A History Of Modern Criticism 1750 1950 Volume 1 The Later Eighteenth Century
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Literary Criticism: A Beginner's Guide by Dr. Rakhee Singh Pdf
Literary criticism is to examine and interpret literature to gain deeper Insights and appreciation for it. It enables the critics to explore things like the writer/poet's style, themes, characters, and the historical or cultural context in which the work was created. Many renowned ports/writers have shared their opinions regarding literature throughout history, from ancient philosophers like Plato to modern pocts/writers. The present book depicts the opinions of such distinguished critics. It has easy to understand style and numerous examples which would make it easier for the students to understand Metary Criticism. It will be helpful for the students of English terature and literary theory and criticism.
The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800 by George Watson Pdf
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
The querelle des anciens et des modernes - the question whether writers should imitate the classics or use literary forms which seemed more suited to their own era - had been debated in Europe since the earliest days of the Renaissance. This book analyses the development of the querelle following the adoption of the argument of the modernist faction of seventeenth-century France.
German Music Criticism in the Late Eighteenth Century by Mary Sue Morrow Pdf
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
The Cambridge History of English Literature, 1660-1780 by John Richetti Pdf
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.