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Antonin Artaud was a poet, theorist, philosopher, essayist, playwright, actor and director, and one of the 20th century’s most important theoreticians of drama. His theory of the ‘Theatre of Cruelty’ has influenced playwrights as diverse as Beckett, Genet, Albee and Gelber. Magic was always a central concept for Artaud, and in nearly all his writing it is given the most positive force, as something capable of healing the rift between words and things, culture and life. But during his nine years of incarceration in mental asylums, magic seemed to lose its illuminating transformative power and to become demonic and persecutory. Artaud entered the realm of spectres and vampires which he believed were sucking the vitality from his mind and body. Artaud later filled twelve little exercise books with an account of his struggles to escape this physical, psychological and artistic hell. The first eleven books are filled with fragments of writing and extraordinary sketches of totemic figures, pierced bodies and enigmatic machines. Two months before his death, he took a twelfth exercise book and wrote a remarkable, incantatory text, 50 Drawings to Murder Magic. It was the last thing he wrote.
Drawing (...) City (...) Body, Dwelling on Earth by Pedro António Janeiro Pdf
This international seminar’s fifth edition, dedicated to the theme Desenho (...) Cidade (...) Corpo, Habitando a Terra (Drawing [...] City [...] Body, Inhabiting the Earth) was held as a joint activity between: this C.I.A.U.D./F.A./U.Lisboa Research Project, the University of São Paulo, represented by the Maria Antônia University Centre, and the Faculty of Architecture and Urbanism of the Federal University of Juiz de Fora. Its objectives were threefold: To discuss how Drawing in/of the City and the elements that identify it (geographical area, inhabitants, natural landscape and/or built landscape; present, desired or memorable facts and data) are represented and identified through the presence and/or action of the body, in the form of gestures, movements, interventions, displacements or permanence. To problematise the association between Drawing and City from the starting point of the perception of the Body, assuming this mediation as a condition for the particular construction of that relationship. To identify the presence of the Body in the Representations/Drawings of the City, submitting this event or phenomenon to analysis, aiming for cognitive production. The contributions will be of interest to artists, academics and professionals in the fields of drawing and the arts, architecture, sociology, philosophy, urbanism and design.
The Esoteric Secrets of Surrealism by Patrick Lepetit Pdf
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works • Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers • Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders, accepting instead the titles of magician, alchemist, or--in the case of Leonora Carrington and Remedios Varo--witch. Their paintings, poems, and other works were created to seek out unexplored regions of the mind and recover lost “psychic” and magical powers. They used creative expression as the vehicle to attain what André Breton called the “supreme point,” the point at which all opposites cease to be perceived as contradictions. This supreme point is found at the heart of all esoteric doctrines, including the Great Work of alchemy, and enables communication with higher states of being. Drawing on an extensive range of writings by the surrealists and those in their circle of influence, Patrick Lepetit shows how the surrealists employed mythology, gnostic principles, tarot, voodoo, and alchemy not simply as reference points but as significant elements of their ongoing investigations into the fundamental nature of consciousness. He provides many specific examples of esoteric influence among the surrealists, such as how Picasso’s famous Demoiselles d’Avignon was originally titled The Bath of the Philosophers, how painter Victor Brauner drew from his father’s spiritualist vocation as well as the Kabbalah and tarot, and how doctor and surrealist author Pierre Mabille was a Freemason focused on finding initiatory paths where “it is possible to feel a new system connecting man with the universe.” Lepetit casts new light on the connection between key figures of the movement and the circle of adepts gathered around Fulcanelli. He also explores the relationship between surrealists and Freemasonry, Martinists, and the Elect Cohen as well as the Grail mythos and the Arthurian brotherhood.
The Poetics of Performance Diagrams by Andrej Mirčev Pdf
This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijević). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies.
