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A Commentary on the Fourth Pythian Ode of Pindar by Bruce Karl Braswell Pdf
The series publishes important new editions of and commentaries on texts from Greco-Roman antiquity, especially annotated editions of texts surviving only in fragments. Due to its programmatically wide range the series provides an essential basis for the study of ancient literature.
Combining historical and philological method with contemporary literary analysis, this study of Pindar's longest and most elaborate victory ode, the Fourth Pythian, traces the underlying mythical patterns, implicit poetics, and processes of mythopoesis that animate his poetry. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Commentary on the Fourth Pythian Ode of Pindar by Bruce Karl Braswell Pdf
The series publishes important new editions of and commentaries on texts from Greco-Roman antiquity, especially annotated editions of texts surviving only in fragments. Due to its programmatically wide range the series provides an essential basis for the study of ancient literature.
Pindar (c. 518-438 BCE), highly esteemed as lyric poet by the ancients, commemorates in complex verse the achievements of athletes and powerful rulers at the four great Panhellenic festivals, Olympic, Pythian, Nemean, and Isthmian games, against a backdrop of divine favor, human failure, heroic legend, and aristocratic Greek ethos. Of the Greek lyric poets, Pindar (ca. 518-438 BCE) was "by far the greatest for the magnificence of his inspiration" in Quintilian's view; Horace judged him "sure to win Apollo's laurels." The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar's poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar's other poems. Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths. Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His new Loeb Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.
This is the first large-scale edition with introduction and commentary of Pindar’s First Pythian Ode. Composed for Hieron of Syracuse to mark his Delphic chariot victory of 470 BC and his recent foundation of the city of Aetna, the poem is not only a literary masterpiece, but also of central importance for our understanding of Greek history and culture in the early fifth century BC. As our only contemporary written source for the Sicilian Wars against the Carthaginians and Etruscans, it stands on a level with Simonides’ Plataea Elegy and Aeschylus’ Persians on the Persian Wars. This is a period where epoch-making Greek victories in the east and west were celebrated by the greatest poets in a way that reveals much about the atmosphere in which their works were created and received. The book offers a new edition of the text with a detailed introduction and commentary, which discuss textual problems, language, metre and transmission as well as a variety of literary questions, the historical background and the early performance and reception history of the ode. It will be of interest to scholars and students of archaic and classical Greek poetry and of Greek history of the early fifth century BC.
The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. The Odes contain versions of some of the best known Greek myths and are also a valuable source for Greek religion and ethics. Verity's lucid translations are complemented by insights into competition, myth, and meaning. - ;'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek religion and ethics. Pindar's startling use of language - striking metaphors, bold syntax, enigmatic expressions - makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations are complemented by an introduction and notes that provide insight into competition, myth, and meaning. -
Flight has always fascinated human minds, but until a century ago it remained a dream—the exclusive domain of birds, gods, and mythological heroes. From the myths of the ancients to the poetry of Pindar and Yeats, Winged Words traces the imprint of the human impulse to fly from premodern times to the age of terrorism in both literature and history. Piero Boitani begins his analysis with an account of the way the myths of Pegasus and Icarus have persisted from classical to twentieth-century politics and literature. He then takes up the figure of Hermes; the roles of halcyons and eagles in classical, biblical, and later literatures; and literary response to Pieter Brueghel’s The Fall of Icarus. Honing in on modern figures and concerns, Boitani also offers a fascinating discussion of author-pilot Antoine de Saint-Exupéry and concludes with a meditation on the flight of the hijacked airliners on 9/11. Throughout, Winged Word brings a remarkable range of men of action, politicians, theologians, writers, and artists into dialogue with each other: Shakespeare with T. S. Eliot, Horace with Ovid, Leonardo with Milton, Leopardi with Mallarmé, Saint-Exupéry with Faulkner and Rilke, and the Ulysses of Homer with the Ulysses of Dante. Ultimately, by showing how writers and fliers have looked to the ancients for inspiration, Boitani testifies to the modern relevance of poetry and the classics.
Pindar’s Pythian Twelve: A Linguistic Commentary and a Comparative Study by Laura Massetti Pdf
Pindar’s Pythian Twelve is the only choral lyric epinicion in our possession composed for the winner of a non-athletic competition. Often regarded as an ode of straightforward interpretation, close analysis of the text reveals that it presents several challenges to modern readers. This book offers an updated translation of the text and an investigation of the main interpretative issues of the epinicion with the aid of historical linguistics. By identifying devices which Pindar might have inherited from earlier periods of poetic language, the study provides insights into the thematic aspects of the ode as well as on Pindar’s compositional technique.
Pindar's Pythian Eleven is a miniature masterpiece: a poem praising a young athlete which presents a vivid and important account of the Agamemnon legend. Yet it contains so many difficulties (of text, metre, dating and interpretation) that even Wilamowitz regarded it as one of Pindar's most obscure poems. This 2007 edition (the first full-scale treatment that the poem had ever received) provides answers to the problems that have prevented proper appreciation of the work. In addition to the full introduction and commentary, the book also has a text based on re-examination of the manuscripts, detailed metrical discussion, and a translation.
Pindar: Oxford Bibliographies Online Research Guide by Oxford University Press Pdf
This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
Pindaric Metre: The 'Other Half' by Kiichiro Itsumi Pdf
"This book aims to describe the metrical features of the twenty-two Pindaric epinikia which are not composed in dactylo-epitrite ('the other half'). These odes are puzzling, and scholars currently assume, without detailed examination, that they are all composed in a single type of metre which is often called 'aeolic'. Kiichiro Itsumi argues that there are in fact two types of metre (Pindaric epinikia are not as polymetric as the odes of tragedy), and divides the metrical styles of the stanza-forms of the 'other half' into three groups, according to the way in which these two metres are knitted together. This is the main theme of Part I. Part II consists of metrical commentaries. The structure of each stanza-form is analysed and compared with others, and abundant metrical parallels are provided, both for the individual verses and for the stanza-form as a whole. In a few passages textual problems are also discussed, for metrical study is in part an auxiliary discipline of textual criticism. In particular, metrical understanding is essential when one has to judge whether or not exact responsion may be broken in a particular metrical position. In an Appendix to this Part, the metrical features of the major fragments (most of which are Paeans) and their characteristics are also described. With its clear identification of a series of precise entities from which Pindar's verses are made, Itsumi's study as a whole imposes a new clarity and discipline on what had previously seemed a much vaguer process, and will be an invaluable resource for readers of this great but enigmatic poet."--BOOK JACKET.