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A Place in My Country by Ian Walthew,Magna Large Print Books Pdf
Chasing memories of the losses of his brother and father, the author, a young newspaper director, and his Australian wife visit the Cotswolds. On a whim they buy a cottage and Ian resigns. They slowly get to know Norman, their inscrutable and apparently terrifying neighbor; Geoff, the ebullient landlord of their eclectic local bar--last bastion against the encroaching gastropub; and Tom, an ex-gamekeeper, who lets Ian see something of a hidden rural culture. The delightful aspects of village life and an ever-changing landscape are evocatively captured; but it is from working with Norman on his small chaotic farm that they learn about the loss of the countryside to industrial farming and of no-longer affordable housing to the dreaded "white settlers." Shadows of the past and a seemingly segregated social world around them begin to cast doubts on whether this is the place for them. This is a gentle lesson in taking time to confront our losses, memories, and prejudices to discover a revitalized life in the country.
Chasing memories of the losses of his brother and father, the author, a young newspaper director, and his Australian wife visit the Cotswolds. On a whim they buy a cottage and Ian resigns. They slowly get to know Norman, their inscrutable and apparently terrifying neighbour; Geoff, the ebullient landlord of their eclectic local - last bastion against the encroaching gastropub - and Tom, an ex-gamekeeper, who lets Ian see something of a hidden rural culture. The delightful aspects of village life and an ever-changing landscape is evocatively captured; but it is from working with Norman on his small chaotic farm that they learn about the loss of the countryside to industrial farming and of no-longer affordable housing to the dreaded 'white settlers'. And it is shadows of the past and a seemingly segregated social world around them that begin to cast doubts on whether this is the place for them. This is a gentle lesson in taking time to confront our losses, memories and prejudices to discover a revitalised life in our own country.
A Place in the Country is W. G. Sebald’s meditation on the six artists and writers who shaped his creative mind—and the last of this great writer’s major works to be translated into English. This edition includes more than 40 pieces of art, all originally selected by W. G. Sebald. This extraordinary collection of interlinked essays about place, memory, and creativity captures the inner worlds of five authors and one painter. In his masterly and mysterious style—part critical essay, part memoir—Sebald weaves their lives and art with his own migrations and rise in the literary world. Here are people gifted with talent and courage yet in some cases cursed by fragile and unstable natures, working in countries inhospitable or even hostile to them. Jean-Jacques Rousseau is conjured on the verge of physical and mental exhaustion, hiding from his detractors on the island of St. Pierre, where two centuries later Sebald took rooms adjacent to his. Eighteenth-century author Johann Peter Hebel is remembered for his exquisite and delicate nature writing, expressing the eternal balance of both the outside world and human emotions. Writer Gottfried Keller, best known for his 1850 novel Green Henry, is praised for his prescient insights into a Germany where “the gap between self-interest and the common good was growing ever wider.” Sebald compassionately re-creates the ordeals of Eduard Mörike, the nineteenth-century German poet beset by mood swings, depression, and fainting spells in an increasingly shallow society, and Robert Walser, the institutionalized author whose nearly indecipherable scrawls seemed an attempt to “duck down below the level of language and obliterate himself” (and whose physical appearance and year of death mirrored those of Sebald’s grandfather). Finally, Sebald spies a cognizance of death’s inevitability in painter Jan Peter Tripp’s lovingly exact reproductions of life. Featuring the same kinds of suggestive and unexplained illustrations that appear in his masterworks Austerlitz and The Rings of Saturn, and translated by Sebald’s colleague Jo Catling, A Place in the Country is Sebald’s unforgettable self-portrait as seen through the experiences of others, a glimpse of his own ghosts alongside those of the men who influenced him. It is an essential addition to his stunning body of work. Praise for A Place in the Country “Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review “In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”—Slate “Magnificent . . . The multiple layers surrounding each essay are seamless to the point of imperceptibility.”—New York Daily News “Sebald’s most tender and jovial book.”—The Nation “Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”—New York
Whether your goal is food, profit or enjoyment, this book offers the 'eyes wide open' approach to creating your own beautiful, productive and sustainable rural landscape. You'll also find expert knowledge on FireWise landscape design, best practices for protecting your property and vital strategies for reducing the risk posed by bushfires. Suitable for old hands and first-timers alike, and for hobby farms of all shapes and sizes, A Place in the Country gives practical advice to help you achieve long-term peace and prosperity on the land.
