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Author : David J. Shepherd,Nicholas E. Johnson Publisher : Bloomsbury Publishing Page : 259 pages File Size : 47,9 Mb Release : 2020-04-16 Category : Performing Arts ISBN : 9780567685674
Bertolt Brecht and the David Fragments (1919-1921) by David J. Shepherd,Nicholas E. Johnson Pdf
This volume offers an examination of Brecht's largely forgotten theatrical fragments of a life of David, written just after the Great War but prior to Brecht winning the Kleist Prize in 1922 and the acclaim that would launch his extraordinary career. David J. Shepherd and Nicholas E. Johnson take as their starting point Brecht's own diaries from the time, which offer a vivid picture of the young Brecht shuttling between Munich and the family home in Augsburg, surrounded by friends, torn between women, desperate for success, and all the while with 'David on the brain'. The analysis of Brecht's David, along with his notebooks and diaries, reveals significant connections between the reception of the Biblical David and one of Germany's most tumultuous cultural periods. Drawing on theatrical experiments conducted with an ensemble from Trinity College Dublin, this volume includes the first ever translation of the David fragments in English, an extensive discussion of the theatrical afterlife of David in the early twentieth century as well as new interdisciplinary insights into the early Brecht: a writer entranced by the biblical David and utterly committed to translating the biblical tradition into his own evolving theatrical idiom.
Paul M. Joyce,Diana Lipton,David M. Gunn,John F. A. Sawyer
Author : Paul M. Joyce,Diana Lipton,David M. Gunn,John F. A. Sawyer Publisher : John Wiley & Sons Page : 240 pages File Size : 40,6 Mb Release : 2020-06-22 Category : Religion ISBN : 9781119673873
Lamentations Through the Centuries by Paul M. Joyce,Diana Lipton,David M. Gunn,John F. A. Sawyer Pdf
Covering a landscape of literary, theological and cultural creativity, the authors explore the variety of interpretations inspired by Lamentations. The book explores a examples ranging from the Dead Sea Scrolls; Yehudah Halevy; John Calvin; and composer, Thomas Tallis; through to the interpretations of Marc Chagall; contemporary novelist, Cynthia Ozick; and Zimbabwean junk sculpture. It deploys "reception exegesis", a new genre of commentary that creatively blends reception history and biblical exegesis. --From publisher's description.
Brennan W. Breed claims that biblical interpretation should focus on the shifting capacities of the text, viewing it as a dynamic process rather than a static product. Rather than seeking to determine the original text and its meaning, Breed proposes that scholars approach the production, transmission, and interpretation of the biblical text as interwoven elements of its overarching reception history. Grounded in the insights of contemporary literary theory, this approach alters the framing questions of interpretation from "What does this text mean?" to "What can this text do?"
Since the mid-1700s, poets and scholars have been deeply entangled in the project of reinventing prophecy. Moving between literary and biblical studies, this book reveals how Romantic poetry is linked to modern biblical scholarship's development. On the one hand, scholars, intellectuals, and artists discovered models of strong prophecy in biblical texts, shoring up aesthetic and nationalist ideals, while on the other, poets drew upon a counter-tradition of destabilizing, indeterminate, weak prophetic power. Yosefa Raz considers British and German Romanticism alongside their margins, incorporating Hebrew literature written at the turn of the twentieth century in the Russia Empire. Ultimately she explains the weakness of modern poet-prophets not only as a crisis of secularism but also, strikingly, as part of the instability of the biblical text itself. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Theological Hermeneutics and 1 Thessalonians by Angus Paddison Pdf
This book proposes a theological reading of 1 Thessalonians, making an important response to the increasing demand to relate biblical scholarship more closely to theological concerns. Paddison's interpretation adheres very closely to the text and is divided into three parts. Part I offers a theological critique of dominant historical-critical readings of 1 Thessalonians. Part II examines the history of interpretation of 1 Thessalonians focusing on the pre-Modern exegesis of Thomas Aquinas and John Calvin. Paddison explores what theological exegetes can learn from Thomas Aquinas' Lectura and John Calvin's commentary on 1 Thessalonians. Aided by the insights of these neglected pre-Modern commentators, Part III presents a theologically driven interpretation of the letter. Theological exegesis is practised as a dialogue with Paul, the canon and a plethora of theological voices to elucidate Paddison's central argument, that the astonishing subject-matter of 1 Thessalonians is God's all-powerful hold over death.
