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In the sequel to Death Wish, Paul Benjamin continues his vigilante killing spree Paul Benjamin was an ordinary New Yorker until a gang of drug addicts killed his wife and raped his daughter. When the police proved helpless, Benjamin bought a gun and found his own vengeance, methodically tracking the addicts and killing them one by one. Now he is in Chicago, and the cycle of violence is about to begin anew. On his first night in the city, he stumbles out of a bar in a bad part of town, pretending to be drunk. When two thugs set upon him, they find their quarry sober and armed. He kills them both, escaping before the police arrive. They will not be the last of Chicago’s criminal class to suffer his wrath. Written by Garfield as “penance” for the success of the grisly film adaptation of Death Wish, this sequel shows that when a decent man relies on violence to settle scores, murder becomes addictive.
In this “true story that reads like a novel,” the #1 New York Times–bestselling author reveals the facts behind a notorious Southern murder case (Library Journal). When North Carolina farmer Stuart Taylor died after a sudden illness, his forty-six-year-old fiancée, Velma Barfield, was overcome with grief. Taylor’s family grieved with her—until the autopsy revealed traces of arsenic poisoning. Turned over to the authorities by her own son, Velma stunned her family with more revelations. This wasn’t the first time she had committed cold-blooded murder, and she would eventually be tried by the “world’s deadliest prosecutor” and sentenced to death. This book probes Velma’s stark descent into madness, her prescription drug addiction, and her effort to turn her life around through Christianity. From her harrowing childhood to the crimes that incited a national debate over the death penalty, to the final moments of her execution, Velma Barfield’s life of crime and punishment, revenge and redemption, this is crime reporting at its most gripping and profound. “A painfully intimate, moving story about the life and death of the only woman executed in the U.S. between 1962–1998 . . . With graceful writing and thorough reporting, it makes the reader look hard at something dark and sad in the human soul . . . Breathes new life into the true crime genre.” —The News & Observer “Undertakes to answer the questions about the justice system and the motives that drive women to kill.” —The Washington Post Book World “An extraordinary piece of writing . . . The most chilling description of a legal execution that we are ever likely to get.” —Citizen-Times “Taut and engrossing on the nature of justice and the death penalty as well as on guilt and responsibility.” —Booklist
The true account of the man who murdered his family in their New Jersey mansion—and eluded a nationwide manhunt for eighteen years. Until 1971, life was good for mild-mannered accountant John List. He was vice president of a Jersey City bank and had moved his mother, wife, and three teenage children into a nineteen-room home in Westfield, New Jersey. But all that changed when he lost his job. Raised by his Lutheran father to believe success meant being a good provider, List saw himself as an utter failure. Straining under financial burdens, the stress of hiding his unemployment, as well as the fear that the free-spirited 1970s would corrupt the souls of his children, List came to a shattering conclusion. “It was my belief that if you kill yourself, you won’t go to heaven,” List told Connie Chung in a television interview. “So eventually I got to the point where I felt that I could kill them. Hopefully they would go to heaven, and then maybe I would have a chance to later confess my sins to God and get forgiveness.” List methodically shot his entire family in their home, managing to conceal the deaths for weeks with a carefully orchestrated plan of deception. Then he vanished and started over as Robert P. Clark. Chronicling List’s life before and after the grisly crime, Death Sentence exposes the truth about the accountant-turned-killer, including his revealing letter to his pastor, his years as a fugitive with a new name—and a new wife—his eventual arrest, and the details of his high-profile trial. Revised and updated, this ebook also includes photos.
Part diatribe, part cool reflection on the state of Australia's public language, Don Watson's Death Sentenceis scathing, funny and brilliant. ' ... in public life the language has never been held in less regard. It withers in the dungeons of the technocratic mind. It is butchered by the media. In politics it lacks all qualifications for the main game.' Almost sixty years ago, George Orwell described the decay of language and why this threatened democratic society. But compared to what we now endure, the public language of Orwell's day brimmed with life and truth. Today's corporations, government departments, news media, and, perhaps most dangerously, politicians - speak to each other and to us in cliched, impenetrable, lifeless sludge. Don Watson can bear it no longer. In Death Sentence, part diatribe, part cool reflection on the state of Australia's public language, he takes a blowtorch to the words - and their users - who kill joy, imagination and clarity. Scathing, funny and brilliant, Death Sentenceis a small book of profound weight - and timeliness.
Why does the United States, alone among Western democracies, still have the death penalty? It's not a new question, but David Garland provides fresh answers from a multilayered analysis...The title hints at the most provocative part of Garland's answer. In American history, the "peculiar institution" is slavery. Anyone who thinks its vestiges were wiped out by the Emancipation Proclamation or civil rights laws should read this book and think again.
