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A Companion to Lollardy by Mishtooni Bose,Fiona Somerset,J. Patrick Hornbeck II Pdf
In A Companion to Lollardy, Patrick Hornbeck sums up what we know about lollardy, describes, its fortunes in the hands of its most recent chroniclers, explores the many individuals, practices, texts, and beliefs that have been called lollard.
A Companion to Job in the Middle Ages by Anonim Pdf
A Companion to Job in the Middle Ages provides a thorough introduction to the wide range of interpretations of Job produced in the medieval Christian West, from those in exegetical and theological works to those in poetry and art.
A Companion to Middle English Prose by Anthony Stockwell Garfield Edwards Pdf
The essays in this volume provide an up-to-date and authoritative guide to the major prose Middle English authors and genres. Each chapter is written by a leading authority on the subject and offers a succinct account of all relevant literary, history and cultural factors that need to considered, together with bibliographical references. Authors examined include the writers of the Ancrene Wisse, the Katherine Group and the Wohunge Group; Richard Rolle; Walter Hilton; Nicholas Love; Julian of Norwich; Margery Kempe; "Sir John Mandeville"; John Trevisa, Reginald Pecock; and John Fortescue. Genres discussed include romances, saints' lives, letters, sermon literature, historical prose, anonymous devotional writings, Wycliffite prose, and various forms of technical writing. The final chapter examines the treatment of Middle English prose in the first age of print. Contributors: BELLA MILLETT, RALPH HANNA III, AD PUTTER, KANTIK GHOSH, BARRY A. WINDEATT, A.C. SPEARING, IAN HIGGINS, A.S.G. EDWARDS, VINCENT GILLESPIE, HELEN L. SPENCER, ALFRED HIATT, FIONA SOMERSET, HELEN COOPER, GEORGE KEISER, OLIVER S. PICKERING, JAMES SIMPSON, RICHARD BEADLE, ALEXANDRA GILLESPIE.
In Nicodemites: Faith and Concealment Between Italy and Tudor England, Anne Overell examines those who concealed their beliefs, thus avoiding persecution. Focusing on dilemmas in England and Italy, she concludes that Nicodemites contributed to the erratic development of toleration.
The Language of Heresy in Late Medieval English Literature by Erin K. Wagner Pdf
Vernacular writers of late medieval England were engaged in global conversations about orthodoxy and heresy. Entering these conversations with a developing vernacular required lexical innovation. The Language of Heresy in Late Medieval English Literature examines the way in which these writers complemented seemingly straightforward terms, like heretic, with a range of synonyms that complicated the definitions of both those words and orthodoxy itself. This text proposes four specific terms that become collated with heretic in the parlance of medieval English writers of the 14th and 15th centuries: jangler, Jew, Saracen, and witch. These four labels are especially important insofar as they represent the way in which medieval Christianity appropriated and subverted marginalized or vulnerable identities to promote a false image of unassailable authority.
In Theater of the Word: Selfhood in the English Morality Play, Julie Paulson sheds new light on medieval constructions of the self as they emerge from within a deeply sacramental culture. The book examines the medieval morality play, a genre that explicitly addresses the question of what it means to be human and takes up the ritual traditions of confession and penance, long associated with medieval interiority, as its primary subjects. The morality play is allegorical drama, a “theater of the word," that follows a penitential progression in which an everyman figure falls into sin and is eventually redeemed through penitential ritual. Written during an era of reform when the ritual life of the medieval Church was under scrutiny, the morality plays as a whole insist upon a self that is first and foremost performed—constructed, articulated, and known through ritual and other communal performances that were interwoven into the fabric of medieval life. This fascinating look at the genre of the morality play will be of keen interest to scholars of medieval drama and to those interested in late medieval culture, sacramentalism, penance and confession, the history of the self, and theater and performance.
A Companion to Chaucer and his Contemporaries by Laurel Amtower,Jacqueline Vanhoutte Pdf
A Companion to Chaucer and his Contemporaries provides a detailed introduction to medieval culture, broadly considered. This sourcebook gives readers fuller access to Middle English literary works by situating these works within their sometimes alien historical and cultural contexts. Chapters open with an overview that suggests how contemporary debates and attitudes influence meaning in works like the Canterbury Tales, Piers Plowman, and Mankind. The main body of the text is thematically arranged primary documents and illustrations, such as excerpts from the chronicles, law treatises, sermons, court records, medical and alchemical tracts, and performance records, as well as maps and manuscript illustrations.
