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The Death of the Novel and Other Stories by Ronald Sukenick Pdf
Originally published in 1969, The Death of the Novel and Other Stories remains among the most memorable creations of an unforgettable age. Irrepressibly experimental in both content and form, these anti-fictions set out to rescue experience from its containment within artistic convention and bourgeois morality. Equal parts high modernist aesthete and borscht belt comedian, Sukenick joins avant-garde art with street slang and cartoons, expressing his generation's anxieties by simultaneously mocking and validating them. These are original works by a writer who will try absolutely anything.
"A chilling exploration of how little we sometimes know about the people we love" (Allison Leotta) this riveting suspense novel will keep you guessing to the very end. At twenty-nine, Toni Matthews is on the cusp of having it all—a successful career as one of the top real estate agents in Nashville, great friends, and the partner and family she’d always longed for in her fiancé, architect Scott Chadwick. But just days before their planned nuptials, Scott plummets to his death at one of his construction sites and Toni is forced to bury her fiancé on their wedding day. Now living all alone in their new, custom-made dream house, dealing with her loss becomes even harder when the police rule his death a suicide. Yet Toni refuses to believe that it could be anything other than a tragic accident. When she learns that Scott’s estranged brother, Brian, is contesting the will, threatening to take away her home, Toni starts to suspect that it may not have been a mere accident but something more sinister. Without the cooperation of the police, and in spite of her friends’ growing concern that she’s in denial and not dealing with her grief, Toni begins investigating on her own. As she crisscrosses Nashville on a mission to prove to herself and the world that Scott wouldn’t try to escape this life, Toni can’t shake the sinking feeling that something is off, that she’s being followed—and that her search for truth may have deadly consequences.
One evening, spying on his Hollywood Hills neighbours through his $4,000 electronic telescope, Bobby witnesses a beautiful woman making love to a handsome Latin actor called Ramon. As their pillow talk turns ugly, Bobby watches in horror as the woman appears to bludgeon her lover to death with his own acting trophy. Instead of rushing to the cops, Bobby decides to find out more about the events that led up to the crime, and to use the material for his next movie screenplay. However, when he sneaks into the actor's apartment, the discovery he makes changes his life forever. Empowered by his secret knowledge, Bobby is able to seduce the beautiful woman, while forging a unique friendship with Detective Dennis Farentino, the cop in charge of the investigation. Before long Bobby has dragged the detective, his wife, his lover, and his agent into a Hollywood fun-house hall of mirrors, where only the most manipulative player will survive.
The Mau Mau terrorist uprising is now over, but when Victoria joins her family on their beautiful Rift Valley estate, the horrors continue. What began as the malicious persecution of a poltergeist has ended in brutal murder. In the small community passions run deep - but deeper still is the mind of a ruthless killer ...
"Winter Santiaga hit time served. Still stunning, still pretty, still bold, still loves her father more than any man in the world, still got her hustle and high fashion flow. She's eager to pay back her enemies, rebuild her father's empire, reset his crown, and ultimately to snatch Midnight back into her life no matter which bitch had him while she was locked up. But Winter is not the only one with revenge on her mind. Simone, Winter's young business partner and friend, is locked and loaded and Winter is her target. Will she blow Winter's head off? Can Winter dodge the bullets? Or will at least one bullet blast Winter into another world? Either way Winter is fearless. Hell is the same as any hood and certainly the Brooklyn hood she grew up in. That's what Winter thinks."--Provided by publisher.
A potent, powerful and timely thriller about migrants, drug lords and gang warfare set on the US/Mexican border by PRINTZ MEDAL winning and CARNEGIE MEDAL, COSTA BOOK AWARD and GUARDIAN CHILDREN'S FICTION PRIZE shortlisted novelist, Marcus Sedgwick. Anapra is one of the poorest neighbourhoods in the Mexican city of Juarez - twenty metres outside town lies a fence, and beyond it, America - the dangerous goal of many a migrant. Faustino is one such trying to escape from the gang he's been working for. He's dipped into a pile of dollars he was supposed to be hiding and now he's on the run. He and his friend, Arturo, have only 36 hours to replace the missing money, or they're as good as dead. Watching over them is Saint Death. Saint Death (or Santissima Muerte) - she of pure bone and charcoal-black eye, she of absolute loyalty and neutral morality, holy patron to rich and poor, to prostitute and narco-lord, criminal and police-chief. A folk saint, a rebel angel, a sinister guardian.
