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Michelle Yeh,Professor of East Asian Languages and Culture Michelle Yeh,Zhangbin Li,Frank Stewart
Author : Michelle Yeh,Professor of East Asian Languages and Culture Michelle Yeh,Zhangbin Li,Frank Stewart Publisher : Unknown Page : 0 pages File Size : 46,8 Mb Release : 2023 Category : Chinese poetry ISBN : 0295751142
A Century of Modern Chinese Poetry by Michelle Yeh,Professor of East Asian Languages and Culture Michelle Yeh,Zhangbin Li,Frank Stewart Pdf
"This book-a completely overhauled and updated version of Michelle Yeh's Modern Chinese Poetry, (Yale University Press, 1992)-aims to be the most comprehensive anthology of modern Chinese poetry in English translation. It spans the entire history of modern Chinese poetry from 1917 to the present, and contains the work of 83 poets from mainland China, Taiwan, Hong Kong, and Southeast Asia (Malaysia and Singapore), who are represented by nearly 270 poems"--
This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections
Twentieth-century Chinese Women's Poetry: An Anthology by Julia C. Lin Pdf
Chinese women's writing is rich and abundant, although not well known in the West. Despite the brutal wars and political upheavals that ravaged twentieth-century China, the ranks of women in the literary world increased dramatically. This anthology introduces English language readers to a comprehensive selection of Chinese women poets from both the mainland and Taiwan. It spans the early 1920s and the era of Republican China's literary renaissance through the end of the twentieth century. The collection includes 245 poems by forty poets in elegant English translations, as well as an extensive introduction that surveys the history of contemporary Chinese women's poetry. Brief biographical head notes introduce each poet, from Bin Xin, China's preeminent woman poet in the early Republican period, to Rongzi, a leading poet of modern Taiwan. The selections are startling, moving, and wide-ranging in mood and tone. Together they present an enticing palette of delightful, elegant, playful, lyric, and tragic poetry.
Frontier Taiwan by Michelle Mi-Hsi Yeh,Nils Göran David Malmqvist Pdf
Containing translations of nearly 400 poems from 50 poets, this anthology reveals Taiwan's 20th-century transformation in a broad spectrum of themes, forms, and styles: from lyrical meditation to political satire, haiku to concrete poetry, surrealism to postmodernism. The in-depth introduction outlines the development of modern poetry in the unique historical and cultural context of Taiwan.
Author : Lloyd Haft Publisher : Walter de Gruyter Page : 225 pages File Size : 45,9 Mb Release : 2011-07-19 Category : Language Arts & Disciplines ISBN : 9783110859270
Chinese Poetry, 2nd ed., Revised by Wai-lim Yip Pdf
This is the first paperback edition of a classic anthology of Chinese poetry. Spanning two thousand years—from the Book of Songs (circa 600 B.C.) to the chü form of the Yuan Dynasty (1260–1368)—these 150 poems cover all major genres that students of Chinese poetry must learn. Newly designed, the unique format of this volume will enhance its reputation as the definitive introduction to Chinese poetry, while its introductory essay on issues of Chinese aesthetics will continue to be an essential text on the problems of translating such works into English. Each poem is printed with the original Chinese characters in calligraphic form, coordinated with word-for-word annotations, and followed by an English translation. Correcting more than a century of distortion of the classical Chinese by translators unconcerned with the intricacies and aesthetics of the Chinese language, these masterful translations by Wai-lim Yip, a noted and honored translator and scholar, allow English readers to enter more easily into the dynamic of the original poems. Each section of the volume is introduced by a short essay on the mode or genre of poem about to be presented and is followed by a comprehensive bibliography.
Tracing the development of contemporary Taiwanese poetry and poets over the last quarter century, this up-to-date anthology covers a broad range of trends, styles, and schools. In addition, Dominic Cheung, himself a noted Chinese poet, provides a synopsis of the historical influences on modernist and postmodern Chinese poetry.
New Perspectives on Contemporary Chinese Poetry by C. Lupke Pdf
This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.
Author : John A. Crespi Publisher : University of Hawaii Press Page : 242 pages File Size : 45,6 Mb Release : 2009-07-29 Category : Poetry ISBN : 9780824833657
China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.
A Modernity Set to a Pre-Modern Tune by Haosheng Yang Pdf
In A Modernity Set to a Pre-Modern Tune, Haosheng Yang studies the classical-style poems of the most iconoclastic May Fourth Chinese writers and highlights the use of traditional language and forms as a salient facet of Chinese literary modernity.
