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Author : László Dobszay
Publisher : Unknown
Page : 248 pages
File Size : 54,7 Mb
Release : 1993
Category : Music
ISBN : STANFORD:36105017281887
Author : Gyula Kaldy
Publisher : Ardent Media
Page : 98 pages
File Size : 41,8 Mb
Release : 2013-03
Category : Literary Criticism
ISBN : 8210379456XXX
Bonded Leather binding
Author : Bence Szabolcsi
Publisher : Unknown
Page : 256 pages
File Size : 51,5 Mb
Release : 1964
Category : Music
ISBN : UCAL:B3247630
Author : Gyula Káldy
Publisher : Unknown
Page : 66 pages
File Size : 46,7 Mb
Release : 1902
Category : Electronic
ISBN : 1404702466
Author : Gyula Káldy
Publisher : Unknown
Page : 55 pages
File Size : 42,6 Mb
Release : 1902
Category : Music
ISBN : 1404702466
Author : JULIUS. KALDY
Publisher : Unknown
Page : 0 pages
File Size : 51,6 Mb
Release : 2018
Category : Electronic
ISBN : 1033668265
Author : Emília Barna,Tamás Tófalvy
Publisher : Routledge
Page : 248 pages
File Size : 44,5 Mb
Release : 2017-01-06
Category : Music
ISBN : 9781351709798
Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is a founding member and Chair of IASPM Hungary, editor of Zenei Hálózatok Folyóirat (Music Networks Journal), and Advisory Board Member of IASPM@Journal. Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary.
Author : Lynn M. Hooker
Publisher : Oxford University Press
Page : 320 pages
File Size : 55,7 Mb
Release : 2013-10-25
Category : Music
ISBN : 9780199908851
Some of the most popular works of nineteenth-century music were labeled either "Hungarian" or "Gypsy" in style, including many of the best-known and least-respected of Liszt's compositions. In the early twentieth century, Béla Bartók and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartók argued that it should be discarded in favor of a national style based in the "genuine" folk music of the rural peasantry. Between the heyday of the nineteenth-century Hungarian-Gypsy style and its replacement by a new paradigm of "authentic" national style was a vigorous decades-long debate-one little known inside or outside Hungary-over what it meant to be Hungarian, European, and modern. Redefining Hungarian Music from Liszt to Bartók traces the historical process that defined the conventions of Hungarian-Gypsy style. Author Lynn M. Hooker frames her study around the 1911 celebration of Liszt's centennial. In so doing, she analyzes Liszt's problematic role as a Hungarian-born composer and leader of Hungarian art music who spent most of his life outside of Hungary and questioned whether Hungary's national music was more the creation of Hungarians or Roma (Gypsies). The themes of race and nation that emerge in the discussion of Liszt are further developed in an analysis of discourse on Hungarian national music throughout the Hungarian press in the late nineteenth and early twentieth centuries. Showing how the "discovery" of "genuine" folk music by Bartók and Kodály, often depicted as a purely "scientific" matter, responds directly to concerns raised by earlier writers about the "problem of Hungarian music," Hooker argues that the innovations of Bartók and Kodály and their circle are not so much in correcting a flawed concept of the national as in using the idea of national authenticity to open up freedom for composers to explore more stylistic options, including the exploration of modernist musical language. Meticulously researched and elegantly written, Redefining Hungarian Music from Liszt to Bartók is essential reading for musicologists, musicians, and concertgoers alike.
Author : János Kárpáti
Publisher : Unknown
Page : 320 pages
File Size : 46,8 Mb
Release : 2011
Category : Music
ISBN : 6155062013
Author : Lynn M. Hooker
Publisher : Oxford University Press
Page : 321 pages
File Size : 51,9 Mb
Release : 2013-10
Category : History
ISBN : 9780199739592
In the early twentieth century, Bela Bartók and his circle argued for a new definition of "Hungarianness," one which centered around folksong rather than the "Hungarian-Gypsy" style relied upon by Franz Liszt and his contemporaries. This book traces the historical process that defined the conventions of Hungarian-Gypsy style, and reveals through this decades-long debate what it meant to be Hungarian, European, and modern.