The Case for the Corporate Death Penalty by Mary Kreiner Ramirez,Steven A. Ramirez Pdf
A critical examination of the wrongdoing underlying the 2008 financial crisis An unprecedented breakdown in the rule of law occurred in the United States after the 2008 financial collapse. Bank of America, JPMorgan, Citigroup, Goldman Sachs, and other large banks settled securities fraud claims with the Securities and Exchange Commission for failing to disclose the risks of subprime mortgages they sold to the investing public. But a corporation cannot commit fraud except through human beings working at and managing the firm. Rather than breaking up these powerful megabanks, essentially imposing a corporate death penalty, the government simply accepted fines that essentially punished innocent shareholders instead of senior leaders at the megabanks. It allowed the real wrongdoers to walk away from criminal responsibility. In The Case for the Corporate Death Penalty, Mary Kreiner Ramirez and Steven A. Ramirez examine the best available evidence about the wrongdoing underlying the financial crisis. They reveal that the government failed to use its most powerful law enforcement tools despite overwhelming proof of wide-ranging and large-scale fraud on Wall Street before, during, and after the crisis. The pattern of criminal indulgences exposes the onset of a new degree of crony capitalism in which the most economically and political powerful can commit financial crimes of vast scale with criminal and regulatory immunity. A new economic royalty has seized the commanding heights of our economy through their control of trillions in corporate and individual wealth and their ability to dispense patronage. The Case for the Corporate Death Penalty shows that this new lawlessness poses a profound threat that urgently demands political action and proposes attainable measures to restore the rule of law in the financial sector.
From one of Australia's best-known writers and public intellectuals comes a funny and profound polemic about the sorry state of public language and what can--and must--be done about it.
Alex's second attempt to break out of Furnace Penetentiary has failed. This time his punishment will be much worse than before. Because in the hidden, bloodstained laboratories beneath the prison, he will be made into a monster. As the warden pumps something evil into his veins--a sinisterly dark nectar--Alex becomes what he most fears . . . a superhuman minion of Furnace. How can he escape when the darkness is inside him? How can he lead the way to freedom if he is lost to himself?
The Death Penalty, Volume II by Jacques Derrida Pdf
"In this newest installment in Chicagos series of Jacques Derridas seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established - and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and postWorld War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an 'anesthesial logic, ' which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history - especially in the United States, one of the last Christian-inspired democracies to resist abolition - The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derridas esteemed body of work"--Unedited summary from book jacket.
The story of The Hundreds and the precepts that made it an iconic streetwear brand by Bobby Hundreds himself Streetwear occupies that rarefied space where genuine "cool" coexists with big business; where a star designer might work concurrently with Nike, a tattoo artist, Louis Vuitton, and a skateboard company. It’s the ubiquitous style of dress comprising hoodies, sneakers, and T-shirts. In the beginning, a few brands defined this style; fewer still survived as streetwear went mainstream. They are the OGs, the “heritage brands.” The Hundreds is one of those persevering companies, and Bobby Hundreds is at the center of it all. The creative force behind the brand, Bobby Kim, a.k.a. Bobby Hundreds, has emerged as a prominent face and voice in streetwear. In telling the story of his formative years, he reminds us that The Hundreds was started by outsiders; and this is truly the story of streetwear culture. In This Is Not a T-Shirt, Bobby Hundreds cements his spot as a champion of an industry he helped create and tells the story of The Hundreds—with anecdotes ranging from his Southern California, punk-DIY-tinged youth to the brand’s explosive success. Both an inspiring memoir and an expert assessment of the history and future of streetwear, this is the tale of Bobby’s commitment to his creative vision and to building a real community.