Death in Literature by Outi Hakola,Sari Kivistö Pdf
Death is an inevitable, yet mysterious event. Fiction is one way to imagine and gain knowledge of death. Death is very useful to literature, as it creates plot twists, suspense, mysteries, and emotional effects in narrations. But more importantly, stories about death seem to have an existential importance to our lives. Stories provide fictional encounters with death and give meaning for both death and life. Thus, death is more than a physical or psychological experience in literature; it also highlights existential questions concerning humanity and storytelling. This volume, entitled Death in Literature, approaches death by examining the narratives and spectacles of death, dying and mortality in different literary genres. The articles consider literary representations of death from ancient Rome to the Netherlands today, and explore ways of dealing with death and dying. The discussions also transcend the boundaries of literature by studying literary representations of such socially relevant and death-related issues as euthanasia and suicide. The articles offer a broad perspective on death’s role in literature as well as literature’s role in the social and cultural debates about death.
From Publishers Weekly Boyle's memorable novel, first published in 1936 and long out of print, and set in the Austrian town of Feldbruck from February to July of 1934, is at once a love story and a chilling political drama. Romance blooms between Prochaska, the resident doctor at the town hospital's ward for infectious diseases, and Pendennis, a young, married American tourist. The attraction between the two is immediate and potent, but as their involvement deepens, Pendennis becomes aware of Prochaska's work for the Nazi party, which many Feldbruck citizens cling to in the hope that it will rescue Austria from economic depression. The lovers' clash is as emphatic as their affinity; as spring wears on, Pendennis's antipathy grows, until she declares to Prochaska that "you take your orders, you swallow it all down along with your pride and your sense or whathaveyou One day they're going to put a pretty little uniform on you . . . and say, 'Now you run along to war, dear, ' and won't that be a lot of fun?" The collapse of the affair seems as inevitable as the tragic, impending war. The novel is reprinted here with an introduction in which Burton Hatlen of the University of Maine elucidates why Boyle's sympathetic view of Prochaska does not signify support of fascism, and with a brief, illuminating afterword by Boyle.
Named a Most Anticipated Book of 2020 by: The Washington Post, Vogue, Marie Claire, Entertainment Weekly, The Millions, New York Magazine, Paste Magazine, LitHub, E! News Online, and many more From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds an ominous note on a walk in the woods. While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.
In the sequel to Death Wish, Paul Benjamin continues his vigilante killing spree Paul Benjamin was an ordinary New Yorker until a gang of drug addicts killed his wife and raped his daughter. When the police proved helpless, Benjamin bought a gun and found his own vengeance, methodically tracking the addicts and killing them one by one. Now he is in Chicago, and the cycle of violence is about to begin anew. On his first night in the city, he stumbles out of a bar in a bad part of town, pretending to be drunk. When two thugs set upon him, they find their quarry sober and armed. He kills them both, escaping before the police arrive. They will not be the last of Chicago’s criminal class to suffer his wrath. Written by Garfield as “penance” for the success of the grisly film adaptation of Death Wish, this sequel shows that when a decent man relies on violence to settle scores, murder becomes addictive.
Merce Rodoreda depicts the story of the bizarre and destructive customs of a nameless town-burying the dead in trees after filling their mouths with cement to prevent their soul from escaping, or sending a man to swim in the river that courses underneath the town to discover if they will be washed away by a flood-through the eyes of a fourteen-year-old boy who must come to terms with the rhyme and reason of this ritual violence, and with his wild, child-like, and teenaged stepmother, who becomes his playmate.
