varley--as well as later members A.J. Casson, L.L. FitzGerald, and Edwin Holgate, plus their contemporaries Tom Thomson and Emily Carr. Each painting is accompanied by a short narrative--or "flash fiction" piece--written by critically acclaimed, award-winning authors, including Carol Bruneau, Waubgeshig Rice, Tamas Dobozy, and JJ Lee. Rather than analyze or interpret the art, these literary masters look deep inside each painting, crafting new layers of plot, setting, and emotion that feel at once entirely fresh and completely at home alongside these early-twentieth-century works. With a foreword by Sue and Jim Waddington, authors of the popular In the Footsteps of the Group of Seven,this innovative take on the Group of Seven is sure to inspire and delight Canadians from coast to coast.
Oh my goodness. Did you ever get to thinking that "down on your luck" isn't just an expression? And that what we need here is a bigger statement? Something that adequately describes the scope of the situation? Like when your ex-wife spends all of her time angrier than a five-dollar pistol at everything on the planet, but mostly at you (well, really only at you, and she brings back your record collection, but she sets fire to it on your porch and the flames spread to your house and that just proves what you've said all along: that she is crazier than a box of frogs. Or when your ninety-year-old stick of a father uses his gnarled up knuckly fingers to apply "the nut twister" on you every chance that he gets. And you haven't been with a woman for a very long time and about the only chance you will ever have of getting laid again is to crawl up a chicken's ass and wait.This shit is dire. Well, what I mean is that "down on your luck" doesn't quite cut it when bad luck has become a way of life. You just have to remember: You can have everything you want in this life. Provided all you want is a stained mattress and a hangover.Skin House is a story about two guys who end up in the same bar they started out in. Maybe they're slightly better off than they were at the start. Or maybe not. One has a girlfriend though. They both have a little extra cash, enough to order nachos whenever they want to without going through their pockets first. They're not dead, and that's something right there. And they're not arrested, which is the quite surprising part.
United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Energy and the Environment
Author : United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Energy and the Environment Publisher : Unknown Page : 722 pages File Size : 49,6 Mb Release : 1986 Category : Uranium ISBN : PSU:000011991786
Uranium Enrichment and Supply by United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Energy and the Environment Pdf
Item #176: A fire drill. No, not an exercise in which occupants of a building practice leaving the building safely. A drill which safely emits a bit of fire, the approximate shape and size of a drill bit. Item #74: Enter a lecture class in street clothes. Receive loud phone call. Shout “I NEED TO GO, THE CITY NEEDS ME!” Remove street clothes to reveal superhero apparel. Run out for the good of the land. Item #293: Hypnotizing a chicken seems easy, but if the Wikipedia article on the practice is to be believed, debate on the optimal method is heated. Do some trials on a real chicken and submit a report . . . for science of course. Item #234: A walking, working, people-powered but preferably wind-powered Strandbeest. Item #188: Fattest cat. Points per pound. The University of Chicago’s annual Scavenger Hunt (or “Scav”) is one of the most storied college traditions in America. Every year, teams of hundreds of competitors scramble over four days to complete roughly 350 challenges. The tasks range from moments of silliness to 1,000-mile road trips, and they call on participants to fully embrace the absurd. For students it is a rite of passage, and for the surrounding community it is a chance to glimpse the lighter side of a notoriously serious university. We Made Uranium! shares the stories behind Scav, told by participants and judges from the hunt’s more than thirty-year history. The twenty-three essays range from the shockingly successful (a genuine, if minuscule, nuclear reaction created in a dorm room) to the endearing failures (it’s hard to build a carwash for a train), and all the chicken hypnotisms and permanent tattoos in between. Taken together, they show how a scavenger hunt once meant for blowing off steam before finals has grown into one of the most outrageous annual traditions at any university. The tales told here are absurd, uplifting, hilarious, and thought-provoking—and they are all one hundred percent true.
Now expanded to include the story of nuclear testing and its consequences, Uranium Frenzy has become the classic account of the uranium rush that gripped the Colorado Plateau region in the 1950s. Instigated by the U.S. government's need for uranium to fuel its growing atomic weapons program, stimulated by Charlie Steen's lucrative Mi Vida strike in 1952, manned by rookie prospectors from all walks of life, and driven to a fever pitch by penny stock promotions, the boom created a colorful era in the Four Corners region and Salt Lake City (where the stock frenzy was centered) but ultimately went bust. The thrill of those exciting times and the good fortune of some of the miners were countered by the darker aspects of uranium and its uses. Miners were not well informed regarding the dangers of radioactive decay products. Neither the government nor anyone else expended much effort educating them or protecting their health and safety. The effects of exposure to radiation in poorly ventilated mines appeared over time.