Antonin Artaud and the Healing Practices of Language by Joeri Visser Pdf
The life of Antonin Artaud (1896-1948) was tormented by physical and mental illnesses. Already in his earlier works, Artaud tried to express his physical and mental suffering, but perceived, in describing his feelings, the obstructive and illness-inducing role of language. This is the first book written in English that analyses the role of a healing language with which Artaud engaged in his later writings. Joeri Visser guides us through the years in which Artaud suffered increasingly from mental instability and considered the act of writing his only means of survival. In doing so, Visser unfolds a literary and a philosophical analysis of how language and life work together and how a creative play with language can help us to reengage sustainably with the joyous as well as the terrible forces of life.
Jean Dubuffet, Bricoleur by Stephanie Chadwick Pdf
One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet he remains one of the most misunderstood-and least interrogated-postwar French artists. Celebrating Art Brut (the art of ostensible outsiders) while posing as an outsider himself, Dubuffet mingled with many great artists, writers, and theorists, developing an elaborate and nuanced stream of conceptual resources to reconfigure painting and reframe postwar anticultural discourses. This book reexamines Dubuffet's art through the lens of these portraits (a veritable who's who of the Parisian art and intellectual scene) in tandem with his writings and the art and writings of his Surrealist sitters. Investigating Dubuffet's painting as bricolage, this book reveals his reliance upon an anticulture culture and the appropriation of motifs from Surrealism to the South Pacific to explore the themes of multivalence, performativity, and multifaceted identity in his portraits.
Deleuze and the Schizoanalysis of Visual Art by Ian Buchanan,Lorna Collins Pdf
The concept of schizoanalysis is Deleuze and Guattari's fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art's function is both political and aesthetic – it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a 'aesthetico-political function' and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself. Edited by one of the world's leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.
Dance and the Body in Western Theatre by Sabine Sörgel Pdf
While the body appears in almost all cultural discourses, it is nowhere as visible as in dance. This book captures the resurgence of the dancing body in the second half of the twentieth century by introducing students to the key phenomenological, kinaesthetic and psychological concepts relevant to both theatre and dance studies.
Diagnosed with schizophrenia in the 1950s, German writer and artist Unica Zürn produced a wealth of remarkable textual and visual material within psychiatric institutions across Germany and France. While Zürn is often discussed in relation to her partner, the controversial artist Hans Bellmer, this innovative book moves beyond the familiar model of the overlooked 'significant other' and re-introduces her as a member of the French Surrealist group. This is the first monograph on the life and work of the Unica Zürn in English. Esra Plumer presents Zürn's life and work in light of the artist's individual experiences with WWII, Post-war Surrealism and mental illness, at the same time revealing wider aspects of her artistic practice in relation to her contemporaries. She also reveals how the techniques of anagrams and automatism (writing and drawing methods designed to unlock the subconscious mind) form the pillars of Zürn's artistic creative output, which carry her work into the wider theoretical circles of psychoanalytic theory and post-structuralist thought.
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Antonin Artaud was an active theatre-maker and theorist whose ideas reshaped contemporary approaches to performance. This is the first book to combine an overview of Artaud’s life with a focus on his work as an actor and director; an analysis of his key theories, including the Theatre of Cruelty and the double; a consideration of his work as a director at the Théâtre Alfred Jarry and his production of Strindberg’s A Dream Play; and a series of practical exercises to develop an approach to theatre based on Artaud’s key ideas. As a first step towards critical understanding and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Psychology without Foundations by Steve D Brown,Paul Stenner Pdf
For many years, for many people social psychology has been deemed a discipline in crisis. This new book proposes a way out of the crisis by letting go of the idea that psychology needs new foundations or a new identity, whether biological, discursive or cognitive. The psychological is not narrowly confined to any one aspect of human experience; it is quite literally everywhere. The book proposes a strong process-oriented approach to the psychological, which studies events or occasions. Aspects of experience such as communication or embodiment are treated as thoroughly mediated - the product of multiple intersecting relationships between the biological, the psychic and the social. The outcome is an image of a mobile, reflexively founded discipline which follows the psychological wherever it takes us, from the depths of embodiment to the complexities of modern global politics.