"Splendid" —New York Times "Mind-bending." —Wall Street Journal "Brilliantly original. The best new novel I've read this year." —Salman Rushdie A daring, kaleidoscopic novel about the clash of empires and ideas, told through a tennis match in the sixteenth century between the radical Italian artist Caravaggio and the Spanish poet Francisco de Quevedo, played with a ball made from the hair of the beheaded Anne Boleyn. The poet and the artist battle it out in Rome before a crowd that includes Galileo, a Mary Magdalene, and a generation of popes who would throw the world into flames. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her crafty executioner transforms her legendary locks into those most-sought-after tennis balls. Across the ocean in Mexico, the last Aztec emperors play their own games, as the conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the course of history. In a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that it’s a manual instead of a parody. And in today’s New York City, a man searches for answers to impossible questions, for a book that is both an archive and an oracle. Álvaro Enrigue’s mind-bending story features assassinations and executions, hallucinogenic mushrooms, bawdy criminals, carnal liaisons and papal schemes, artistic and religious revolutions, love and war. A blazingly original voice and a postmodern visionary, Enrigue tells the grand adventure of the dawn of the modern era, breaking down traditions and upending expectations, in this bold, powerful gut-punch of a novel. Game, set, match. “Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness.” —Lauren Groff, New York Times-bestselling author of Fates and Furies "Engrossing... rich with Latin and European history." —The New Yorker "[A] bawdy, often profane, sprawling, ambitious book that is as engaging as it is challenging.” —Vogue
A spellbinding literary thriller about terror, war, greed, and the darkest secrets of the human soul, by the author of the million-copy bestseller The Interpretation of Murder. Under a clear blue September sky, America's financial center in lower Manhattan became the site of the largest, deadliest terrorist attack in the nation's history. It was September 16, 1920. Four hundred people were killed or injured. The country was appalled by the magnitude and savagery of the incomprehensible attack, which remains unsolved to this day. The bomb that devastated Wall Street in 1920 explodes in the opening pages of The Death Instinct, Jed Rubenfeld's provocative and mesmerizing new novel. War veteran Dr. Stratham Younger and his friend Captain James Littlemore of the New York Police Department are caught on Wall Street on the fateful day of the blast. With them is the beautiful Colette Rousseau, a French radiochemist whom Younger meets while fighting in the world war. A series of inexplicable attacks on Rousseau, a secret buried in her past, and a mysterious trail of evidence lead Young, Littlemore, and Rousseau on a thrilling international and psychological journey-from Paris to Prague, from the Vienna home of Dr. Sigmund Freud to the corridors of power in Washington, D.C., and ultimately to the hidden depths of our most savage instincts. As the seemingly disjointed pieces of what Younger and Littlemore learn come together, the two uncover the shocking truth behind the bombing. Blending fact and fiction in a brilliantly convincing narrative, Jed Rubenfeld has forged a gripping historical mystery about a tragedy that holds eerie parallels to our own time. Watch a video
Author : Benjamin Black Publisher : Henry Holt and Company Page : 320 pages File Size : 48,7 Mb Release : 2011-07-05 Category : Fiction ISBN : 1429972912
One of The Chicago Tribune's Best Reads of 2011 One of Dublin's most powerful men meets a violent end— and an acknowledged master of crime fiction delivers his most gripping novel yet On a sweltering summer afternoon, newspaper tycoon Richard Jewell—known to his many enemies as Diamond Dick—is discovered with his head blown off by a shotgun blast. But is it suicide or murder? For help with the investigation, Detective Inspector Hackett calls in his old friend Quirke, who has unusual access to Dublin's elite. Jewell's coolly elegant French wife, Françoise, seems less than shocked by her husband's death. But Dannie, Jewell's high-strung sister, is devastated, and Quirke is surprised to learn that in her grief she has turned to an unexpected friend: David Sinclair, Quirke's ambitious assistant in the pathology lab at the Hospital of the Holy Family. Further, Sinclair has been seeing Quirke's fractious daughter Phoebe, and an unlikely romance is blossoming between the two. As a record heat wave envelops the city and the secret deals underpinning Diamond Dick's empire begin to be revealed, Quirke and Hackett find themselves caught up in a dark web of intrigue and violence that threatens to end in disaster. Tightly plotted and gorgeously written, A Death in Summer proves to the brilliant but sometimes reckless Quirke that in a city where old money and the right bloodlines rule, he is by no means safe from mortal danger.
Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.