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A Father's Journey, a Daughter's Voyage by Leonard Harris,Jamila R. Grant Pdf
This is a fascinating and instructive look at a father and daughter's relationship and the emotional strategies the family used while confronting a double mastectomy, chemotherapy and radiation treatments. The story is told through edited entries from a journal maintained by the father, poetry written by the daughter, and discussions of how to manage a family while confronting the uncertainty created by breast cancer.
An award-winning journalist’s voyage into her family history and her quest to face the storms she encounters there. In August Gale, Pulitzer Prize–winning journalist Barbara Walsh—who has interviewed killers, bad cops, and crooked politicians in the course of her career—faces the most challenging story of her lifetime: asking her father about his childhood pain. In the process, she takes us on two heartrending odysseys: one into a deadly Newfoundland hurricane and the lives of schooner fishermen who relied on God and the wind to carry them home; the other, into a squall stirred by a man with many secrets: a grandfather who remained a mystery until long after his death. Sixty-eight years after the hurricane that claimed several of her ancestors, Walsh searches for memories of the August gale and the grandfather who abandoned her dad as a young boy. Together, she and her father journey to Newfoundland to learn about the 1935 storm, and along the way her dad begins to talk about the man he cannot forgive. As she recreates the scenes of the violent hurricane and a small boy's tender past, she holds onto a hidden desire: to heal her father and redeem the grandfather she has never met.
A sick girl named Helena is taken by an angel on an ancient sailing boat far over the waves. Their destination: three cities that glow as if blessed of God - one Jewish, one Christian, one Muslim. Helena comes to realise that all these people believe the same divine law - to love God and their fellow man.
An unforgettable voyage... Memoir of an 8-year old "boat person" who flees post-war communist Vietnam in search of a father and brother rumored to have escaped to the West. Braving sea storms and pirates in a overloaded fishing boat, Hiep and her younger sister are rescued by British sailors and interned in a series of horrific Hong Kong refugee camps. Surviving by their wits, these displaced children of the sea create their own primitive society amid the dispirited and desperate adults awaiting sponsors in the U.S. Finally settling in California, Hiep's family is reunited only to confront the promise and perils of modern America. Especially meaningful to young readers struggling to find their own identities, Daughter of the Sea depicts an epic, extraordinary journey from East to West, from childhood lost to premature adulthood and the rebirth of a most remarkable young woman. Young Adult Fiction.
Popular Voyages and Travels throughout the continent and islands of Europe (Asia, Africa, and America) ... With engravings by afterwards JAMIESON THURTLE (Frances) Pdf
Bordering on the Body by Laura Doyle,Laura Anne Doyle Pdf
The figure of the mother in literature and the arts has been the subject of much recent critical attention. Whereas many studies have focused on women writers and the maternal, Laura Doyle significantly broadens the field by tracing the racial logic internal to Western representations of maternality at least since Romanticism. She formulates a theory of "racial patriarchy" in which the circumscription of reproduction within racial borders engenders what she calls the "race mother" in literary and cultural narratives. Pairing literary movements not often considered together--Modernism and the Harlem Renaissance--Doyle reveals that this figure haunts the openings of diverse modern novels and initiates their experimental narrative trajectories. Figures such as the slave mother in Invisible Man, Lena Grove in Light in August, Mrs. Dedalus in Ulysses, and Sethe in Beloved, Doyle shows, embody racial, sexual, and metaphysical anxieties which modern authors expose reconfigure, and attempt to surpass. Making use of heterogeneous materials, including kinship studies, phenomenology, and histories of slavery, Bordering on the Body traces the symbolic operations of the "race mother" from Romanticism and nineteenth-century biology to eugenics and twentieth-century fiction. A breakthrough in race and gender theory, a racial reconfiguration of modernism, and a reinterpretation of discourses of nature since Romanticism, the book will engage a wide spectrum of readers in literary and cultural studies.
A young girl navigates the joys and sorrows of rural life on the cusp of the modern world in mid-twentieth century Turkey. A close-knit family is transformed forever when its matriarch tragically dies, leaving behind a husband, Timur the blacksmith, and their three young daughters. The Blacksmith's Daughter follows the life of the eldest daughter, Gül, who is growing up in rural Turkey in the 1940s and '50s. When Timur remarries, the girls' new stepmother has none of their mother's warmth, so Gül feels compelled to take on the role of mother to her younger siblings. Their village upbringing is full of simple pleasures- summer evenings sat outside listening to the radio, games played in the street. But the world is evolving, and with an emerging focus on economic growth and prosperity as modernity creeps in, Gül's future is unknown. Through all the hardships and uncertainty, what remains ever-constant is the close bond she shares with her father, who deeply respects and cherishes his first-born. The Blacksmith's Daughter is an enchanting glimpse into how a young girl navigates loss, identity and altered family dynamics, while her simple way of life is changing too.
Though often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.