This book explores psychosis as knowledge cut off from history, truth that cannot be articulated in any other form. It gives a nuanced picture of delusion as a repair of language itself, following Freud and Lacan in historic and contemporary forms of psychotic art, writing and speech.
Jules Verne,Charles Dickens,Mark Twain,Fyodor Dostoyevsky,Oscar Wilde,Edgar Allan Poe,William Hope Hodgson,John Buchan,Anna Katharine Green,Bram Stoker,Charlotte Brontë,Anne Brontë,Emily Brontë,Arthur Conan Doyle,Frances Hodgson Burnett,Joseph Conrad,Algernon Blackwood,Guy de Maupassant,Ernest Bramah,Walter Scott,Thomas Hardy,Mary Roberts Rinehart,Daniel Defoe,Arthur Morrison,Agatha Christie,Marie Belloc Lowndes,Sax Rohmer,Alexandre Dumas,Washington Irving,Maurice Leblanc,Erskine Childers,Gaston Leroux,Wilkie Collins,Earl Derr Biggers,Edgar Wallace,Marcel Allain,Richard Marsh,H. G. Wells,E. Phillips Oppenheim,J. S. Fletcher,R. Austin Freeman,E. W. Hornung,G. K. Chesterton,A. A. Milne,D. H. Lawrence,E. C. Bentley,H. P. Lovecraft,F. Scott Fitzgerald,Dorothy L. Sayers,Anton Chekhov,Robert William Chambers,Sheridan Le Fanu,Nikolai Gogol,Émile Gaboriau,Annie Haynes,Sapper,S. S. Van Dine
Author : Jules Verne,Charles Dickens,Mark Twain,Fyodor Dostoyevsky,Oscar Wilde,Edgar Allan Poe,William Hope Hodgson,John Buchan,Anna Katharine Green,Bram Stoker,Charlotte Brontë,Anne Brontë,Emily Brontë,Arthur Conan Doyle,Frances Hodgson Burnett,Joseph Conrad,Algernon Blackwood,Guy de Maupassant,Ernest Bramah,Walter Scott,Thomas Hardy,Mary Roberts Rinehart,Daniel Defoe,Arthur Morrison,Agatha Christie,Marie Belloc Lowndes,Sax Rohmer,Alexandre Dumas,Washington Irving,Maurice Leblanc,Erskine Childers,Gaston Leroux,Wilkie Collins,Earl Derr Biggers,Edgar Wallace,Marcel Allain,Richard Marsh,H. G. Wells,E. Phillips Oppenheim,J. S. Fletcher,R. Austin Freeman,E. W. Hornung,G. K. Chesterton,A. A. Milne,D. H. Lawrence,E. C. Bentley,H. P. Lovecraft,F. Scott Fitzgerald,Dorothy L. Sayers,Anton Chekhov,Robert William Chambers,Sheridan Le Fanu,Nikolai Gogol,Émile Gaboriau,Annie Haynes,Sapper,S. S. Van Dine Publisher : DigiCat Page : 12151 pages File Size : 52,5 Mb Release : 2023-11-26 Category : Fiction ISBN : EAN:8596547734048
50 Masterpieces of Murder Mystery & Detective Fiction (Vol. 1) by Jules Verne,Charles Dickens,Mark Twain,Fyodor Dostoyevsky,Oscar Wilde,Edgar Allan Poe,William Hope Hodgson,John Buchan,Anna Katharine Green,Bram Stoker,Charlotte Brontë,Anne Brontë,Emily Brontë,Arthur Conan Doyle,Frances Hodgson Burnett,Joseph Conrad,Algernon Blackwood,Guy de Maupassant,Ernest Bramah,Walter Scott,Thomas Hardy,Mary Roberts Rinehart,Daniel Defoe,Arthur Morrison,Agatha Christie,Marie Belloc Lowndes,Sax Rohmer,Alexandre Dumas,Washington Irving,Maurice Leblanc,Erskine Childers,Gaston Leroux,Wilkie Collins,Earl Derr Biggers,Edgar Wallace,Marcel Allain,Richard Marsh,H. G. Wells,E. Phillips Oppenheim,J. S. Fletcher,R. Austin Freeman,E. W. Hornung,G. K. Chesterton,A. A. Milne,D. H. Lawrence,E. C. Bentley,H. P. Lovecraft,F. Scott Fitzgerald,Dorothy L. Sayers,Anton Chekhov,Robert William Chambers,Sheridan Le Fanu,Nikolai Gogol,Émile Gaboriau,Annie Haynes,Sapper,S. S. Van Dine Pdf
