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Author : William Mills Ivins
Publisher : Unknown
Page : 65 pages
File Size : 55,5 Mb
Release : 1918
Category : Electronic
ISBN : OCLC:162612576
Author : Metropolitan Museum of Art (New York, N.Y.),William Mills Ivins
Publisher : Unknown
Page : 96 pages
File Size : 46,5 Mb
Release : 1917
Category : Illustrated books
ISBN : HARVARD:FL443C
Author : William M. Ivins
Publisher : Unknown
Page : 86 pages
File Size : 51,8 Mb
Release : 2017-08-26
Category : Electronic
ISBN : 0649021428
Author : Metropolitan Museum of Art (New York, N.Y.),William Mills Ivins
Publisher : Unknown
Page : 88 pages
File Size : 52,8 Mb
Release : 1917
Category : Illustrated books
ISBN : WISC:89057181844
Author : Bennett Gilbert
Publisher : Unknown
Page : 32 pages
File Size : 55,8 Mb
Release : 1995
Category : Bibliography
ISBN : STANFORD:36105021149096
Author : Freyda Spira,Peter Parshall
Publisher : Metropolitan Museum of Art
Page : 194 pages
File Size : 47,6 Mb
Release : 2016-01-24
Category : Art
ISBN : 9781588395856
Metropolitan Museum of Art curators William M. Ivins and A. Hyatt Mayor assembled one of the world's greatest collections of prints, from Renaissance masterpieces to popular and ephemeral works. Celebrating the power of prints not only as aesthetic objects but also as rich sociohistorical documents and peerless tools of communication, Ivins and Mayor expanded our appreciation of prints as the most democratic art form: functional, cost-effective works that disseminate information and bring pleasure to a wide audience. Their populist approach—collecting across the full spectrum of the medium, from the exquisite to the everyday, and writing about prints in accessible language—delivered prints from the province of scholars and collectors to the general public and transformed notions of how art reaches the masses. The first comprehensive exploration of the lives, careers, theories, and influence of Ivins and Mayor, this book also showcases more than 125 exceptional prints that represent the breadth and depth of their acquisitions, including works by Mantegna, Düaut;rer, Callot, Rembrandt, Goya, Whistler, Toulouse-Lautrec, and Cassatt. Included in this volume are biographical essays elucidating the two curators' achievements and catalogue entries that quote Ivins's and Mayor's pithy remarks about the featured artworks. The Power of Prints is a fitting tribute to the groundbreaking work of two scholars who revolutionized the study of a vast area of art history.
Author : Naoko Takahatake
Publisher : National Geographic Books
Page : 0 pages
File Size : 47,7 Mb
Release : 2018-07-17
Category : Art
ISBN : 9783791357393
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
Author : Anonim
Publisher : Unknown
Page : 754 pages
File Size : 45,7 Mb
Release : 1917
Category : American literature
ISBN : HARVARD:32044049966716
Author : Anonim
Publisher : Unknown
Page : 1006 pages
File Size : 41,6 Mb
Release : 1918
Category : Electronic
ISBN : UOM:39015010798547
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Unknown
Page : 352 pages
File Size : 40,8 Mb
Release : 1918
Category : Art
ISBN : UCAL:B2938198
New ser. v. 6-10 include 77th-81 Report of the trustees, 1946-50 (previously published separately)
Author : Anonim
Publisher : Unknown
Page : 402 pages
File Size : 40,9 Mb
Release : 1968
Category : Arts
ISBN : UVA:X001898365
Author : Lathrop C. Harper, Inc
Publisher : Unknown
Page : 182 pages
File Size : 41,7 Mb
Release : 1604
Category : Booksellers' catalogs
ISBN : UCAL:$B232916
Author : Avery Library
Publisher : Unknown
Page : 980 pages
File Size : 55,9 Mb
Release : 1958
Category : Architecture
ISBN : IOWA:31858044759409
Author : Deborah L Krohn
Publisher : Routledge
Page : 355 pages
File Size : 42,7 Mb
Release : 2016-04-15
Category : Art
ISBN : 9781317134558
Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera with other types of late Renaissance illustrated books. What emerges from both of these approaches is a new way of thinking about the place of cookbooks in the history of knowledge. Krohn argues that with the increasing professionalization of many skills and trades, Scappi was at the vanguard of a new way of looking not just at the kitchen-as workshop or laboratory-but at the ways in which artisanal knowledge was visualized and disseminated by a range of craftsmen, from engineers to architects. The recipes in Scappi's Opera belong on the one hand to a genre of cookery books, household manuals, and courtesy books that was well established by the middle of the sixteenth century, but the illustrations suggest connections to an entirely different and emergent world of knowledge. It is through study of the illustrations that these connections are discerned, explained, and interpreted. As one of the most important cookbooks for early modern Europe, the time is ripe for a focused study of Scappi's Opera in the various contexts in which Krohn frames it: book history, antiquarianism, and visual studies.
Author : Christopher Baker
Publisher : Routledge
Page : 376 pages
File Size : 49,5 Mb
Release : 2017-09-29
Category : Art
ISBN : 9781351571593
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