Creativity, Contradictions and Commemoration in the Reign of Richard II by Jessica Lutkin,J. S. Hamilton Pdf
Aspects of the turbulent rule of Richard II freshly examined. The reign of Richard II is well known for its political turmoil as well as its literary and artistic innovations, all areas explored by Professor Nigel Saul during his distinguished career. The present volume interrogates many familiar literary and narrative sources, including works by Froissart, Gower, Chaucer, Clanvow, and the Continuation of the Eulogium Historiarum, along with those less well-known, such as coroner's inquests and gaol delivery proceedings. The reign is also notorious for its larger than life personalities - not least Richard himself. But how was he shaped by other personalities? A prosopographical study of Richard's bishops, a comparison of the literary biographies of his father the Black Prince, and Bertrand du Guesclin, and a reconsideration of Plantagenet family politics, all shed light on this question. Meanwhile, Richard II's tomb reflects his desire to shape a new vision of kingship. Commemoration more broadly was changing in the late fourteenth century, and this volume includes several studies of both individual and communal memorials of various types that illustrate this trend: again, appropriately for an area Professor Saul has made his own. Contributors: Mark Arvanigian, Caroline Barron, Michael Bennett, Jerome Bertram, David Carpenter, Chris Given-Wilson, Jill Havens, Claire Kennan, Hannes Kleineke, John Leland, Joel Rosenthal, Christian Steer, George Stow, Jenny Stratford, Kelcey Wilson-Lee.
Designed as both a contribution to original research and as a stimulating and accessible text, this volume is a helpful, reliable, responsive and adaptable resource for students of Chaucer at all levels.
The Gawain-Poet and the Fourteenth-Century English Anticlerical Tradition by Ethan Campbell Pdf
Ethan Campbell argues that a central feature of the Gawain-poet's Middle English works' moral rhetoric is anticlerical critique. Written in an era when clerical corruption was a key concern for polemicists such as Richard FitzRalph and John Wyclif, as well as satirical poets such as John Gower, William Langland, and Geoffrey Chaucer, the Gawain poems feature an explicit attack on hypocritical priests in the opening lines of Cleanness as well as more subtle critiques embedded within depictions of flawed priest-like characters.
Passionate about trying to create social justice in a time of crisis after the Black Plague, William Langland spent his entire life working on Piers Plowman, an epic study of the human quest for truth, justice, and community. The "A Version," the first and shortest of the three versions he crafted, is wonderfully relatable and completely teachable to a modern student audience. Piers Plowman is becoming ever more relevant to students and scholars in English studies. Perhaps because the poem involves culture, religion, community, and work and engages explicitly with the histories of government and popular revolt, this allegorical tale of a wandering Christian named "Will," searching for truth with the aid of a humble plowman named Piers, has found new critical and pedagogic life in the last 20 years. Currently there are no translations of the A-version of Piers Plowman in print, so readers, scholars and teachers have been longing for an affordable, student-centered translation. The apparatus includes a 30-page historical and critical introduction, footnotes, a bibliography, a note on translation theory and practice, and samplings of the original text in Middle English, with a guide to pronunciation of that language. Piers Plowman is an extraordinary important document about the issues dramatically relevant to this day. It confronts poverty and inequity in 14th-century England and explores the need for virtue and social justice, encouraging its readers to create equality with open access for people of all classes and abilities. Though a Christian poem, Piers addresses issues of inclusivity, social responsibility and communal duty, as the poem's protagonist wanders about the world, facing injustice and persecution as he looks for truth and salvation. Michael Calabrese, author of An Introduction to Piers Plowman and director of the Chaucer Studio's Middle English recording of the poem, brings Piers Plowman to life for 21st-century students and for all readers interested in the history of society, virtue, faith and salvation.
John Wyclif has been a controversial figure since his own time, often dividing opinion between devoted followers and intransigent opponents. In the fifteenth and sixteenth centuries, there was already a developing mythos about him, and he was variously used as a symbol of heretical depravity or of valorous defense of the gospel. The Reformation calcified opinions, and the two subsequent centuries did not see much development. The nineteenth century marked the beginning of important changes in scholarly opinion, with confessional approaches weakening and giving way to greater objectivity. This trend was strengthened by the emergence of a professional class of historians around the turn of the twentieth century, but the established confessional biases were not quickly done away with until the postwar period. Today, confessional mythmaking is gone and the goal is no longer to show why one particular branch of Christianity is correct, but to present as accurate a picture as possible of the past. As the concerns of the twentieth century give way to those of the twenty-first, it is encouraging that there are still new things to be learned about the past, new ways of seeing and engaging, even with figures so well studied as Wyclif.
Annette Kern-Stähler,Professor and Chair of Medieval English Studies Annette Kern-Stähler,Elizabeth Robertson,Professor Emerita and Honorary Research Fellow Elizabeth Robertson
Author : Annette Kern-Stähler,Professor and Chair of Medieval English Studies Annette Kern-Stähler,Elizabeth Robertson,Professor Emerita and Honorary Research Fellow Elizabeth Robertson Publisher : Oxford University Press Page : 540 pages File Size : 48,8 Mb Release : 2023-07-20 Category : Literary Criticism ISBN : 9780192843777
Literature and the Senses by Annette Kern-Stähler,Professor and Chair of Medieval English Studies Annette Kern-Stähler,Elizabeth Robertson,Professor Emerita and Honorary Research Fellow Elizabeth Robertson Pdf
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
