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“An extraordinary novel” about growing up gay in the 1950s American Midwest (The New York Times Book Review). Critically lauded upon its initial publication in 1982 for its pioneering depiction of homosexuality, A Boy’s Own Story is a moving tale about coming-of-age in midcentury America. With searing clarity and unabashed wit, Edmund White’s unnamed protagonist yearns for what he knows to be shameful. He navigates an uneasy relationship with his father, confounds first loves, and faces disdain from his peers at school. In the embrace of another, he discovers the sincere and clumsy pleasures of adolescent sexuality. But for boys in the 1950s, these desires were unthinkable. Looking back on his experiences, the narrator notes, “I see now that what I wanted was to be loved by men and to love them back but not to be a homosexual.” From a winner of the PEN/Saul Bellow Award for Lifetime Achievement in Literature, this trailblazing autobiographical story of one boy’s youth is a moving, tender, and heartbreaking portrait of what it means to grow up.
The “extraordinary novel” (The New York Times Book Review) about one boy’s coming-of-age during the 1950s—and one of the most groundbreaking portrayals of gay life in American fiction “The best American narrative of sexual awakening since Catcher in the Rye.” —Chicago Sun-Times Ridiculed by his classmates and beset by aloof parents and a cruel sister, the unnamed narrator of Edmund White’s first autobiographical novel finds solace in literature, works of art, and his own fantastic imagination. But as he strives to forge new friendships, his yearning to be loved by the men in his life evokes a crushing sense of shame and a struggle to accept who he is. Lyrical and poignant, A Boy’s Own Story—the first of a trilogy, followed by The Beautiful Room Is Empty and The Farewell Symphony—is an American literary treasure that became an instant classic upon publication for its pioneering portrayal of homosexuality.
Author : Clifford R. Shaw Publisher : University of Chicago Press Page : 241 pages File Size : 49,6 Mb Release : 2013-02-11 Category : Social Science ISBN : 9780226074962
The Jack-Roller tells the story of Stanley, a pseudonym Clifford Shaw gave to his informant and co-author, Michael Peter Majer. Stanley was sixteen years old when Shaw met him in 1923 and had recently been released from the Illinois State Reformatory at Pontiac, after serving a one-year sentence for burglary and jack-rolling (mugging), Vivid, authentic, this is the autobiography of a delinquent—his experiences, influences, attitudes, and values. The Jack-Roller helped to establish the life-history or "own story" as an important instrument of sociological research. The book remains as relevant today to the study and treatment of juvenile delinquency and maladjustment as it was when originally published in 1930.
When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age. "With intelligence, candor, humor--and anger--White explores the most insidious aspects of oppression.... An impressive novel."--Washington Post book World
Manliness and the Boys’ Story Paper in Britain: A Cultural History, 1855–1940 by K. Boyd Pdf
In this pioneering work about the precursor to the comic book, Kelly Boyd traces the evolution of the boys' story paper and its impact on the imaginative world of working-class readers. From the penny dreadful and the Boy's Own Paper to the tales of Billy Bunter and Sexton Blake, this cultural form shaped ideas about gender, race, class and empire in response to social change. This study is an important analysis of a neglected part of popular culture.
