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Author : G. S. Hegde
Publisher : Unknown
Page : 128 pages
File Size : 48,9 Mb
Release : 2003
Category : Sanskrit drama
ISBN : UOM:39015061602093
Papers presented at various seminars held during the past ten years.
Author : Radhavallabh Tripathi,George Cardona,Hans Henrich Hock
Publisher : Unknown
Page : 176 pages
File Size : 43,7 Mb
Release : 2013
Category : Philosophy, Indic
ISBN : MINN:31951D03765675A
Papers presented at the Vyākaraṇa Section of the 15th World Sanskrit Conference.
Author : Śivarāma Kāranta
Publisher : Abhinav Publications
Page : 256 pages
File Size : 50,7 Mb
Release : 1997
Category : Art
ISBN : 9788170173571
No country in the world is blessed with a greater variety of forms in music, dance and theatre than ours. One of the theatre forms generally described as folk but possessing a strong classical connection is the Yakshagana. Although the name signifies the music of celestial beings, Yakshagana is an amalgam of the sky with the earth. There is both mystery and robustness about this form in which singing and drumming merge with dancing, and words with gestural interpretation, and players clad m costumes of striking colour and contours. It is the cherished cultural possession of the coastal districts of Karnataka. Dr. K.S. Karanth is the foremost living authority on Yakshagana and has been working on all its aspects, namely—dance, music, and literature, since 1930. He has led the way to a deep and systematic study of this art form. He has spent decades travelling to remote villages within Karnataka to inspect and study every Yakshagana manuscript, the earliest going back to A.D. 1651. With his fine literary judgement and aesthetic sensibility, he has traced the changing trends in the performance of Yakshagana. He has interacted with hundreds of Yakshagana artistes to find out what customs in training and interpretation had prevailed earlier and had fallen into disuse and deserved to be resuscitated. He has put together his findings in the shape of two standard books YakshaganaBayalata (1958) in Kannada, and Yakshagana in Kannada and English (1975). The present volume is a revised edition of the earlier book, with additional material and illustrations. It is hoped that the book will provide valuable insights into one of the most attractive and dynamic art forms of our land, as well as into a penetrative mind.
Author : Biswanath Bhattacharya
Publisher : Unknown
Page : 464 pages
File Size : 40,8 Mb
Release : 1994
Category : Sanskrit drama
ISBN : IND:30000048046225
Sanskrit Poetry is traditionally divided into two types, viz. that which is capable of being presented on board and that which is capable of being read out and heard. The first type springs from the role played by visual effect in appreciation of a specimen of Poetic Art and is called Drama . Sanskrit Dramaturgy is required to analyse in details the plot and its divisions in a drama and the different stages in its development. It is also required to analyse the different techniques of acting, that are to be employed for presentation of different types of plays, projecting diverse pre-dominant emotional moods.Sanskrit Dramaturgy has been considered as an essential component of Sanskrit Poetics, because, while Sanskrit Poetics in general has tried to emphasise the process of Aesthetic Experience presented through the medium of Poetry in general, Sanskrit Dramaturgy has attempted to expound the process when presented through the medium of Drama, where apart from the music of sound and sense, the visual effect makes itself felt to a great extent. Though much been said of Sanskrit Poetics through the medium of English and the concepts projected by Sanskrit Poetics have been made known to the Western world through the efforts of P.V. Kane, S.K. De, V. Raghavan, and such other stalwarts, the area of Sanskrit 'Dramaturgy has remained in the cool shade of neglect for a pretty long time and sufficient number of serious attempts have not been made to project these concepts and to trace the similarity and distinction between the concepts presented by Indian Dramaturgy and those by Western Dramaturgy, available in the works of Aristotle and Butcher. The author has chosen a comprehensive analysis of Sanskrit Dramaturgy as the subject matter of the present work and has presented all the concept tackled by numerous writers on Indian Dramaturgy. His deep penetration into all the original texts dealing with Indian Dramaturgy and Western Dramaturgy has helped him in making this comparative analysis as clear as possible.