Fifteen-year-old Issy and her newly single mother, Caroline Evans, are struggling to find their way alone, as well as together. At thirty-eight, with little money and all the responsibility for the two of them, Caroline is coming to terms with her new situation. When she decides to leave Singapore, home of her former well-off life (and her cheating husband), she ends up living in an English village pub, cooking dinners there to earn enough to get by, meeting unexpectedly quirky people, and making friends. But Issy still adores her father and secretly blames her mother for their change in life. Just as Caroline's dream of converting an old barn into a restaurant finally begins to take shape, her chance at happiness is threatened and hangs in the balance as whispers of murder and vengeance find their way to her. When Issy, who is hovering in that limbo between girl and young woman, begins to make some risky choices, the stakes are raised even higher. A Place in the Country is filled with emotions every woman will recognize as Caroline and Issy make their way in the world and do battle with those who would wish to see them lose their chances to gain their hearts' desires. Love and hate, blame and responsibility, deception and trust all collide in this novel that is Elizabeth Adler at her page-turning best. From The New York Times bestselling author comes an emotionally powerful novel about mothers and daughters, the secrets they share, and those they keep to themselves.
He's the man everyone's talking about. He's taken on gun freaks, stupid white men and corporate crooks. Now Michael Moore is on a new mission: to get us of our behinds and kicking out the corrupt political elites who rule our lives.
Author : Safia Elhillo Publisher : Make Me a World Page : 225 pages File Size : 41,7 Mb Release : 2022-02-22 Category : Young Adult Fiction ISBN : 9780593177082
LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.
For the Makahs, a tribal nation at the most northwestern point of the contiguous United States, a deep relationship with the sea is the locus of personal and group identity. Unlike most other indigenous tribes whose lives are tied to lands, the Makah people have long placed marine space at the center of their culture, finding in their own waters the physical and spiritual resources to support themselves. This book is the first to explore the history and identity of the Makahs from the arrival of maritime fur-traders in the eighteenth century through the intervening centuries and to the present day. Joshua L. Reid discovers that the “People of the Cape” were far more involved in shaping the maritime economy of the Pacific Northwest than has been understood. He examines Makah attitudes toward borders and boundaries, their efforts to exercise control over their waters and resources as Europeans and Americans arrived, and their embrace of modern opportunities and technology to maintain autonomy and resist assimilation. The author also addresses current environmental debates relating to the tribe's customary whaling and fishing rights and illuminates the efforts of the Makahs to regain control over marine space, preserve their marine-oriented identity, and articulate a traditional future.
A brilliant look at colonialism and its effects in Antigua--by the author of Annie John "If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the Prime Minister of Antigua. You may be the sort of tourist who would wonder why a Prime Minister would want an airport named after him--why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen . . ." So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the ten-by-twelve-mile island in the British West Indies where she grew up. Lyrical, sardonic, and forthright by turns, in a Swiftian mode, A Small Place cannot help but amplify our vision of one small place and all that it signifies.
