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A delightful, best-selling tale about the business and pleasure of wine, adapted into a Ridley Scott movie starring Russell Crowe and Marion Cotillard. Max Skinner has recently lost his job at a London financial firm and just as recently learned that he has inherited his late uncle’s vineyard in Provence. On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max does—and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Peter Mayle, beloved author of A Year in Provence, at his most entertaining.
Nominated for the 2019 Toronto Heritage Book Award We may never see a playoff series like it again. Before Gary Bettman, and the lockouts. Before all the NHL's old barns were torn down to make way for bigger, glitzier rinks. Before expansion and parity across the league, just about anything could happen on the ice. And it often did. It was an era when huge personalities dominated the sport; and willpower was often enough to win games. And in the spring of 1993, some of the biggest talents and biggest personalities were on a collision course. The Cinderella Maple Leafs had somehow beaten the mighty Red Wings and then, just as improbably, the St. Louis Blues. Wayne Gretzky's Kings had just torn through the Flames and the Canucks. When they faced each other in the conference final, the result would be a series that fans still talk about passionately 25 years later. Taking us back to that feverish spring, The Last Good Year gives an intimate account not just of an era-defining seven games, but of what the series meant to the men who were changed by it: Marty McSorley, the tough guy who took his whole team on his shoulders; Doug Gilmour, the emerging superstar; celebrity owner Bruce McNall; Bill Berg, who went from unknown to famous when the Leafs claimed him on waivers; Kelly Hrudey, the Kings' goalie who would go on to become a Hockey Night in Canada broadcaster; Kerry Fraser, who would become the game's most infamous referee; and two very different captains, Toronto's bull in a china shop, Wendel Clark, and the immortal Wayne Gretzky. Fast-paced, authoritative, and galvanized by the same love of the game that made the series so unforgettable, The Last Good Year is a glorious testament to a moment hockey fans will never forget.
Few Canadians over the age of forty can forget the feeling of joy and celebration that washed over the country during Canada's centennial year. We were, Pierre Berton reminds us, a nation in love with itself, basking in the warm glow of international applause brought on by the unexpected success of Expo 67 and pumped up by the year-long birthday party that had us all warbling "Ca-na-da, as Bobby Gimby and his gaggle of small children pranced down the byways of the nation. It was a turning-point year, a watershed year--a year of beginnings as well as endings. One royal commission finally came to a close with a warning about the need for a new approach to Quebec. Another was launched to investigate, for the first time, the status of Canadian women. New attitudes to divorce and homosexuality were enshrined in law. A charismatic figure, Pierre Elliott Trudeau, made clear that the state had no place in the bedrooms of the nation. The seeds of Women's Lib, Gay Pride, and even Red Power, were sown in the centennial year. (Of all the pavilions on the Expo site, Berton singles out the Indian pavilion as having the greatest impact.) The country was in a ferment that year. Canadians worried about the Americanization of every institution from the political convention to "Hockey Night in Canada. People talked about the Generation Gap as thousands of flower children held love-ins in city parks. The government tried to respond by launching the Company of Young Canadians, a project that was less than successful. The most significant event of 1967 was Charles de Gaulle's notorious "Vive le Quebec libre!" speech in Montreal. It gave the burgeoning separatist movement a new legitimacy, enhanced by Rene Levesque's departure from the Liberal party later that year. Throughout the book, the author gives us insightful profiles of some of the significant figures of 1967: the centennial activists Judy LaMarsh and John Fisher; the Expo entrepreneurs, Philippe de Gaspe Beaubien and Edward Churchill; Walter Gordon, the fervent nationalist, and his rival, Mitchell Sharp; Lester Pearson and his "bete noire, John Diefenbaker; the three "men of the world" who helped make Canada internationally famous: Marshall McLuhan, Glenn Gould, and Roy Thomson; hippie leaders like David dePoe, American draft dodgers like Mark Satin, women's activists like Doris Anderson and Laura Sabia, youth workers like Barbara Hall, radicals like Pierre Vallieres (author of "White Niggers of America) and such dedicated nationalists as Madame Chaput Rolland and Andre Laurendeau. In spite of the feeling of exultation that marked the centennial year, an opposite sentiment runs through the book like dark thread: the growing fear that the country was facing its gravest crisis. Berton points out that we are far better off today than we were in 1967. "Then why all the hand wringing?" he asks. Because of "the very real fear that the country we celebrated so joyously thirty years ago is in the process of falling apart. "In that sense, 1967 was the last good year before all Canadians began to be concerned about the future of our country."