Katerina Koci charts the development of the promised land motif, starting from its biblical roots and examining its reception over the centuries until the present day. As her cornerstone, Koci uses Hans-Georg Gadamer's claim that there are two complementary paths towards understanding and knowledge: science and art. Thus, to be faithful to the creed of the great hermeneutist, Koci ventures into both topics, arguing that while science sets out historical-critical analysis of the promised land motif in the Hebrew Bible and its later receptions, art enriches the interpretation with its literary illustrations. This volume places particular focus on American contexts, since the concept of the promised land is so deeply intertwined with American religious-political mythologies, and with the art of John Steinbeck and Walter Brueggemann in particular. By discussing artistic interpretation in biblical hermeneutics, the context and reception of Genesis 15.7 and Exodus 3.8 in the Hebrew Bible and New Testament, and the history of the promised land motif and its interpretations, Koci argues that artistic receptions of biblical motifs are crucial for biblical scholarship in opening new hermeneutical and thematical horizons.
The Oxford Handbook of the Bible and American Popular Culture by Dan W. Clanton, Jr.,Terry R. Clark Pdf
The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests future directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters (such as Adam, Eve, David and Jesus) and themes (like Creation, Hell, and Apocalyptic) in popular culture; the Bible in popular cultural genres (for example, film, comics, and Jazz); and "lived" examples (such as museums and theme parks). The Handbook concludes with a section taking stock of methodologies and the impact of the field on teaching and publishing. The Oxford Handbook of the Bible and American Popular Culture represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of both the Bible and its role in American popular culture.
NIVAC Bundle 5: Minor Prophets by Gary V. Smith,James Bruckner,Mark J. Boda Pdf
The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context. To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.
Encountering Eve's Afterlives: A New Reception Critical Approach to Genesis 2-4 aims to destabilize the persistently pessimistic framing of Eve as a highly negative symbol of femininity within Western culture by engaging with marginal, and even heretical, interpretations that focus on more positive aspects of her character. In doing so, this book questions the myth that orthodox, popular readings represent the 'true' meaning of the first woman's story, and explores the possibility that previously ignored or muted rewritings of Eve are in fact equally 'valid' interpretations of the biblical text. By staging encounters between the biblical Eve and re-writings of her story, particularly those that help to challenge the interpretative status quo, this book re-frames the first woman using three key themes from her story: sin, knowledge, and life. Thus, it considers how and why the image of Eve as a dangerous temptress has gained considerably more cultural currency than the equally viable pictures of her as a subversive wise woman or as a mourning mother. The book offers a re-evaluation of the meanings and the myths of Eve, deconstructing the dominance of her cultural incarnation as a predominantly flawed female, and reconstructing a more nuanced presentation of the first woman's role in the Bible and beyond.
This book offers a way to engage with the Bible as a set of sacred texts that can serve as a song sheet for believers in exile-those people Bishop John Shelby Spong calls the "church alumni association." This includes those internally displaced persons of faith who have not yet become spiritual refugees but who feel the pressure to conform to traditional expressions of faith that no longer serve as springs of living water for the journey of life. These ancient texts come from another world and another time, but they can serve as maps for the journey of life. They can best do this when the sacred wisdom of the Bible is accepted as permission to voice the new questions we face today in the confidence that authentic faith has always required such boldness. Religious progressives are people who live the questions, not dodge them. Our task is not to guard a set of traditional answers, but to live life boldly, taking risks for God's sake and our own. One of the hallmarks of this book is that the problems posed by the Bible are acknowledged. In particular, the contributions of recent critical scholarship are embraced, rather than being ignored or neutralized by pious ambivalence. The intended reader of this book is not a traditional believer, secure in her assumptions about God and salvation, but someone struggling to live with integrity in a time when traditional religion seems increasingly irrelevant. The goal is not to persuade the reader that the Bible is credible but-more modestly-to offer an account of the Bible that may encourage religious progressives to reclaim the Bible as a valued part of our spiritual baggage.
