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Psalm paraphrases in verse form with suggested familiar tunes for singing in Short Meter, Common Meter and Long Meter for the appointed psalms for the Book of Common Prayer lectionary. Includes Canticles and Invitatories for the Daily Office for both Rite I and Rite II. Please note: This is the version based on the Book of Common Prayer Lectionary and originally published in 1986. A new version for the Revised Common Lectionary is now available.
Metrical Psalmody in Print and Practice by Dr Timothy Duguid Pdf
During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ‘Old Hundredth’, ‘Martyrs’, and ‘French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.
The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 800 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and was rapidly (if unofficially) adopted by the established English Church. Yet, despite the significant impact of the Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England.
The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and prose prayers for domestic use. Because the Elizabethan Church rapidly and pervasively (if unofficially) adopted this metrical psalter for congregational singing, and because it had in practical terms no rivals for church use until the end of the seventeenth century, essentially the entire conforming population of early modern England after 1570 would have been familiar with its psalms and hymns as elements of both public worship and private devotion. Yet, despite the significant impact of The Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. In large part this neglect is due to the reputation it gained after the mid-seventeenth century as a work of poor poetry mainly valued by vulgar and/or sectarian audiences. This later reception, however, was the product of not only changing literary tastes but an ideological desire to reshape the history of the Reformation. This study focuses on the actual aims of its authors and editors over the course of its gradual composition during the tumultuous religious changes of the mid-sixteenth century, and recovers its significant influence on the English church and literary practice. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England. It also shows how, in metrical psalmody, Protestant reformers discovered what turned out to be a uniquely flexible and effective instrument for advancing their vision of a godly society.
Metrical Psalmody in Print and Practice by Timothy Duguid Pdf
During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ’Old Hundredth’, ’Martyrs’, and ’French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.
