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A Polish Book of Monsters contains five stories of speculative fiction edited and translated from the Polish by Michael Kandel, award-winning translator of the fiction of Stanislaw Lem. From dystopian science fiction to fabled fantasy, these dark tales grip us through the authors' ability to create utterly convincing alien worlds that nonetheless reflect our own.
Being Poland by Tamara Trojanowska,Joanna Nizynska,Przemyslaw Czaplinski Pdf
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland’s return to independence. Conceived to address the lack of critical scholarship on Poland’s cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland’s modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
Times of Mobility by Jasmina Lukić,Sibelan Forrester,Borbála Faragó Pdf
In an era of increased mobility and globalisation, a fast growing body of writing originates from authors who live in-between languages and cultures. In response to this challenge, transnational perspective offers a new approach to the growing body of cultural texts with an emphasis on experiences of migration, transculturation, bilingualism and (cultural) translation. The introductory analysis and the fifteen essays in this collection critically interrogate complex relations between transnational and translation studies, bringing to this dialogue a much needed gender perspective. Divided into three parts (From Transnational to Translational; Reading Across Borders and Transnational in Translation), they address a range of issues relevant for this debate, from theoretical problems to practical questions of literary criticism and translation, understood as an act of cultural interpretation. The volume mostly deals with contemporary literary and cultural production, but also with classical texts and modernist literature. Its particular quality is a strong (although not exclusive) focus on Central and East European literatures, and more generally on women writers. Its interdisciplinary, transnational and intercultural perspective makes it relevant across disciplinary boundaries, from literary and translation studies to gender studies, cultural studies and migration studies.
Translating the Literatures of Small European Nations by Rajendra Chitnis,Jakob Stougaard-Nielsen,Rhian Atkin,Zoran Milutinovic Pdf
The most detailed and wide-ranging comparative study to date of how European literatures written in less well known languages try, through translation, to reach the wider world, rejecting the predominant narrative of tragic marginalization with case studies of endeavour and innovation from nineteenth-century Swedish women’s writing to twenty-first-century Polish fantasy.
Polish science fiction master Marek S. Huberath’s mind-bending Nest of Worlds—his first novel to appear in English—is a metafictional adventure through a dystopian world that owes as much to Borges, Saramago, and even Thomas More as it does to Stanislaw Lem. In this world, every thirty-five years residents must move to a new “Land," and each person bears a "Significant Name" that foretells the manner of their deaths. A rare married couple in the Land of Davabel, Gavein Throzz and Ra Mahleiné each make sacrifices to stay together. As they navigate the difficult terrain, the two find themselves amidst a series of deaths linked only by their connection to Gavein himself. Struggling to solve the mystery, keep his ailing wife alive, and surviving his new notoriety as the incarnation of Death, Gavein discovers a book titled Nest of Worlds—populated by characters whose fates lie in the hands of the reader, and who, in turn, read their own versions of Nest of Worlds. Huberath’s novel is a stirring meditation on reality, love, and the darkest aspects of human nature. Reviews "I am inclined to call Nest of Worlds...a masterwork not of science fiction, but of Polish fiction. It is a book where characters live and die, and—more importantly—where we struggle with the fact that they do." —3:AM Magazine Marek S. Huberath has been a major figure in Polish science fiction for the last twenty-five years. A three-time winner of the Janusz A. Zajdel Award, Huberath is also a professor of biophysics and biological physics at Jagiellonian University in Krakow and an avid mountain climber. His novels include Nest of Worlds, Cities under the Rock, and Western Portal of the Cathedral in Lugdunum. Michael Kandel is best known for his translation of Polish science fiction writer Stanislaw Lem—including Fiasco, His Master's Voice, and The Futurological Congress. He was an editor at Harcourt, where he acquired authors Jonathan Lethem, Ursula K. Le Guin, and James Morrow. Kandel was a Fulbright student in Poland, 1966-67; received his PhD in Slavic at Indiana University; has written science fiction, short stories, and novels; and is presently an editor at the Modern Language Association.
'Disturbingly compelling' Guardian A blackly comic tale about two children you would never want to meet - from the script writer for Killing Eve Season Two and director of Promising Young Woman Set in the Cornish town of Fowey, all is not as idyllic as the beautiful seaside town might seem. The body of a young woman is discovered in the nets of a fishing boat. It is established that the woman was murdered. Most are shocked and horrified. But there is somebody who is not - a twelve-year-old girl. She is delighted; she loves murders. Soon she is questioning the inhabitants of the town in her own personal investigation. But it is a bit boring on her own. Then Miles Giffard, a similarly odd twelve-year-old boy, arrives in Fowey with his mother, and they start investigating together. Oh, and also playing games that re-enact the murders. Just for fun, you understand... A book about two twelve-year-olds that is definitely not for kids.
The Ultimate Book of Monster Trucks by Bill Holder Pdf
This book discusses the monster trucks, including their engines, the new products associated with them, the technology involved, the competition, and more.
The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews
Geralt de Riv, a witcher, uses his vast sorcerous powers to hunt down the monsters that threaten the world, but he soon discovers that not every monstrous-looking creature is evil, and not everything beautiful is good.
Is fear limiting your leadership potential? Dancing with Monsters will inspire you to overcome your fears and optimize your key relationships by leveraging humility, authenticity, and kindness. Fears and discomfort slow us down and sometimes completely derail our personal progress. As leaders at work, we can similarly be knocked off course by the conflict, personality differences, motivational issues, and performance problems within our teams. These obstacles are the monsters in our lives. In Dancing with Monsters, globally recognized leadership educator, author, and speaker Todd Dewett, PhD, offers an enthralling, fast-paced fable that examines how to embrace those monsters in order to harness you and your team’s true power. Joe is a depressed vampire at risk of losing his monster status due to poor performance. He is tasked with leading a group of misfit monsters who lack confidence. Sheets, Mum, Wolfy, and Z have not yet learned to do the one thing all monsters do: scare kids. Dancing with Monsters tells the story of their collective efforts, missteps included, toward connecting with their authentic selves. This captivating story plus Dewett’s discussion and reflection prompts add up to a must-read guide to reclaiming your better self by learning to dance with your monsters.
Build Your Own Monsters Sticker Book by Simon Tudhope Pdf
Build 18 of the biggest, baddest, most terrifying monsters from the land of Ravenhold. There are ten pages of hair-raising stickers to help you build a giant sea monster, a double-headed dragon, and many other sinister creatures. Includes a map of Ravenhold, and statistics of each monster's strength, intelligence and magic force. Using the sticker pages at the end of the book, build each monster by sticking on their missing claws, fangs and other ghoulish things. Great for fans of monsters and fantasy worlds. Young children will find this book irresistible.
Introduction: The Golem condition -- 1. The face of destruction: Paul Wegener's World War I Golem films -- 2. The Golem cult of 1921 New York: between redemption and expulsion -- 3. Our enemies, ourselves: Israel's monsters of 1948 -- 4. Supergolem: revenge after the Holocaust -- 5. Pacifist computers and Jewish cyborgs: fighting for the future