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Does War Belong in Museums? by Wolfgang Muchitsch Pdf
Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?
Discover the architectural vision behind Canada's striking and iconic national museum of military history. Since its opening to the public on May 8, 2005, the 60th anniversary of VE Day, the Canadian War Museum has become a recognizable icon. The building was an instant success and, over the years, has become a recognizable destination for Canadians and visitors to Canada wishing to understand how military history has shaped our country, while marveling at the building's architectural symbolism. Renowned architect Raymond Moriyama's remarkable commentary on the design principles of the building highlights the vision behind each structural element ? from the echoes of the Canadian landscape, to the sound of nature in Regeneration Hall, to the axis of the sun at 11 a.m. on Remembrance Day. The Legacy Document is a key reference for the conservation of the Canadian War Museum, and it explores Moriyama's dream for the future of the building and its landscape.
World War Women by Stacey Barker,Molly McCullough Pdf
Experience the incredible determination, resilience and sacrifice of Canadian women during the First and Second World Wars. War brought enormous changes to Canadian women's lives. They adapted to the conditions of total war in practical terms ? working, volunteering and serving in uniform. In the wake of war's inevitable tragedies, they also faced other challenges. The contributions made by women to the Canadian war efforts were crucial, and their experiences forged a new understanding of women's capabilities both within themselves and within society. Through photographs, artwork, diaries and mementoes, including a Memorial Cross presented to the mother of a fallen soldier, this souvenir catalogue reveals deeply personal stories of life in service and on the home front.
The Trojan War Museum: and Other Stories by Ayse Papatya Bucak Pdf
A debut story collection of spectacular imaginative range and lyricism from a Pushcart Prize–winning author. In Ayse Papatya Bucak’s dreamlike narratives, dead girls recount the effects of an earthquake and a chess-playing automaton falls in love. A student stops eating and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. The anguish of an Armenian refugee is “performed” at an American fund-raiser. An Ottoman ambassador in Paris amasses a tantalizing collection of erotic art. And in the masterful title story, the Greek god Apollo confronts his personal history and bewails his Homeric reputation as he tries to memorialize, and make sense of, generations of war. A joy and a provocation, Bucak’s stories confront the nature of historical memory with humor and humanity. Surreal and poignant, they examine the tension between myth and history, cultural categories and personal identity, performance and authenticity.
Author : Paweł Machcewicz Publisher : Walter de Gruyter GmbH & Co KG Page : 219 pages File Size : 44,6 Mb Release : 2019-10-08 Category : History ISBN : 9783110655032
The story of the Museum of the Second World War in Gdańsk epitomizes one of the most important and dramatic clashes in the European culture of memory and public history in last decades. The museum became the arch-enemy for the nationalist right-wing as “cosmopolitan”, “pseudo-universalistic”, “pacifistic” and “not Polish enough”. Paweł Machcewicz, historian and museum`s founding director, was removed from his position by the Law and Justice government immediately after opening the museum to the public. In his book he presents this story as a part of cultural wars that tear apart not only Poland but also many countries in Europe and on other continents.
Museums and the First World War by Gaynor Kavanagh Pdf
The book is concerned with how, during four demanding, dislocating and world-changing years, that most Victorian of institutions, the museum, was forced or prompted to meet the extraordinary test of war on the home front. Museums were no more immune from the pressures of war than any other institution and the changes in museums during this period, some long term, others transitory, do much to explain the nature and character of museums in Britain today. Their history reveals and reflects the broader history of the home front, and the willing, stumbling, confused efforts to do the right thing at the right time. They were far away from the fighting, the despair and degradation of the battlefields. But they were in some measure not only close to, but part of, a society carrying both its fears and expectations for those operating in a war which disassembled all their lives. The discussion covers the progress of museums from just before the advent of war in August 1914 to the immediate post-war period, 1920, although this is set in the context of museum developments before and after this span of time. Museums are considered in relation to the tensions and prevalent conditions of this period. Further, the nature and effect of the experience of them and the public services they provide, in both the long and short term, are examined.
For the Natural History Museum - as with so many other organisations - the Great War brought unimagined change. Sixty-one members of staff serve in the military. Thirteen of them die. Routine work is suspended as, over the fouryears of the war, 14 government departments - from the Admiralty and the War Office to the Home Office and the Board of Agriculture and Fisheries - turn to the Museum for its scientific expertise and innovation.Its scientists are consulted on a huge range of issues from airship construction, how protective coloration in nature can be applied to war - we know it now as camouflage - to the roles of whales and seagulls in anti-bmarine warfare, and how to protect soldiers from the potentially deadly dangers of mosquitoes, flies and lice. The scientists' work is recorded month by month in their reports to the Museum Trustees. Through this remarkable archive, a diary of extraordinary endeavour and perseverance, Karolyn Shindler reveals how, for four years, the Natural History Museum played an unexpected and significant role in Britain's war effort.