Sustaining Fictions by Lesleigh Cushing Stahlberg Pdf
Even before the biblical canon became fixed, writers have revisited and reworked its stories. The author of Joshua takes the haphazard settlement of Israel recorded in the Book of Judges and retells it as an orderly military conquest. The writer of Chronicles expurgates the David cycle in Samuel I and II, offering an upright and virtuous king devoid of baser instincts. This literary phenomenon is not contained to inner-biblical exegesis. Once the telling becomes known, the retellings begin: through the New Testament, rabbinic midrash, medieval mystery plays, medieval and Renaissance poetry, nineteenth century novels, and contemporary literature, writers of the Western world have continued to occupy themselves with the biblical canon. However, there exists no adequate vocabulary-academic or popular, religious or secular, literary or theological-to describe the recurring appearances of canonical figures and motifs in later literature. Literary critics, bible scholars and book reviewers alike seek recourse in words like adaptation, allusion, echo, imitation and influence to describe what the author, for lack of better terms, has come to call retellings or recastings. Although none of these designations rings false, none approaches precision. They do not tell us what the author of a novel or poem has done with a biblical figure, do not signal how this newly recast figure is different from other recastings of it, and do not offer any indication of why these transformations have occurred. Sustaining Fictions sets out to redress this problem, considering the viability of the vocabularies of literary, midrashic, and translation theory for speaking about retelling.
The Aesthetics of Violence in the Prophets by Julia M. O'Brien,Chris Franke Pdf
This volume explores multiple dimensions of prophetic texts and their violent rhetoric, providing a rich and engaging discussion of violent images not only in prophetic texts and in ancient Near Eastern art but also in modern film and receptions of prophetic texts. The volume addresses questions that are at once ancient and distressingly-modern: What do violent images do to us? Do they encourage violent behavior and/or provide an alternative to actual violence? How do depictions of violence define boundaries between and within communities? What readers can and should readers make of the disturbing rhetoric of violent prophets? Contributors include Corrine Carvahlo, Cynthia Chapman, Chris Franke, Bob Haak, Mary Mills, Julia O'Brien, Kathleen O'Connor, Carolyn Sharp, Yvonne Sherwood, and Daniel Smith-Christopher.
Storytelling the Bible at the Creation Museum, Ark Encounter, and Museum of the Bible by Paul Thomas Pdf
Paul Thomas chronicles a multi-level reception study of the Bible at both the Creation Museum and the Ark Encounter in Kentucky, USA. Thomas explores the commercial presentation of biblical narratives and the reception of those narratives by the patrons of each attraction, focusing upon three topics; what do young Creationists believe, how they interpret their beliefs from the Bible, and what is the user experience at the museums? The volume begins by explaining how Answers in Genesis (AiG) use Bible passages to support young-Earth creationist arguments, allowing for the chance to consider the Bible via physical means. Thomas then examines how the Creation Museum and the Ark Encounter visitors receive the Bible (as presented by AiG) and how this presentation informs visitors' understanding of the text, exploring concepts such as the most prominent displays of the two attractions, the larger context of museums and theme parks and the case studies of the Methuselah display and The Noah Interview. He concludes with the summary of the user experience generated by the attractions, analyzing the degree to which patrons accept, negotiate, or resist the interpretation of the Bible offered by AiG.
Looking through a Glass Bible by A.K.M. Adam,Samuel Tongue Pdf
Some biblical interpreters’ imaginations extend only as far as outlandish source theories or esoteric hypothetical audiences. The interpretive energies let loose in Glasgow over the past decade or so, however, have produced a cadre of interpreters who defy the disciplinary mandates of biblical criticisms in favour of reading the Bible with imaginations both careful and carefree. Infused with literary, political, art-critical, cinematic, liturgical and other interests, these essays display interpretive verve freed from the anxiety of disciplines — with closely observed insights, critical engagement with biblical texts, and vivid inspiration from the cultural world within which they are set. Here there is no "gap" between world and text, but the intimate congeniality of close, dear, comfortable interpretive friends. Contributors: Ben Morse, Hugh Pyper, Alastair Hunter, Hannah Strømmen, Jonathan C. P. Birch, Anna Fisk, Kuloba Wabyanga Robert, Samuel Tongue, A. K. M. Adam, Abigail Pelham, and the Religarts Collective (with Yvonne Sherwood).