What does the most infamous criminal proceeding in history--the trial of Jesus of Nazareth--have to tell us about capital punishment in the United States? Jesus Christ was a prisoner on death row. If that statement surprises you, consider this fact: of all the roles that Jesus played--preacher, teacher, healer, mentor, friend--none features as prominently in the gospels as this one, a criminal indicted and convicted of a capital offense. Now consider another fact: the arrest, trial, and execution of Jesus bear remarkable similarities to the American criminal justice system, especially in capital cases. From the use of paid informants to the conflicting testimony of witnesses to the denial of clemency, the elements in the story of Jesus' trial mirror the most common components in capital cases today. Finally, consider a question: How might we see capital punishment in this country differently if we realized that the system used to condemn the Son of God to death so closely resembles the system we use in capital cases today? Should the experience of Jesus' trial, conviction, and execution give us pause as we take similar steps to place individuals on death row today? These are the questions posed by this surprising, challenging, and enlightening book
NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America “If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review WINNER OF THE J. ANTHONY LUKAS AWARD In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural fabric, and a dark history of lynching was masked by gauzy visions of a tough-on-crime frontier. When executions resumed, Texas quickly became the nationwide leader in carrying out the punishment. Then, amid a larger wave of criminal justice reform, came the death penalty’s decline, a trend so durable that even in Texas the punishment appears again close to extinction. In Let the Lord Sort Them, Maurice Chammah charts the rise and fall of capital punishment through the eyes of those it touched. We meet Elsa Alcala, the orphaned daughter of a Mexican American family who found her calling as a prosecutor in the nation’s death penalty capital, before becoming a judge on the state’s highest court. We meet Danalynn Recer, a lawyer who became obsessively devoted to unearthing the life stories of men who committed terrible crimes, and fought for mercy in courtrooms across the state. We meet death row prisoners—many of them once-famous figures like Henry Lee Lucas, Gary Graham, and Karla Faye Tucker—along with their families and the families of their victims. And we meet the executioners, who struggle openly with what society has asked them to do. In tracing these interconnected lives against the rise of mass incarceration in Texas and the country as a whole, Chammah explores what the persistence of the death penalty tells us about forgiveness and retribution, fairness and justice, history and myth. Written with intimacy and grace, Let the Lord Sort Them is the definitive portrait of a particularly American institution.
The Death Penalty as Torture by John D. Bessler Pdf
The Death Penalty as Torture: From the Dark Ages to Abolition was named a Bronze Medalist in the World History category of the Independent Publisher Book Awards and a finalist in the Eric Hoffer Book Awards (2018). During the Dark Ages and the Renaissance, Europe's monarchs often resorted to torture and executions. The pain inflicted by instruments of torture--from the thumbscrew and the rack to the Inquisition's tools of torment--was eclipsed only by horrific methods of execution, from breaking on the wheel and crucifixion to drawing and quartering and burning at the stake. The English "Bloody Code" made more than 200 crimes punishable by death, and judicial torture--expressly authorized by law and used to extract confessions--permeated continental European legal systems. Judges regularly imposed death sentences and other harsh corporal punishments, from the stocks and the pillory, to branding and ear cropping, to lashes at public whipping posts. In the Enlightenment, jurists and writers questioned the efficacy of torture and capital punishment. In 1764, the Italian philosopher Cesare Beccaria--the father of the world's anti-death penalty movement--condemned both practices. And Montesquieu, like Beccaria and others, concluded that any punishment that goes beyond absolute necessity is tyrannical. Traditionally, torture and executions have been viewed in separate legal silos, with countries renouncing acts of torture while simultaneously using capital punishment. The UN Convention Against Torture strictly prohibits physical or psychological torture; not even war or threat of war can be invoked to justify it. But under the guise of "lawful sanctions," some countries continue to carry out executions even though they bear the indicia of torture. In The Death Penalty as Torture, Prof. John Bessler argues that death sentences and executions are medieval relics. In a world in which "mock" or simulated executions, as well as a host of other non-lethal acts, are already considered to be torturous, he contends that death sentences and executions should be classified under the rubric of torture. Unlike in the Middle Ages, penitentiaries--one of the products of the Enlightenment--now exist throughout the globe to house violent offenders. With the rise of life without parole sentences, and with more than four of five nations no longer using executions, The Death Penalty as Torture calls for the recognition of a peremptory, international law norm against the death penalty's use.
Given incredible superpowers Ð and six months to live Ð by the sexually-transmitted G+ Virus, three Londoners kick back against the spectre of death with everything theyÕve got. Washed-up indie guitarist Weasel tries to make amends for a life thatÕs totally f****d Ð but changing the direction of a lifetime can be murder! Comedian and media personality Monty tests the limits of his new powers of persuasion with horrifying resultsÉ and, after her explosive activation, Verity is on the run from the government Ð but can her nascent abilities keep her one step ahead of a crack team of GCHQ operatives?
Fiction. Translated from the French by Lydia Davis. This long awaited reprint of a book about which John Hollander wrote: "A masterful version of one of the most remarkable novels in any language since World War II," is the story of the narrator's relations with two women, one terminally ill, the other found motionless by him in a darkened room after a bomb explosion has separated them. "Through more than 40 years, the French writer Maurice Blanchot has produced an astonishing body of fiction and criticism," writes Gilbert Sorrentino in the New York Review of Books, and John Updike in The New Yorker: "Blanchot's prose gives an impression, like Henry James, of carrying meanings so fragile they might crumble in transit."