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Offers an overview of Italian music of the modern era dealing with the composers and the music they wrote. This book includes full bibliographical references and an index.
20th Century Italian Composers by Hal Leonard Corp Pdf
(MGB). Ten intermediate-level pieces by modern Italian composers. Includes works by Busoni, Casella, Castelnuovo-Tedesco, Petrassi, Respighi, Rota, and others. With a detailed introduction and notes on each piece. "These 10 piano pieces written between 1915 and 1941 will appeal to performers, students, and audiences...The musical language is freely tonal with excursions into modality, and primarily diatonic and linear in conception. Strong melodies contribute to the beauty of these works. Most are character pieces--slow, expressive and short...'Epitaffio' by Malipeiro is hauntingly beautiful."-- American Music Teacher Contents: PETRASSI: Piccola Invenzione * DAVICO: Tre Pastorali d'Autunno * PICK-MANGIAGALLI: Colloque au Clair de Lune * MALIPIERO: Epitaffio * RESPIGHI: Preludio III * ROTA: Ippolito Gioca * PILATI: Fughetta a Tre Voci * BUSONI: Sonatina in Diem Nativitatis Christi (MCMXVII) * TEDESCO: Charlie * CASELLA: Due Ricercari sul Nome B-A-C-H
20th century Italian composers by Hal Leonard Corp Pdf
(MGB). Six intermediate-level works by Monti, Simonetti, Pizzetti, and Castelnuovo-Tedesco. "Volume I begins with Vittorio Monti's well-known Czardas in a clean, easy-to-read format. This work is representative of the violinistic challenges that occur throughout the collection, utilizing double stops, first through fifth position, fingered harmonics, tempo changes, and spiccato..Capitan Fracasse by Mario Castelnuovo-Tedesco may easily become a favorite of performers and audiences alike...This collection is a valuable addition to the repertoire and provides intermediate to advanced players with a set of exciting new alternatives to the standard works."-- American String Teacher
The Italians were so busy creating and performing superb music that they neglected to tell the great epic story of their wondrous achievement. With BRAVO! we hope to tell that story. The 1,000-year-old story begins, basically, with the work of a humble monk from the city of Arezzo. And this story has no ending. If, on one hand, we will never know the music of the Egyptians, of the Greeks, and of the Romans, on the other, we have come to know and to enjoy the music of every composer from the 12th Century to the Present day thanks to Guido's invention of the musical scale. As the story unfolds, we are rewarded with the many convincing superlatives forever tied to Italian musical endeavors. The first ten chapters deal with the Italian musical geniuses who theorized, made superb instruments, composed, performed, orchestrated, conducted and sang for the enjoyment of listeners worldwide, and the closing chapter gives a comprehensive look at the beautiful things that have happened in the Italian and American world of music. While each page of BRAVO! is full of surprising and fascinating details, the title reminds us that the term, BRAVO! is reserved only for topnotch performances. Book jacket.
Bengal and Italy by Paromita Chakravarti,Mario Prayer Pdf
The ten chapters collected in this book manifest the current global interest in trans-border dialogues and trace the origins and development of Italian and Bengali internationalisms in the period from the mid-19th to the early 20th century. Despite having differing political statuses and lacking a shared geographical or historical space, Bengal and Italy remained uniquely connected and, at times, actively sought to transcend different kinds of constraints in their search for a significant dialogue and mutual enrichment in the fields of literature, music, architecture, art, cinema, diplomacy, entrepreneurship, travels, education and intellectual engagement. In this context, the volume confronts strategies of evaluation adopted by prominent representatives of the Bengali and Italian cultural environments with particular emphasis on readings embedded in the moment of contact. Both regions benefitted from this ‘elective affinity’ as they advanced along their respective paths towards a fuller awareness of their specific identity, and thus set a positive example of transcultural understanding which may inspire today’s world.