The Good-natured Feminist by Catriona Sandilands Pdf
Heroic mothers defending home and hearth against a nature deformed by multinationalist corporate practice: this may be a compelling story, but it is not necessarily the source of valid feminist or ecological critique. What's missing is the democratic element, an insistence on bringing to public debate all the relations of gender and nature that such a view takes for granted. This book aims to situate a commitment to theory and politics -- that is, to democratic practice -- at the center of ecofeminism and, thus, to move toward an ecofeminism that is truly both feminist and ecological. The Good-Natured Feminist inaugurates a sustained conversation between ecofeminism and recent writings in feminist postmodernism and radical democracy. Starting with the assumption that ecofeminism is a body of democratic theory, the book tells how the movement originated in debates about "nature" in North American radical feminisms, how it then became entangled with identity politics, and how it now seeks to include nature in democratic conversation and, especially, to politicize relations between gender and nature in both theoretical and activist milieus.
A dramatic countdown of the final months of World War II in Europe, The Last 100 Days brings to life the waning power and the ultimate submission of the Third Reich. To reconstruct the tumultuous hundred days between Yalta and the fall of Berlin, John Toland traveled more than 100,000 miles in twenty-one countries and interviewed more than six hundred people—from Hitler’s personal chauffeur to Generals von Manteuffel, Wenck, and Heinrici; from underground leaders to diplomats; from top Allied field commanders to brave young GIs. Toland adeptly weaves together these interviews using research from thousands of primary sources. When it was first published, The Last 100 Days made history, revealing after-action reports, staff journals, and top-secret messages and personal documents previously unavailable to historians. Since that time, it has come to be regarded as one of the greatest historical narratives of the twentieth century.
“An intimate and deeply human memoir that shows why we should all be concerned about nuclear safety, and the dangers of ignoring science in the name of national security.”—Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks A shocking account of the government’s attempt to conceal the effects of the toxic waste released by a secret nuclear weapons plant in Colorado and a community’s vain search for justice—soon to be a feature documentary Kristen Iversen grew up in a small Colorado town close to Rocky Flats, a secret nuclear weapons plant once designated "the most contaminated site in America." Full Body Burden is the story of a childhood and adolescence in the shadow of the Cold War, in a landscape at once startlingly beautiful and--unknown to those who lived there--tainted with invisible yet deadly particles of plutonium. It's also a book about the destructive power of secrets--both family and government. Her father's hidden liquor bottles, the strange cancers in children in the neighborhood, the truth about what was made at Rocky Flats--best not to inquire too deeply into any of it. But as Iversen grew older, she began to ask questions and discovered some disturbing realities. Based on extensive interviews, FBI and EPA documents, and class-action testimony, this taut, beautifully written book is both captivating and unnerving.
"The untold story of the Native Americans who were the patriotic but unwitting victims of America's quest for nuclear superiority during the Cold War." Stewart L. Udall, former Secretary of the Interior (from the back cover).
Morningstar Mercredi was born and lived in the north – Fort Chipewayan and Fort McMurray in Alberta, Uranium City in Saskatchewan, and a number of small communities. Sexually abused from an early age, by family members and the boyfriends she turned to for consolation, she was promiscuous, alcoholic and a drug user by the time she was thirteen. She married when she was sixteen and had a son two years later. Everything was a struggle. Days and weeks of sobriety were followed by weeks and months of drinking and self-abuse. Then, when her son was four, things began to change. Morningstar found support, from the community, from her son, and from within herself, to be a good mother, find employment, keep relationships and reconnect with her family. Today, she is a strong and creative member of her community, and eager to tell her story of defeat and ultimate triumph. Sadly, the first part of this story is all too common, while the second is all too rare. But Morningstar is a shining example that it can be done. She is honest and self-critical in her descriptions of many attempts and repeated failures. She gives enormous credit to her son, for his constant love, his determination to be honest with her, and his unfailing confidence in her ability to succeed.