The popular New Yorker writer combines the style of Mary Roach with the on-the-ground food savvy of Anthony Bourdain. Dana Goodyear’s narrative debut is a highly entertaining, revelatory look into the raucous, strange, fascinatingly complex world of contemporary American food culture. At once an uproarious behind-the-scenes adventure and a serious attempt to understand the implications of an emergent new cuisine, it introduces a cast of compelling and unexpected characters—from Los Angeles Times critic Jonathan Gold, to a high-end Las Vegas purveyor of rare and exotic ingredients, to the traffickers and promoters of raw milk and other forbidden products, to the hottest chefs who rely on them—all of whom, along with today’s diners, are changing the face of American eating. Ultimately, Goodyear looks at what we eat, and tells us who we are. As she places all of this within a vivid historical and cultural framework, she shows how these gathering culinary trends may eventually shape the way all Americans dine. What emerges is a picture of America at a moment of transition, designing the future as it reimagines the past.
NATIONAL BESTSELLER • In this witty and warm-hearted account, Peter Mayle tells what it is like to realize a long-cherished dream and actually move into a 200-year-old stone farmhouse in the remote country of the Lubéron with his wife and two large dogs. He endures January's frosty mistral as it comes howling down the Rhône Valley, discovers the secrets of goat racing through the middle of town, and delights in the glorious regional cuisine. A Year in Provence transports us into all the earthy pleasures of Provençal life and lets us live vicariously at a tempo governed by seasons, not by days.
Rural Cyprus, 1925. Despo is recently married, heavily pregnant and deeply afraid. The twelve days of Christmas are beginning – the time when, according to local folklore, creatures known as kalikantzari come up from Hell to wreak havoc. Meanwhile, her husband Loukas has troubles of his own. Struggling with dreams and desires he doesn’t understand, he finds himself irresistibly drawn to an Englishman, a newcomer to the island. In a village wreathed in superstition, Despo and Loukas must protect themselves and their unborn child from ominous forces at play.
A delightful, best-selling tale about the business and pleasure of wine, adapted into a Ridley Scott movie starring Russell Crowe and Marion Cotillard. Max Skinner has recently lost his job at a London financial firm and just as recently learned that he has inherited his late uncle’s vineyard in Provence. On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max does—and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Peter Mayle, beloved author of A Year in Provence, at his most entertaining.
Author : Charles M. Robinson, III Publisher : Random House Page : 526 pages File Size : 45,8 Mb Release : 2012-09-12 Category : History ISBN : 9780307823373
A Good Year to Die by Charles M. Robinson, III Pdf
This is the dramatic story of the most crucial year in the history of the American West, 1876, when the wars between the United States Government and the Indian Nations reached a peak. Telling a great deal about Indian cultures, history, beliefs and personality, this is the first book to cover the whole year, rather than simply its components. NOTE: This edition does not include photographs.
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
A groundbreaking account of the American Revolution—from the bestselling author of American Dynasty In this major new work, iconoclastic historian and political chronicler Kevin Phillips upends the conventional reading of the American Revolution by debunking the myth that 1776 was the struggle’s watershed year. Focusing on the great battles and events of 1775, Phillips surveys the political climate, economic structures, and military preparations of the crucial year that was the harbinger of revolution, tackling the eighteenth century with the same skill and perception he has shown in analyzing contemporary politics and economics. The result is a dramatic account brimming with original insights about the country we eventually became.
From the co-author of the New York Times bestseller Team of Teams, a practical guide for leaders looking to make their organizations more interconnected and unified in the midst of sudden change. Too often, companies end up with teams stuck in their own silos, pursuing goals and metrics in isolation. Their traditional autocratic structures create stability, scalability, and predictability -- but in a world that demands rapid adaptation to a new reality, this traditional model simply doesn’t work. In Team of Teams, retired four-star General Stanley McChrystal and former Navy SEAL Chris Fussell made the case for a new organizational model combining the agility, adaptability, and cohesion of a small team with the power and resources of a giant organization. Now, in One Mission, Fussell channels all his experiences, both military and corporate, into powerful strategies for unifying isolated and distrustful teams. This practical guide will help leaders in any field implement the Team of Teams approach to tear down their silos improve collaboration, and avoid turf wars. By committing to one higher mission, organizations develop an overall capability that far exceeds the sum of their parts. From Silicon Valley software giant Intuit to a government agency on the plains of Oklahoma, organizations have used Fussell’s methods to unite their people around a single compelling vision, resulting in superior performance. One Mission will help you follow their example to a more agile and resilient future.
