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In the long hot summer of 1976, a group of young people are camping in Wyvis Hall. Adam, Rufus, Shiva, Vivien and Zosie hardly ask why they are there, what they are doing or how they are to live; they scavenge, steal and sell the family heirlooms.In short, they exist. Ten years later, the bodies of a woman and a child are discovered in the Hall's animal cemetery. Which woman? Whose child?
The second novel by Ruth Rendell writing as Barbara Vine is the story of the discovery of human bones buried in an animal cemetery and its lethal ramifications. With consummate skill, the mystery is unraveled, keeping the reader guessing about the killers' and the victims' identities.
An utterly gripping thriller perfect for fans of Dan Brown, Michael Crichton and Stephen King. The Anomaly will leave you breathless until the final page has been turned . . . THEY SOUGHT THE TRUTH. THEY FOUND A NIGHTMARE A team of explorers seek ancient treasures, hidden in a secret cave. At first it seems they will return empty handed. Then their luck turns. But the team's elation is short-lived as they become trapped there in the dark, with little possibility of escape. Then events take an even more terrifying turn. For not all secrets are meant to be found . . . 'Gripping, exciting, page-turning fun. I suspect Michael Crichton would have been happy to put his name to it' John Connolly 'Crackles with claustrophobic tension that had me holding my breath. Sharp dialogue, a dizzying central plot, and a real sense of dread throughout, I couldn't sleep until I'd finished reading, and then I couldn't sleep just thinking about it. I loved it' Sarah Pinborough, bestselling author of BEHIND HER EYES 'Brilliant. Thrilling, tense, dark, funny. Michael Crichton meets Indiana Jones' C. J. Tudor, author of THE CHALK MAN 'Smart, scary and beautifully written - a thriller filled equally with shivers and real heart. I absolutely loved it' Steve Mosby 'This is my kind of book. The suspense mounts slowly... slowly... Then the horror lingers for a long, long time' R. L. Stine 'Strap in for a break-neck, claustrophobic ride - The Anomaly is dark and deadly' James Swallow 'If you enjoy being scared witless, this is the book for you. A deftly written thriller that will give you second thoughts about turning out the lights' David Jackson 'A taut, take-no-prisoners thriller, lean and fast as an express train. Make no mistake: The Anomaly is the real deal' Lincoln Child, Number 1 New York Times Bestseller 'I LOVED The Anomaly. The most exciting, unputdownable book I've read in a long time' Mark Edwards 'Brilliant. A thrilling, horrifying, gripping page turner that you want to race through but at the same time don't want to end because you're enjoying it so much. Like Michael Crichton had written The Descent' Martyn Waites 'Michael Crichton meets Stephen King' is what was promised - and boy, does it deliver' Simon Lelic, author of RUPTURE and THE HOUSE
From multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell, this is a strange, seductive and suspenseful psychological thriller with a cunning final twist that will get right under the skin. Perfect for fans of PD James, Ann Cleeves and Donna Leon. 'She is incapable of writing a sentence that is not invested with mystery and fear... I was totally transfixed. If you read it, you will not sleep well. And it is a marvellous piece of work' -- Today 'Difficult to put down... she begins with the everyday, the ordinary and transmutes it into an almost Gothic tale of suspense and quiet terror' -- Daily Express 'Probably the greatest living crime writer in the world' -- Ian Rankin 'Ruth Rendell's mesmerising capacity to shock, chill and disturb is unmatched.'-- The Times 'Pure genius' -- ***** Reader review 'Gripping throughout' -- ***** Reader review 'Possibly her best' -- ***** Reader review 'A twisted, strange, compelling piece of brilliance' -- ***** Reader review **************************************************************** Safe houses and secret message drops, double crosses and defections - it sounds like the stuff of sophisticated espionage, but the agents are only schoolboys engaged in harmless play, unaware of the danger awaiting them if their messages were intercepted... John Creevey doesn't know the truth behind the mysterious codes he is reading. To him, the messages he decodes with painstaking care are the communications of dangerous and evil men. As he comes face to face with the reality of his beloved wife Jennifer's defection, he begins to see a way to get back at the man she left him for, a man with a disturbing connection to the schoolboys... And soon the schoolboys are playing more than just a game.
Sometimes it’s best to leave the past alone. For when biographer Martin Nanther looks into the life of his famous great-grandfather Henry, Queen Victoria’s favorite physician, he discovers some rather unsettling coincidences, like the fact that the doctor married the sister of his recently murdered fiancée. The more Martin researches his distant relative, the more fascinated—and horrified—he becomes. Why did people have a habit of dying around his great grandfather? And what did his late daughter mean when she wrote that he’s done “monstrous, quite appalling things”? Barbara Vine (a.k.a. Ruth Rendell) deftly weaves this story of an eminent Victorian with a modern yarn about the embattled biographer, who is watching the House of Lords prepare to annul membership for hereditary peers and thus strip him of his position. Themes of fate and family snake throughout this teasing psychological suspense, a typically chilling tale from a master of the genre.
Both a finely crafted mystery and a disturbingly honest depiction of the kinship between love and madness, The Brimstone Wedding tells an unsettling story about the power and the poison of love. A gracious, dignified woman, who's dying in an English nursing home, reveals the secrets of her erotic past to her young caretaker.