NATIONAL BESTSELLER FINALIST for the 2021 Ottawa Book Awards A masterful telling of the way World War Two has been remembered, forgotten, and remade by Canada over seventy-five years. The Second World War shaped modern Canada. It led to the country's emergence as a middle power on the world stage; the rise of the welfare state; industrialization, urbanization, and population growth. After the war, Canada increasingly turned toward the United States in matters of trade, security, and popular culture, which then sparked a desire to strengthen Canadian nationalism from the threat of American hegemony. The Fight for History examines how Canadians framed and reframed the war experience over time. Just as the importance of the battle of Vimy Ridge to Canadians rose, fell, and rose again over a 100-year period, the meaning of Canada's Second World War followed a similar pattern. But the Second World War's relevance to Canada led to conflict between veterans and others in society--more so than in the previous war--as well as a more rapid diminishment of its significance. By the end of the 20th century, Canada's experiences in the war were largely framed as a series of disasters. Canadians seemed to want to talk only of the defeats at Hong Kong and Dieppe or the racially driven policy of the forced relocation of Japanese-Canadians. In the history books and media, there was little discussion of Canada's crucial role in the Battle of the Atlantic, the success of its armies in Italy and other parts of Europe, or the massive contribution of war materials made on the home front. No other victorious nation underwent this bizarre reframing of the war, remaking victories into defeats. The Fight for History is about the efforts to restore a more balanced portrait of Canada's contribution in the global conflict. This is the story of how Canada has talked about the war in the past, how we tried to bury it, and how it was restored. This is the history of a constellation of changing ideas, with many historical twists and turns, and a series of fascinating actors and events.
Dean Frederick Oliver,Laura Brandon,Canadian Museum of Civilization,Canadian War Museum
Author : Dean Frederick Oliver,Laura Brandon,Canadian Museum of Civilization,Canadian War Museum Publisher : Canadian Museum of Civilization/Musee Canadien Des Civilisations Page : 200 pages File Size : 42,9 Mb Release : 2000 Category : Art ISBN : NYPL:33433016229928
Canvas of War by Dean Frederick Oliver,Laura Brandon,Canadian Museum of Civilization,Canadian War Museum Pdf
During the First and Second World Wars some of Canada's finest artists were commissioned to capture history in the making. This superb book weaves 110 full-colour, seldom-seen images, works produced on the battlefield, with archival photographs and an evocative text.
Victory 1918 by Tim Cook,Jack Lawrence Granatstein Pdf
"The Hundred Days campaign (August 8 to November 11, 1918) contributed decisively to ending the First World War, and the Canadian Corps played a key role in the Allied victory. One hundred years after the end of the war, Tim Cook and Jack Granatstein delve into this series of battles in a visual and evocative souvenir catalogue that weaves artworks, artifacts and historical photos together with the powerful stories of Canadians who participated in this costly combat."--
Author : Stephan Jaeger Publisher : Walter de Gruyter GmbH & Co KG Page : 368 pages File Size : 49,9 Mb Release : 2020-02-24 Category : History ISBN : 9783110664416
The Second World War in the Twenty-First-Century Museum by Stephan Jaeger Pdf
The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
Canadian Museum of Civilization,Frank Corcoran,Victor Rabinovitch
Author : Canadian Museum of Civilization,Frank Corcoran,Victor Rabinovitch Publisher : Canadian Museum of History Page : 0 pages File Size : 50,7 Mb Release : 2011 Category : Antiques ISBN : 0660199157
Treasures from the Canadian Museum of Civilization and the Canadian War Museum by Canadian Museum of Civilization,Frank Corcoran,Victor Rabinovitch Pdf
The "ancestors" of the Museum of Civilization and the War Museum began collecting precious objects more than 150 years ago. Now, with some 4,000,000 artifacts and specimens to choose from it is not surprising that the several hundred selected for this book will resonate with many readers. These great objects are a window on our world: the last Red Ensign that flew over Parliament Hill while a fiery debate raged below; the revolver found in the pocket of a man later hanged for the assassination of one of the Fathers of Confederation; a gift that Charles De Gaulle never got; or medals and memorabilia from Canada's military heroes in various theatres of war. Among the artifacts featured are outstanding examples of ethnographic regalia, archaeological specimens, as well as objects fashioned from gold, silver, bronze and ivory that would be standouts in any national collection. All of these come from Canada's largest and most popular museum. The artifacts are beautifully photographed and vividly explained in brief articles. The life work of these two great museums are also described in the introductory narrative.
Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.