Hanky-panky on the international art scene is the source of the hilarity and fizz in Peter Mayle's new novel. He flies us back to the south of France (a region some readers of his irresistible best-sellers believe him to have invented), on a wild chase through galleries, homes of prominent collectors, and wickedly delectable restaurants. There are stopovers in the Bahamas and England, and in New York, where that glossiest of magazines, Decorating Quarterly, reflects the cutting-edge trendiness of its editor, Camilla Jameson Porter. (Camilla has recently broken new ground in the world of power lunches by booking two tables on the same day, and shuttling between them, at the city's trendiest restaurant.) It is Camilla who has sent our hero, Andre Kelly, to Cap Ferrat to take glamorous photo-graphs of the houses and treasures of the rich, famous, and fatuous. He happens to have his camera at the ready when he spots a Cézanne being loaded onto a plumber's truck near the home of an absent collector. Odd, thinks Andre. And in no time he's on the trail of a state-of-the-art art scam, chasing Cézanne. It's a joy to follow him and the crowds intent on speeding or foiling his quest--including a beautiful agent; a super-savvy art dealer attracted to the finer things in life, especially if they promise the payoff of a lifetime; an awesome Dutch forger; some outstandingly greedy New York sophisticates; and, invisible in the background, the parade of remarkable chefs whose mouthwatering culinary masterpieces periodically soothe the hero and tantalize the reader of Chasing Cézanne.
Life hasn't been a bed of roses for Londoner Molly Taylor lately. Newly divorced and struggling to find a new home and a way to support her three boys, she's stunned when her beloved Aunt Helena dies and leaves her Harrington Hall, a three-hundred-year-old manor house on the Devon coast, where Molly grew up. But does Molly really want to run a bed-and-breakfast in an old house where the only thing that doesn't need urgent attention is Aunt Helena's beautiful rose garden? Or care for Uncle Bertie, an eccentric former navy officer with a cliff-top cannon? Or Betty, his rude parrot that bites whomever annoys it? Yet Molly's best friend Lola is all for the plan. "My heart bleeds. Your very own beach, the beautiful house, and Helena's garden. All you have to do is grill a bit of bacon." But with Molly's conniving brother running the family hotel nearby, the return of a high school flame with ulterior motives, and three sons whose idea of a new country life seems to involve vast quantities of mud, this is not going to be easy. And then Harrington Hall begins to work its magic, and the roses start to bloom... Warm, witty, and chock-full of quintessential British charm, A GOOD YEAR FOR THE ROSES is a story for anyone who has ever dreamed of starting over...with or without bacon.
An unlikely high school newspaper editor fights to cover a local murder case and learns what is most important in friendship, in journalism, and in life. Lisa Rives had higher expectations for sophomore year. Her beauty queen mom wonders why she can't be more like other 15-year-old girls in their small Alabama town. Lisa's Dad, well, she suspects he's having an affair with a colleague at his top-secret job. Her friend Preethy seems to be drifting away, and Lisa spends her schooldays dodging creepy boys and waiting to graduate. Then she finds herself in charge of her high school newspaper, which is the last thing she wanted--school newspapers are for popular kids and club-joiners, not outcasts like her, and besides, the stories are never about anything you actually want to know. But after accidentally tipping the scales in the school election, then deciding to cover a "real" story--the upcoming execution of a local man charged with murder--and becoming a surprise news story herself, Lisa learns some hard lessons about friendship and truth-telling. As Lisa navigates the dilemmas, challenges, and unintended consequences of journalism, she finds her life--and her convictions--changing in ways she couldn't have imagined. Tell It True is a sometimes hilarious, sometimes devastating, always relatable coming-of-age story about the importance of speaking the truth in a world of denial and fake news.