What is Renaissance The Renaissance is a period in history and a cultural movement marking the transition from the Middle Ages to modernity, covering the 15th and 16th centuries and characterized by an effort to revive and surpass the ideas and achievements of classical antiquity; it occurred after the crisis of the Late Middle Ages and was associated with great social change in most fields and disciplines, including art, architecture, politics, literature, exploration and science. Those who advocate for a "long Renaissance" may, in addition to the conventional periodization, place the beginning of the Renaissance in the 14th century and the end of the Renaissance in the 17th century.The conventional viewpoint places more emphasis on the early modern characteristics of the Renaissance and contends that it was a departure from the past. On the other hand, many historians of today place more emphasis on the medieval aspects of the Renaissance and contend that it was an extension of the Middle Ages. The early Renaissance of the 15th century and the Italian Proto-Renaissance, which began around 1250 or 1300, overlap significantly with the Late Middle Ages, which is traditionally dated to approximately 1350-1500. The Middle Ages themselves were a lengthy period filled with gradual changes, similar to the modern age. The Renaissance, which is a transitional period between both the Middle Ages and the Modern Age, has close similarities to both of these periods, particularly the late and early sub-periods of either of the two. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: Renaissance Chapter 2: Periodization Chapter 3: Coluccio Salutati Chapter 4: Leonardo Bruni Chapter 5: Dark Ages (historiography) Chapter 6: Renaissance humanism Chapter 7: Renaissance art Chapter 8: Italian Renaissance Chapter 9: Northern Renaissance Chapter 10: Poggio Bracciolini Chapter 11: Late Middle Ages Chapter 12: Italian classical music Chapter 13: Science in the Renaissance Chapter 14: Humanism Chapter 15: Manufacturing Chapter 16: Renaissance architecture in Central and Eastern Europe Chapter 17: Continuity thesis Chapter 18: Industrial Revolution Chapter 19: Jacopo d'Angelo Chapter 20: Greek scholars in the Renaissance Chapter 21: Index of Renaissance articles (II) Answering the public top questions about renaissance. (III) Real world examples for the usage of renaissance in many fields. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of Renaissance.
Who is Robert Lopez The American historian Roberto Sabatino Lopez was of Italian descent and specialized in the study of the economic history of medieval Europe. As a Sterling Professor of History at Yale University, he was a professor there for a considerable amount of time. How you will benefit (I) Insights about the following: Chapter 1: Robert S. Lopez Chapter 2: Renaissance Chapter 3: Commercial Revolution Chapter 4: Italian Renaissance Chapter 5: Plague doctor Chapter 6: Heiko Oberman Chapter 7: Late Middle Ages Chapter 8: Renaissance of the 12th century Chapter 9: David Herlihy Chapter 10: David Abulafia Chapter 11: Walter Goffart Chapter 12: Judith C. Brown Chapter 13: Ron Terpening Chapter 14: Capitalism and Islam Chapter 15: Haskins Medal Chapter 16: Frederic C. Lane Chapter 17: Patrick J. Geary Chapter 18: Claude-Anne Lopez Chapter 19: Robert L. Reynolds Chapter 20: Deno Geanakoplos Chapter 21: Commenda Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information about Robert Lopez.
Encyclopedia of Music in the 20th Century by Lol Henderson,Lee Stacey Pdf
The Encyclopedia of Music in the 20th Century is an alphabetically arranged encyclopedia of all aspects of music in various parts of the world during the 20th century. It covers the major musical styles--concert music, jazz, pop, rock, etc., and such key genres as opera, orchestral music, be-bop, blues, country, etc. Articles on individuals provide biographical information on their life and works, and explore the contribution each has made in the field. Illustrated and fully cross-referenced, the Encyclopedia of Music in the 20th Century also provides Suggested Listening and Further Reading information. A good first point of reference for students, librarians, and music scholars--as well as for the general reader.
Italy's Primacy in Musical History by Guy Graybill Pdf
This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities.
"Italian music of the 1960s is one of the most unjustly neglected areas in the arena of twentieth-century classical music. This volume pays tribute to the astounding complexity of the music and libretti of five vocal compositions by leading experimental composers of the decade: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni, and Armando Gentilucci. It highlights how the 'difficult' and unconventional methods of composition employed by these artists - dodecaphony, total serialism, Webernian minimalist techniques, aleatory and electronic music - displayed a refusal to compete with the market-place values of Italy's new capitalist society. At the same time, the libretti's collage arrangement of a plethora of European and Oriental literary sources dating from the sixteenth century BC onwards, reflected the contemporary Neo-avant-garde rejection of conventional literary practice, and their preference for 'organised disorder', in Umberto Eco's phrase."
Author : Louis Kí_hler,Allan Small Publisher : Alfred Music Page : 148 pages File Size : 41,6 Mb Release : 2005-05-03 Category : Music ISBN : 1457411806
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.