Author : Oksana Ritz-Buranbaeva,Vanja Mladineo
Publisher : Bloomsbury Publishing USA
Page : 234 pages
File Size : 46,7 Mb
Release : 2011-09-22
Category : History
ISBN : 9780313383700
This book provides a one-stop introduction to the history, culture, and personalities of Hungary, a fascinating country located at the heart of Europe and born at the crossroads of civilizations. Hungary today is most certainly a Central European nation in terms of a modern geopolitical and cultural understanding of Europe. Additionally, it has occupied a central position in the constellation of European kingdoms for centuries. The story of Hungary is about a country at the heart of Europe, geographically as well as culturally, and of a people quite distinct from their eastern and western neighbors yet irrevocably intertwined with them in terms of their histories and futures. Culture and Customs of Hungary is an absolute must-have for high school, public, and undergraduate library bookshelves. Readers will explore Hungary's fascinating contemporary life and culture in this unique and all-encompassing reference work that highlights the most important Hungarian historical personalities and explains their role in the development of Hungarian culture and society, as well as their standing in modern Hungary. Topics covered include history; art, including literature, architecture, film, and music; customs and traditions; modern society and culture; media; gender roles; language; and religion.
Author : Donna Marie Di Grazia
Publisher : Routledge
Page : 543 pages
File Size : 46,9 Mb
Release : 2013
Category : Music
ISBN : 9780415988520
Nineteenth-Century Choral Music is a collection of essays studying choral music making as a cultural phenomenon, one that had an impact on multiple parts of society. Rather than merely offering a collection of raw descriptions of works, the contributors focus their discussions on what these pieces reveal about their composers as craftsmen/women. Major works as well as other equally rich parts of the repertoire are discussed, including smaller choral works and contributions by composers such as Fanny Mendelssohn, Amy Beach, Charles Stanford,
Author : Jan Ling
Publisher : University Rochester Press
Page : 268 pages
File Size : 45,5 Mb
Release : 1997
Category : Juvenile Nonfiction
ISBN : 1878822772
The aim of this study is to increase understanding of folk music within an historical, European framework, and to show the genre as a dynamic and changing art form. The book addresses a plethora of questions through its detailed examination of a wide range of music from vastly different national and cultural identities. It attempts to elucidate the connections between, and the varying development of, the music of peoples throughout Europe, firstly by examining the ways in which scholars of different ideological and artistic ambitions have collected, studied and performed folk music, then by investigating the relationship between folk and popular music. Jan Ling is Professor of Musicology at Göteborg University, Sweden.
Author : David E. Schneider
Publisher : Univ of California Press
Page : 321 pages
File Size : 43,5 Mb
Release : 2006-11-06
Category : Music
ISBN : 9780520932050
It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer’s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók’s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer’s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók’s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.
Author : Gábor Vermes
Publisher : Central European University Press
Page : 396 pages
File Size : 42,7 Mb
Release : 2014-05-10
Category : History
ISBN : 9789633860205
This book describes and analyzes the critical period of 1711-1848 within Hungary from novel points of view, including close analyses of the proceedings of Hungarian diets. Contrary to conventional interpretations, the study, stressing the strong continuity of traditionalism in Hungarian thought, society, and politics, argues that Hungarian liberalism did not begin to flower in any substantial way until the 1830s and 1840s. Hungarian Culture and Politics in the Habsburg Monarchy also traces and evaluates the complex relationship between Austria and Hungary over this span of time. Past interpretations have, with only a few exceptions, tilted heavily towards the Austrian role within the Monarchy, both because its center was in Vienna and because few non-Hungarian scholars can read Hungarian. This analysis redresses this balance through the use of both Austrian and Hungarian sources, demonstrating the deep cultural differences between the two halves of the Monarchy, which were nevertheless closely linked by economic and administrative ties and by a mutual recognition that co-existence was preferable to any major rupture.