Winner of the Lambda Literary Award "This first novel is so eloquent because it is hellbent on collaring the reader and telling him or her the whole passionate story." --Edmund White, author of Our Young Man "This is a rich and unflinching book." --The New York Times Book Review "Extraordinary...an exhilarating experience...that Soehnlein has produced as his first novel a work of such maturity and excellence is little short of astounding." --Fenton Johnson, author of Scissors, Paper, Rock The time is the late 1970s--an age of gas shortages, head shops, and Saturday Night Fever. The place, suburban New Jersey. At a time when the teenagers around him are coming of age, Robin MacKenzie is coming undone. While "normal boys" are into cars, sports, and bullying their classmates, Robin enjoys day trips to New York City with his elegant mother, spinning fantastic tales for her amusement in an intimate ritual he has come to love. He dutifully plays the role of the good son for his meat-and-potatoes father, even as his own mind is a jumble of sexual confusion and painful self-doubt. But everything changes in one, horrifying instant when a tragic accident wakes his family from their middle-American dream and plunges them into a spiral of slow destruction. As his family falls apart day by day, Robin finds himself pulling away from the unquestioned, unexamined life that has been carefully laid out for him. Small acts of rebellion lead to larger questions of what it means to stand on his own. Falling into a fevered triangle with two other outcasts, Todd Spicer and Scott Schatz, Robin embarks on an explosive odyssey of sexual self-discovery that will take him beyond the spring-green lawns of suburbia, beyond the fraying fabric barely holding together his quickly unraveling family, and into a complex future, beyond the world of normal boys. "Karl Soehnlein's stunning first novel reads like a cross between the film American Beauty and Edmund White's A Boy's Own Story." --The Advocate "The World of Normal Boys is a work of authenticity, as relevant to those who lived a similar coming-of-age experience many years ago as it will be to those who are living that experience now." --Bay Area Reporter "An amusingly detailed and largely accurate picture of life in the Jersey 'burbs." --Publishers Weekly "Full of tension and suspense, Soehnlein's well-paced debut novel is a fresh look at one boy's sexual awakening in the 1970s and his journey to find a place where he can fit it." --Booklist
Following A Boy's Own Story (now a classic of American fiction) and his richly acclaimed The Beautiful Room Is Empty, here is the eagerly awaited final volume of Edmund White's groundbreaking autobiographical trilogy. Named for the work by Haydn in which the instrumentalists leave the stage one after another until only a single violin remains playing, this is the story of a man who has outlived most of his friends. Having reached the six-month anniversary of his lover's death, he embarks on a journey of remembrance that will recount his struggle to become a writer and his discovery of what it means to be a gay man. His witty, conversational narrative transports us from the 1960s to the near present, from starkly erotic scenes in the back rooms of New York clubs to episodes of rarefied hilarity in the salons of Paris to moments of family truth in the American Midwest. Along the way, a breathtaking variety of personal connections--and near misses--slowly builds an awareness of the transformative power of genuine friendship, of love and loss, culminating in an indelible experience with a dying man. And as the flow of memory carries us across time, space and society, one man's magnificently realized story grows to encompass an entire generation. Sublimely funny yet elegiac, full of unsparingly trenchant social observation yet infused with wisdom and a deeply felt compassion, The Farewell Symphony is a triumph of reflection and expressive elegance. It is also a stunning and wholly original panorama of gay life over the past thirty years--the crowning achievement of one of our finest writers.
In Edmund White's most moving novel yet, an American living in Paris finds his life transformed by an unexpected love affair. Austin Smith is pushing fifty, loveless and drifting, until one day he meets Julien, a much younger, married Frenchman. In the beginning, the lovers' only impediments are the comic clashes of culture, age, and temperament. Before long, however, the past begins to catch up with them. In a desperate quest to save health and happiness, they move from Venice to Key West, from Montreal in the snow to Providence in the rain. But it is amid the bleak, baking sands of the Sahara that their love is pushed to its ultimate crisis.
This is a book about men and war. Not real conflict but war as it has filtered down to generations of boys and men through toys, comics, games and movies. Harry Pearson belongs to the great battalion of British men who grew up playing with toy soldiers - refighting World War II - and then stopped growing up. Inspired by the photos of the gallant pilot uncles that decorated the wall above his father's model-making table, by Sergeant Hurricane, Action Man and Escape from Colditz, dressed in Clarks' commando shoes and with the Airfix Army in support, he battled in the fields and on the beaches, in his head and on the sitting-room floor and across his bedroom ceiling. And thirty years later he still is. ACHTUNG SCHWEINEHUND! is a celebration of those glory days, a boy's own story of the urge to play, to conquer - and to adopt very bad German accents, shouting 'Donner und Blitzen' at every opportunity. This is a tale of obsession, glue and plastic kits. It is the story of one boy's imaginary war and where it led him.
"Elegant, filthy – and quite possibly the queerest thing you will read all year." -Guardian "Intriguing and inventive." -Electric Literature, "Most Anticipated LGBTQ+ Book of the Year" "A dizzyingly enticing and kaleidoscopic take on the spectrum of sexual experiences." -Publishers Weekly, starred review _____________ A daring, category-confounding, and ruthlessly funny novel from National Book Award honored author Edmund White that explores polyamory and bisexuality, aging and love. Sicilian aristocrat and musician, Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two alternate reading the memoirs they've written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he's had with men and women across his lifetime-most importantly his passionate affair with the author Edmund White. Sweeping outward from the isolated Swiss ski chalet where the couple reads to travel through Europe and the United States, White's new novel pushes for a broader understanding of sexual orientation and pairs humor and truth to create his most fascinating and complex characters to date. As in all of White's earlier novels, this is a searing, scintillating take on physical beauty and its inevitable decline. But in this experimental new mode-one where the author has laid himself bare as a secondary character-White explores the themes of love and age through numerous eyes, hearts and minds. Delightful, irreverent, and experimental, A Previous Life proves once more why White is considered a master of American literature.