The acclaimed national bestseller - moving, passionate, deeply felt and powerful. In July 2015, as the debate over Adam Goodes being booed at AFL games raged and got ever more heated and ugly, Stan Grant wrote a short but powerful piece for The Guardian that went viral, not only in Australia but right around the world, shared over 100,000 times on social media. His was a personal, passionate and powerful response to racism in Australia and the sorrow, shame, anger and hardship of being an indigenous man. ''We are the detritus of the brutality of the Australian frontier'', he wrote, ''We remained a reminder of what was lost, what was taken, what was destroyed to scaffold the building of this nation''s prosperity.'' Stan Grant was lucky enough to find an escape route, making his way through education to become one of our leading journalists. He also spent many years outside Australia, working in Asia, the Middle East, Europe and Africa, a time that liberated him and gave him a unique perspective on Australia. This is his very personal meditation on what it means to be Australian, what it means to be indigenous, and what racism really means in this country. Talking to My Country is that rare and special book that talks to every Australian about their country - what it is, and what it could be. It is not just about race, or about indigenous people but all of us, our shared identity. Direct, honest and forthright, Stan is talking to us all. He might not have all the answers but he wants us to keep on asking the question: how can we be better? Winner of the 2016 Walkley Book Award and the 2016 National Trust Heritage Award, and shortlisted for the 2016 NIB Waverley Library Award and the 2016 Queensland Literary Award. ''Grant will be an important voice in shaping this nation'' The Saturday paper ''It is a story so essential and salutary to this place that it should be given out free at the ballot box'' Sydney Morning Herald ''Grant is a natural storyteller - at his best when recounting his experiences and observations of Indigenous Australian life with devastating simplicity and acuity. This highly readable book ... has the potential to spark empathy and generate important discussion, and deserves to be read widely.'' Bookseller + Publisher ''...an urgent and flowing narrative in a book that should be on the required reading list in every school'' The Australian
Renowned journalist and author of the international bestseller Wordstruck, Robert MacNeil reflects on a life lived between nations, and why he finally decided to call himself an American. Growing up in Halifax during World War II, it seemed to Robert MacNeil that nothing of significance ever happened in Canada. From his mother’s obsession with all things English (even the marmalade) to his own love for American music like Rhapsody in Blue, Canada seemed too small, too parochial for his ambitions. Moving to Britain in his mid-twenties, MacNeil was suddenly exposed to a country with thousands of years of history, extraordinary theatre and culture. But it was in America that MacNeil finally found his country -- America, a land of contrasts and possibilities. A journalist for NBC and later for PBS on the MacNeil/Lehrer NewsHour, MacNeil was a witness to many of the current events that shaped the last century: the erection of the Berlin Wall, Kennedy’s election and assassination, the Cuban Missile Crisis, Watergate and finally September 11, 2001. As the well-respected and trenchant news reporter brought world issues to the American public, he discovered that his Canadian values and upbringing allowed him some valuable detachment and perspective. And when MacNeil returned to Nova Scotia after 40 years, he found his country of birth much changed -- multiculturalism and diversity had caused Canadian culture to blossom in his absence. With charm and warmth, but also with a piercing eye on the century, MacNeil looks at the meanings of patriotism, nationalism and home, and explains why he finally made the decision to become an American citizen. Excerpt from Looking for My Country I grew up in a nation trying to build a distinctive culture in an environment that constantly threatens extinction, physical from the north, and political/cultural from the south. Each fear, in its own way, reinforces the other. The inhospitality of the northern climate induces Canadians to drift southwards and the magnet of American material prosperity and opportunity reinforces that urge. Yet the fear of being swallowed, ingested by the American leviathan, makes Canadians draw back, shrinking from the smothering embrace, to find a source of national pride and identity in overcoming the natural human fear of perishing in frozen wastes. Peter Gzowski, the late, beloved CBC radio host, once ran a contest which produced this inspired response, “As Canadian as possible under the circumstances.”
The View from Flyover Country by Sarah Kendzior Pdf
NEW YORK TIMES and MIBA BESTSELLER From the St. Louis–based journalist often credited with first predicting Donald Trump’s presidential victory. "A collection of sharp-edged, humanistic pieces about the American heartland...Passionate pieces that repeatedly assail the inability of many to empathize and to humanize." — Kirkus In 2015, Sarah Kendzior collected the essays she reported for Al Jazeera and published them as The View from Flyover Country, which became an ebook bestseller and garnered praise from readers around the world. Now, The View from Flyover Country is being released in print with an updated introduction and epilogue that reflect on the ways that the Trump presidency was the certain result of the realities first captured in Kendzior’s essays. A clear-eyed account of the realities of life in America’s overlooked heartland, The View from Flyover Country is a piercing critique of the labor exploitation, race relations, gentrification, media bias, and other aspects of the post-employment economy that gave rise to a president who rules like an autocrat. The View from Flyover Country is necessary reading for anyone who believes that the only way for America to fix its problems is to first discuss them with honesty and compassion. “Please put everything aside and try to get ahold of Sarah Kendzior’s collected essays, The View from Flyover Country. I have rarely come across writing that is as urgent and beautifully expressed. What makes Kendzior’s writing so truly important is [that] it . . . documents where the problem lies, by somebody who lives there.”—The Wire “Sarah Kendzior is as harsh and tenacious a critic of the Trump administration as you’ll find. She isn’t some new kid on the political block or a controversy machine. . . .Rather she is a widely published journalist and anthropologist who has spent much of her life studying authoritarianism.” —Columbia Tribune
