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A Guide to Musical Temperament by Thomas Donahue Pdf
Author Thomas Donahue assembles new information and material from previous sources, providing a comprehensive outline of theories and a historical overview that fills a neglected niche in music and keyboard reference."--Jacket.
Preface What you are now reading is the written version of an electronic document that explains the mathematical principles for different musical temperaments. The electronic version contains many music examples that you can listen to while you are working with this document at a computer. The written version obviously cannot offer this possibility. It serves therefore merely as a parallel study aid and guide and cannot replace actually working with the electronic text. Musical Temperaments Contents • V II Contents Introduction and Fundamental Properties 1 Pitch and Frequency 1 Preliminary Remarks 1 Frequencies and Intervals 2 Tuning Systems and Frequencies 5 Musical Scales in Different Tunings 5 Pure Tuning 5 Intervals and Triads in Pure Tuning 12 Pythagorean Tuning 23 Intervals and Triads in Pythagorean Tuning 31 Meantone Tuning 34 Intervals and Triads in Meantone Tuning 39 Equal Temperament (Tuning) 42 Intervals and Triads in Equal Temperament (Tuning) 47 Summary 50 Appendices 53 Pictorial explanations 53 Tables of Frequencies and Intervals 54 Operating Instructions 62 Glossary 67 Musical Temperaments Introduction and Fundamental Properties • 1 Introduction and Fundamental Properties Pitch and Frequency Preliminary Remarks It is well known that tones consist of periodically recurring phenomena, that is, beats repeating in a regular pattern. The number of repetitions of beats per second is measured in Hertz: 440 Hertz mean 440 beats per second. This number is also called the frequency of a beat.
Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.
This classic chronicle of the longstanding challenges of tuning and temperament devotes a chapter to each principal theory, features a glossary and numerous tables, and requires only minimal background in music theory.
Author : Ross W. Duffin Publisher : W. W. Norton & Company Page : 197 pages File Size : 42,8 Mb Release : 2008-10-17 Category : Music ISBN : 9780393075649
How Equal Temperament Ruined Harmony (and Why You Should Care) by Ross W. Duffin Pdf
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
A Performer's Guide to Seventeenth-Century Music by Stewart Carter Pdf
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
A Style and Usage Guide to Writing About Music by Thomas Donahue Pdf
In A Style and Usage Guide to Writing About Music, Thomas Donahue presents a collection of guidelines to help express through the written word the special notations, terms, and concepts found in the discipline of music. It concentrates on questions of style and format in the interest of good formal writing within the context of United-States English, so that writers may communicate their ideas clearly and effectively. While compiling the guidelines, Donahue reviewed content from many other music and general guides. He documented the most common formats in order to assist the writer in selecting an appropriate format for the given circumstance when more than one may apply. The book draws on profuse musically-oriented examples and is arranged by topics both musical and typographic, such as the proper use and spelling of composer names and musical concepts; the use of notes, pitches, and octave delineations; letters and numbers employed to describe form and harmony; when, where, and how to apply compound words and hyphenation of terms and names; and the proper citation of musical and audiovisual sources. The book concludes with a glossary of typographic terms, a bibliography, and a comprehensive index, making this a valuable resource for students, scholars, teachers, and writers.
Sourcebook for Research in Music, Third Edition by Allen Scott Pdf
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
"Tuning is the secret lens through which the history of music falls into focus," says Kyle Gann. Yet in Western circles, no other musical issue is so ignored, so taken for granted, so shoved into the corners of musical discourse. A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies. Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music. Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html
Music of the past, instruments and imagination by Michael Latcham Pdf
Ce volume présente les délibérations des Deuxièmes Rencontres Internationales harmoniques du printemps 2004. Les conférences ont été données par des experts des instruments à claviers et des cuivres. L'accent a été mis sur une variété de traditions historiques de facture instrumentale et sur l'histoire du renouveau de l'utilisation d'instruments anciens. Les contributions traitent non seulement des paramètres des pratiques instrumentales, mais encore de l'inspiration donnée dans ces domaines par quelques pionniers du renouveau de la musique ancienne. Dans bien des cas, les auteurs se sont penchés plus spécialement sur l'interprétation de la musique de Johann Sebastian Bach. This volume presents the proceedings of the second International Congress organised in Lausanne by the harmoniques Foundation and held in the Spring of 2004. The papers were given by experts on brass and stringed keyboard instruments. The emphasis was on a variety of historical instrument-making traditions and on the history of the revival of the use of early instruments. The contributions not only included detailed discussions regarding the parameters of performance practice and the use of historical instruments but also about the inspiration given by some of the leading revivalists in these fields. In many cases the contributors placed a special focus on the performance of the music of Johann Sebastian Bach.
Although music theory and temperament have been familiar studies since the time of Pythagoras, written explanations can be obscure and often mystical. This book describes proportion and temperament in the simplest way using straightforward diagrams and minimum text Anthony Osborne, with his architectural training, produces a range of illustrations as a practical guide, readily understandable to the reader whether or not they have musical, mathematical or scientific knowledge. Principally concerning the piano keyboard, this book is an information source regarding the connections between music, and architecture. He explains Equal Temperament and the pivotal role of the Dominant Seventh and explores Doppler''s theory, sound, light and colour and the relevance of proportion and consonance in the universe around us.