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Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 48,7 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838088
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 44,5 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838118
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 55,8 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838134
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 42,6 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838096
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 50,9 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838150
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 51,9 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838347
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Mindblowing Journals
Publisher : Createspace Independent Publishing Platform
Page : 152 pages
File Size : 50,6 Mb
Release : 2017-01-29
Category : Electronic
ISBN : 1542838339
Pierre Auguste Renoir 1841 - 1919 (Art Paintings)
Author : Auguste Renoir
Publisher : Unknown
Page : 56 pages
File Size : 44,7 Mb
Release : 1993
Category : Art
ISBN : 0517093537
Author : Pierre Bourdieu
Publisher : Routledge
Page : 641 pages
File Size : 49,6 Mb
Release : 2013-04-15
Category : Philosophy
ISBN : 9781135873165
Examines differences in taste between modern French classes, discusses the relationship between culture and politics, and outlines the strategies of pretension.
Author : Mary Statzer
Publisher : Univ of California Press
Page : 268 pages
File Size : 42,7 Mb
Release : 2016-02-02
Category : Art
ISBN : 9780520281479
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Author : David Looseley
Publisher : Liverpool University Press
Page : 322 pages
File Size : 50,5 Mb
Release : 2015-10-28
Category : History
ISBN : 9781781388594
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an ‘imagined’ Piaf.
Author : Meyer Schapiro
Publisher : George Braziller Publishers
Page : 366 pages
File Size : 53,5 Mb
Release : 1997
Category : Antiques & Collectibles
ISBN : UOM:39015040141445
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Author : Christine Poggi
Publisher : Yale University Press
Page : 318 pages
File Size : 42,5 Mb
Release : 1992-01-01
Category : Art
ISBN : 0300051093
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Author : Claire Bishop
Publisher : Verso Books
Page : 483 pages
File Size : 44,8 Mb
Release : 2012-07-24
Category : Art
ISBN : 9781781683972
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author : Guy de Maupassant
Publisher : ReadHowYouWant.com
Page : 214 pages
File Size : 42,6 Mb
Release : 2006
Category : Electronic
ISBN : 9781425029562