A librarian's laugh-out-loud funny, deeply moving collection of love letters and breakup notes to the books in her life. If you love to read, and presumably you do since you’ve picked up this book (!), you know that some books affect you so profoundly they forever change the way you think about the world. Some books, on the other hand, disappoint you so much you want to throw them against the wall. Either way, it’s clear that a book can be your new soul mate or the bad relationship you need to end. In Dear Fahrenheit 451, librarian Annie Spence has crafted love letters and breakup notes to the iconic and eclectic books she has encountered over the years. From breaking up with The Giving Tree (a dysfunctional relationship book if ever there was one), to her love letter to The Time Traveler’s Wife (a novel less about time travel and more about the life of a marriage, with all of its ups and downs), Spence will make you think of old favorites in a new way. Filled with suggested reading lists, Spence’s take on classic and contemporary books is very much like the best of literature—sometimes laugh-out-loud funny, sometimes surprisingly poignant, and filled with universal truths. A celebration of reading, Dear Fahrenheit 451 is for anyone who loves nothing more than curling up with a good book...and another, and another, and another!
A son of Chinese immigrants discovers his true self in a “sharply written debut . . . a coming-of-age tale for our time” (Seattle Times). Publishing Triangle’s Edmund White Award for Debut Fiction, Winner 2015 PEN/ Hemingway Award, Finalist Lambda Literary Award, Finalist Longlisted for the 2014 Flaherty-Dunnan First Novel Prize A Barnes & Noble Discover Great New Writers Selection for Spring 2014 A New York Times Book Review Editor’s Choice Shortlisted for the Kobo Emerging Writer Prize At birth, Peter Huang is given the Chinese name Juan Chaun, “powerful king.” To his parents, newly settled in small-town Ontario, he is the exalted only son in a sea of daughters, the one who will finally fulfill his immigrant father’s dreams of Western masculinity. Peter and his sisters grow up in an airless house of order and obligation, though secrets and half-truths simmer beneath the surface. At the first opportunity, each of the girls lights out on her own. But for Peter, escape is not as simple as fleeing his parents’ home. Though his father crowned him “powerful king,” Peter knows otherwise. He knows he is really a girl. With the help of his far-flung sisters and the sympathetic souls he finds along the way, Peter inches ever closer to his own life, his own skin, in this darkly funny, emotionally acute, stunningly powerful debut. “Sensitively wrought . . . “For Today I Am a Boy” is as much about the construction of self as the consequences of its unwitting destruction—and what happens when its acceptance seems as foreign as another country.” —The New York Times Book Review “Subtle and controlled, with flashes of humor and warmth.” —Slate “Keeps you reading. Told in snatches of memory that hurt so much they have the ring of truth.” —Bust
By turns provocative and startlingly revealing, MY LIFE AS A BOY is the story of a woman trying to figure out what love is, trying to understand what happens between desire and the determination to possess the object of that desire, and discovering what it's like to go after what you want. "Chernin writes with the grace of a poet and the insight of a psychotherapist, bringing the shape-shifting nature of intimate relationship alive."--San Francisco Examiner and Chronicle
As the 1960's drew to a close, parents across Britain raised a curious eyebrow as their long-haired children suddenly returned home with shaven heads, sporting Levi's jeans and vicious looking army boots, pleading for three quid to buy a Harrington jacket from the market. The skinhead was born and a youth culture stronger and more widespread than any other, before or since, took Britain by storm. Marting King was one of them. Boys and girls alike embraced this new working-class fashion and music - the West Indian reggae sounds of Blue Beat and the strong sense of identity they fostered. For a couple of summers the media would have it that England was under seige, when the young skins paraded at seaside resorts on bank holidays and later on terraces at nearly every football ground acros the country. With his passion for Chelsea FC and their growing reputation as the skinhead club forming a backdrop, King artfully and humorously describes the heady mix of pleasures which were all part of life as a teenager growing up in working-class south London in the late 60's