It is 1905. Asta and her husband Rasmus have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keep loneliness and isolation at bay by writing a diary. These diaries, published over seventy years later, reveal themselves to be more than a mere journal. For they seem to hold they key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter Ann to unearth the buried secrets of nearly a century before.
Like most families they had their secrets ...;And they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the fifties was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder. 'A rich, complex and beautifully crafted novel' P.D. James
INCLUDES AN EXCERPT OF RENDELL'S FINAL NOVEL, DARK CORNERS Is it dangerous to know too much about your neighbors? When Stuart Font throws a housewarming party, he invites all the residents of his new building--among them, three flippant young girls, a lonely spinster, a man with a passion for classical history, and a woman determined to drink herself to death. He definitely does not want his girlfriend, Claudia, in attendance, as he would also have to invite her lawyer husband. But careful planning can only get a person so far. As it turns out, this party will be one everyone remembers. Meanwhile, living in a town house opposite Stuart's building, in reclusive isolation, is a young, beautiful Asian woman known as Tigerlily. As though from some strange urban fairy tale, she emerges infrequently to exert a terrible spell. In Tigerlily's Orchids, Ruth Rendell has written a darkly humorous and psychologically thrilling novel about the eccentric inhabitants of a London terrace--about the secrets they keep, and what they will do to hide them.
An award-winning novel from a New York Times–bestselling author: The long-buried bodies of a woman and child are unearthed on a Suffolk country estate. When the new owners of Wyvis Hall, a rural estate in Suffolk, set out to bury their pet dog on the grounds, they stumbled upon a ghastly relic: the bones of a woman and small child in a shallow grave. The gruesome find makes stunning headlines, especially so for the previous occupants. A decade before, nineteen-year-old Adam Verne-Smith inherited the property and spent one debauched summer there with runaways, drifters, and his two best friends—none of whom have spoken since that fatal season. Adam is now a doting father and husband. His old buddy Rufus is a respectable doctor. And there’s Shiva, whose dreams of upward mobility drifted away. Unhinged by the discovery, they reunite, each with a protest of innocence. As the past slowly emerges, their regrets, desperation, and bitter incriminations get the best of them—and so will their secrets. A master of “deep, disquieting insight into the pathological dynamics of love” (The New York Times), author Ruth Rendell’s Crime Writers’ Association Gold Dagger Award–winning A Fatal Inversion is “rife with lost Edens, family secrets and stifled sexual urges” (Chicago Tribune). It was adapted for television by the BBC in 1992.
Perfect for fans of PD James, Ann Cleeves and Donna Leon, this haunting insight into the mind of a pathological criminal is one of multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell's most terrifying novels... 'Rendell is unrivalled at depicting psychologically warped people and at creating unease through the simplest things. This is another triumph' -- Observer 'Wonderful at exploring the dark corners of the human mind, and the way private fantasies can clash and explode into terrifying violence' -- Daily Mail 'Brilliantly written' -- ***** Reader review 'Absolutely fantastic!' -- ***** Reader review 'Mesmerizing' -- ***** Reader review 'Intensely absorbing' -- ***** Reader review ************************************************************************** Arthur Johnson doesn't look like a murderous psychopath; he is a mild-mannered man who has never known how to talk to women. Years of loneliness has warped his mind, turning his desire for a woman's love and respect into a pathological need for carefully controlled violence. Locked in the cellar of his building is the perfect willing victim, a woman who can be murdered over and over again, a woman who waits for Arthur every night...a mannequin in the form of a female. But when a young scholar of psychopathic personalities moves in downstairs and Arthur's mannequin disappears, where will he turn to satisfy his urgent craving for violence?
“They have sent me here because of what happened on the pylon.” When Clodagh Brown writes these words at the age of nineteen, she believes that she is leaving behind the traumatic events of her youth. But Clodagh soon learns that you can never entirely escape your past. In the aftermath of the incident on the pylon--one of the great electrified structures that dot the English countryside like so many gargantuan grasshoppers--Clodagh goes off to university, moves into a basement flat arranged by her unsympathetic family, and finds freedom trekking across London's rooftops with a gang of neighborhood misfits. As she begins a thrilling relationship with a fellow climber, however, both Clodagh and the reader are haunted by the memory of the pylon and of the terrible thing that happened there--and by the eerie sense that another tragedy is just a footfall away.
18M copies of Elena Ferrante's books sold worldwide "This is my last column, after a year that has scared and inspired me." With these words, Elena Ferrante, the bestselling author of My Brilliant Friend, bid farewell to her year-long collaboration with the Guardian. For a full year she penned short pieces, the subjects of which were suggested by editors at the Guardian, turning the writing process into a kind of prolonged interlocution; the subjects ranged from first love to climate change, from enmity among women to the adaptation of her novels to film and TV. As she said in her final column: "I have written as an author of novels, taking on matters that are important to me and that—if I have the will and the time—I'd like to develop within real narrative mechanisms." Here, then, are the seeds of possible future novels, the ruminations of an internationally beloved author, and the abiding preoccupations of a writer who has been called "one of the great novelists of our time" ( The New York Times). Gathered together for the first time and accompanied by an entirely new introduction written by Elena Ferrante and by Andrea Ucini's intelligent, witty, and beautiful illustrations, this is a must for all Ferrante fans.
