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Author : John Ashbery,Klaus Kertess
Publisher : Unknown
Page : 268 pages
File Size : 46,6 Mb
Release : 1995
Category : Electronic
ISBN : OCLC:801066302
Author : Klaus Kertess,Whitney Museum of American Art,John Ashbery
Publisher : ABRAMS
Page : 272 pages
File Size : 40,5 Mb
Release : 1995
Category : Architecture
ISBN : UOM:39015034869191
Author : Anonim
Publisher : Unknown
Page : 424 pages
File Size : 50,5 Mb
Release : 2006
Category : Art, American
ISBN : UCSC:32106018630282
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 51,9 Mb
Release : 1995
Category : Art, American
ISBN : OCLC:1430977127
Author : David Breslin,Adrienne Edwards
Publisher : Whitney Museum of American Art
Page : 264 pages
File Size : 54,7 Mb
Release : 2022-04-26
Category : Electronic
ISBN : 0300263899
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Author : Ann Temkin
Publisher : The Museum of Modern Art
Page : 264 pages
File Size : 45,6 Mb
Release : 2009
Category : Art
ISBN : 0870707620
From the developer of
Author : Walter Jule
Publisher : University of Alberta
Page : 340 pages
File Size : 54,6 Mb
Release : 1997-09
Category : Art
ISBN : 0888643071
Sightlines is an architectural term meaning what you can see from where you stand - it's a question of perspective. This collection of images and words, gathered in conjunction with the international Sightlines symposium in Edmonton, Canada, in 1997, reveals the printmaker and the print from many angles. Including more than 250 color images representing more than 120 artists and a text by more than a dozen contributors, Sightlines opens up a rare view of contemporary printmaking around the world.
Author : Alexandra Schwartz
Publisher : Univ of California Press
Page : 114 pages
File Size : 51,5 Mb
Release : 2015-01-02
Category : Art
ISBN : 9780520282889
"Come as You Are: Art of the 1990s is the largest and most ambitious contemporary art exhibition ever to be mounted by the Montclair Art Museum. The exhibition and book spotlight a pivotal moment in the recent history of art. Chronicling the "long" 1990s between 1989 and 2001-from the fall of the Berlin Wall to 9/11-"Come As You Are" examines how the art of this period both reflected and helped shape the dramatic societal events of the era, when the combined forces of new technologies and globalization gave rise to the accelerated international art world that we know today"--
Author : Linda Pace,Jan Jarboe Russell,Eleanor Heartney,Kathryn Kanjo
Publisher : Trinity University Press
Page : 321 pages
File Size : 55,5 Mb
Release : 2014-12-16
Category : Art
ISBN : 9781595341969
Since its founding in 1993 by the late Pace Foods heiress Linda Pace, Artpace has become one of the premiere foundations for contemporary art. An artist residency program based in San Antonio, Texas, Artpace's goal is to give artists time and space to imagine new ways to work. Each year, nine artists (three from Texas, three from other areas of the United States, and three from abroad) are invited to the foundation to create new work. Selected by guest curators like Robert Storr and Okwui Enwezor, the artists who have undertaken residencies is impressive, prescient, and diverse, including Felix Gonzalez-Torres, Annette Messager, Tracey Moffatt, Xu Bing, Nancy Rubins, Cornelia Parker, Inigo Manglano-Ovalle, Glenn Ligon, Kendell Geers, Carolee Schneemann, Mona Hatoum, Isaac Julien, Arturo Herrera, and Christian Jankowski. Dreaming Red includes images of all the works created at Artpace since its inception; an essay by art historian Eleanor Heartney; short essays on selected artists by guest curators, including Cuauhtémoc Medina, Lynne Cooke, Chrissie Iles, and Judith Russi Kirshner; and a lengthy essay on the personal history of the foundation and its founder.
Author : Gary Garrels
Publisher : The Museum of Modern Art
Page : 346 pages
File Size : 43,8 Mb
Release : 2006
Category : Architecture
ISBN : 087070446X
Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art
Author : Margot Lovejoy
Publisher : Routledge
Page : 365 pages
File Size : 51,5 Mb
Release : 2004-08-02
Category : Art
ISBN : 9781134397297
Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and theoretical implications of each to create a foundation for understanding this developing field. Digital Currents fills a major gap in our understanding of the relationship between art and technology, and the exciting new cultural conditions we are experiencing. It will be ideal reading for students taking courses in digital art, and also for anyone seeking to understand these new creative forms.
Author : Anonim
Publisher : Unknown
Page : 642 pages
File Size : 50,7 Mb
Release : 1994
Category : China
ISBN : UCSD:31822017448572
Author : Susette Min
Publisher : NYU Press
Page : 272 pages
File Size : 55,9 Mb
Release : 2018-06-05
Category : Literary Criticism
ISBN : 9780814763124
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as “exemplary” instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself. Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as “exemplary” instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.
Author : Patti Sowalsky,Judith Swirsky
Publisher : Unknown
Page : 132 pages
File Size : 42,9 Mb
Release : 1995-05
Category : Art
ISBN : 0963365037
Author : Lynne Warren
Publisher : Routledge
Page : 1849 pages
File Size : 41,9 Mb
Release : 2005-11-15
Category : Photography
ISBN : 9781135205430
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.