E-artnow presents to you this unique collection of the greatest classics of thriller and mystery every fan of the genre should experience at least once in their life: The Murder of Roger Ackroyd (Agatha Christie) The Mysterious Affair at Styles (Agatha Christie) The Secret Adversary (Agatha Christie) The Murders in the Rue Morgue (Edgar Allan Poe) The Masque of the Red Death (Edgar Allan Poe) The Purloined Letter (Edgar Allan Poe) A Study in Scarlet (Arthur Conan Doyle) The Sign of Four (Arthur Conan Doyle) The Adventures of Sherlock Holmes (Arthur Conan Doyle) The Memoirs of Sherlock Holmes (Arthur Conan Doyle) The Innocence of Father Brown (G. K. Chesterton) The Abbey Court Murder (Annie Haynes) The Man Who Knew Too Much (G. K. Chesterton) The Woman in White (Wilkie Collins) Bleak House (Charles Dickens) Jane Eyre (Charlotte Brontë) Tess of the D'Urbervilles (Thomas Hardy) Heart of Darkness (Joseph Conrad) Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Twenty Thousand Leagues Under the Sea (Jules Verne) The Adventures of Tom Sawyer (Mark Twain) Tom Sawyer, Detective (Mark Twain) The Turn of the Screw (Henry James) Crime and Punishment (Fyodor Dostoyevsky) The Shooting Party (Anton Chekhov) Guy Mannering (Walter Scott) The Picture of Dorian Gray (Oscar Wilde) The Invisible Man (H. G. Wells) The Four Just Men (Edgar Wallace) The Red Thumb Mark (R. Austin Freeman) The Leavenworth Case (Anna Katharine Green) The Circular Staircase (Mary Roberts Rinehart) Bulldog Drummond (Sapper) Martin Hewitt Investigator (Arthur Morrison) The Lodger (Marie Belloc Lowndes) Whose Body? (Dorothy L. Sayers) The Thirty-Nine Steps (John Buchan) The Count of Monte Cristo (Alexandre Dumas) Arsène Lupin (Maurice Leblanc) The Phantom of the Opera (Gaston Leroux) The Widow Lerouge (Émile Gaboriau) Fantômas (Marcel Allain) Dracula (Bram Stoker) Uncle Silas (Sheridan Le Fanu) The Call of Cthulhu (H. P. Lovecraft) The House on the Borderland (William Hope Hodgson) The Willows (Algernon Blackwood) The Legend of Sleepy Hollow (Washington Irving) The Mystery of Edwin Drood (Charles Dickens)
The English saying that "a picture is worth a thousand words" has often been applied in a perverse manner by ruling authorities, who have frequently feared visual imagery even more than the printed word. This was especially the case in countries, such as nineteenth-century France, where a significant segment of the population was illiterate and could understand visual imagery better than the printed word. In this volume, specialists in nineteenth-century French history trace the use of censorship by nineteenth-century authorities who feared the power of all the visual and performing arts, from caricature to the cinema and the theater.