Author : Martha Bush Ashton
Publisher : Abhinav Publications
Page : 188 pages
File Size : 48,5 Mb
Release : 1976
Category : Electronic
ISBN : 9788170170471
Folk Culture, The Perennial Substratum Of The Sophisticated Metropolitan Culture, Takes Many Lively And Colourful Forms. This Is Particularly True In India. This Book Is A Study Of One Such Expression Of The Folk Culture Obtained In South Kanara, India. It Is Not One Of Those Dry Academic Studies Usually Made By Foreign Scholars. For The Authors, The Book Has Been A Passionate Involvement In A Traditional Art Form Yakshagana. The American Authors Have Put Down Their Experience With The Hope That The Reader Will Enjoy An Imaginary Trip To South Kanara, A Walk Through The Fields And A Thrilling Night Of Yakshagana. In A Lively Style, This Book Brings Home To The Readers Almost Everything About This Particular Form Of Dance-Drama, The Music, Dance Costumes And Make-Up And Impromptu Dialogue As Well As Its Literature On Which The Dramatic Themes Are Based, The Rituals Performed Before, During, And After The Drama, The Organization Of A Troupe, The Existing Troupes, And The Training Of The Performers. With Nineteen Four-Colour Reproductions, Twenty-Tree Black-And-White Illustrations And Eighteen Line Drawings, Yakshagana Has Something To Offer To Each Of Its Readers. For Those Trained In Music There Is The Style Of Singing And Rhythms Peculiar To Yakshagana. And Those Who Are Learned In Poetry, Religious Epics And Legends Can Revel In The Beauty Of The Poetry, And Those Who Have A Sense Of Colour And Design Can Be Enchanted By The Costumes And Make-Up. The Readers Will Vicariously Experience The Intricate Steps Of The Dance, Not To Be Seen In Any Other Indian Dance Forms, Yet They Are Characteristically Indian. Yakshagana, As Experienced By The Authors, Reveals The Deeper Meanings Of The Indian Epics And Legends Through The Extempore Dialogue Of The Performers. Their Descriptions Of The Risqué Humour Of The Buffoon And His Comic Movements Come Alive Before The Readers. Here Is A Point Of Departure For More Study In New Directions, Valuable To The Students Of Arts And Folk Culture, And Yet Tempting The General Readers With Its Rich Fare Of Aesthetic And Intellectual Experiences. Yakshagana Is Tempting To The Booklover In Many Other Ways: The Subject Of The Book Has Been Presented And Decorated By One Of The Famous Indian Artists K.K. Hebbar, And Introduced By C. Sivaramamurti, A Noted Historian And Archaeologist Whose Deep Knowledge In Inconography Has Made Rich Contributions To The Study And Understanding Of The Ancient And Medieval Visual Arts In This Country.
Author : Harshita Mruthinti Kamath
Publisher : University of California Press
Page : 244 pages
File Size : 40,9 Mb
Release : 2019-06-27
Category : Social Science
ISBN : 9780520301665
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
Author : Dhanañjaya
Publisher : Unknown
Page : 294 pages
File Size : 50,7 Mb
Release : 1865
Category : Sanskrit drama
ISBN : ONB:+Z255372004
Author : Martha Bush Ashton-Sikora,Robert Peter Sikora,A. Purushothaman,A. Harindranath
Publisher : Unknown
Page : 0 pages
File Size : 45,5 Mb
Release : 2016
Category : Folk drama, Malayalam
ISBN : 8124608369
Author : Sir Monier Monier-Williams
Publisher : Unknown
Page : 608 pages
File Size : 51,6 Mb
Release : 1885
Category : Brahmanism
ISBN : OXFORD:N12641428
Author : Sureśa Avasthī
Publisher : Unknown
Page : 164 pages
File Size : 43,6 Mb
Release : 2001
Category : Arts, Indic
ISBN : UCBK:C073343565
This book gives a comprehensive account of various art forms as practiced I different corners of india almost as a way of life.Written in a lucid style, different aspects of the rich performance tradition of the country with its own typical myths, customs, traditions and folk life get unraveled before us in these pages.
Author : H. S. Shiva Prakash,H. S. Shivaprakash
Publisher : Unknown
Page : 102 pages
File Size : 40,5 Mb
Release : 2007-01-01
Category : Drama
ISBN : 8183280757
The book provides interesting insights into traditional theatres in India. Written by one of India s well-known contemporary playwrights, it introduces some forms for the first time in English. With stunning photographs, this book reflects the richness of Indian theatre traditions.
Author : Nandikesvara
Publisher : Рипол Классик
Page : 52 pages
File Size : 42,8 Mb
Release : 1970
Category : History
ISBN : 9785875380051
Author : Kapila Vatsyayan
Publisher : Unknown
Page : 245 pages
File Size : 55,7 Mb
Release : 2005-01-01
Category : Indic drama
ISBN : 8123744617
Written by one of most renowned culture historians of our times, the present fresh edition with an afterword by the author , describes and presents an analysis of forms such as Yaksagna,Bhagvatamala,Chau,Nautanki,Ramlila,Etc.
Author : Erin B. Mee
Publisher : Seagull Books Pvt Ltd
Page : 436 pages
File Size : 54,5 Mb
Release : 2008
Category : Literary Criticism
ISBN : 1905422768
After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.
Author : Radhika Chopra,Caroline Osella,Filippo Osella
Publisher : Virago Press
Page : 442 pages
File Size : 50,6 Mb
Release : 2004
Category : Social Science
ISBN : UOM:39015060785998
What Does It Mean To Be A Man In The Shifting Context Of South Asia? Masculinity Has In Recent Years Begun To Be Theorised As A Field Of Study; While Its Study In Different Cultural Areas (Islamic, American, Mediterranean) Has Been Undertaken, South Asia Remains Relatively Unexplored. This Volume Seeks To Fill The Gap And Build A Wider Body Of Ethnographic Work, As Well As Contribute To The Theoretical Literature On Gender. The Papers Are Drawn From Anthropology, History, Film Studies And Literature, And Are Aimed At South Asian Scholars As Well As A Wider Audience Of People Interested In Gender Studies.