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A Priest's Guide for the Great Festival by Aghoraśivācārya Pdf
The Mahotsavavidhi of the Saiva preceptor Aghorasiva, completed in 1157 c.e., provides step-by-step guidance for a Hindu priest conducting a nine-day festival in medieval India. This annotated rendering of Aghorasiva's 12th-century work is the first extensive translation of a medieval work on Hindu temple festivals into a European language.
Beyond Courtrooms and Street Violence by Vera Lazzaretti,Kathinka Frøystad Pdf
Much of the scholarship dealing with religious offence in South Asia focuses on the unintended effects of blasphemy laws, showing, for instance, that laws presumably intended to promote religious tolerance end up informing, if not encouraging, disputes around religious sensitivities. But while debates about the effects of law are crucial, this collection widens the scope of the enquiry by suggesting that a more nuanced understanding of religious offence can be gained by looking past full-blown legal proceedings and the spectacular violence performed in the streets during religious offence controversies. Drawing on the extensive empirical field research of six scholars of religion and politics, this book directs attention to frictions around religious sensitivities that are handled and often mitigated locally—either entirely outside the courts or through bottom-up initiatives that unfold in combination with, or as a reaction to, top-down measures. While documenting a range of containment modalities in diverse geographical and socio-religious settings in India and scrutinising their functioning and outcomes, the book is a first attempt to bridge research on religious offence with critical understandings of peace and scholarship on the micro-mechanisms of coexistence. Beyond Courtrooms and Street Violence is a significant new contribution to the study of religion, politics and communities in India, and will be a great resource for academics, researchers, and advanced students of Anthropology, History, Politics, Cultural Studies, and Sociology. The chapters in this book were originally published as a special issue of South Asia: Journal of South Asian Studies.
Author : André Padoux Publisher : University of Chicago Press Page : 238 pages File Size : 51,8 Mb Release : 2017-03-07 Category : History ISBN : 9780226424095
Tantra occupies a unique position in Western understandings of Hindu spirituality. Its carnal dimension has made its name instantly recognizable, but this popular fascination with sex has obscured its philosophical depth and ritual practices, to say nothing of its overall importance to Hinduism. This book offers a clear, well-grounded overview of Tantra that offers substantial new insights for scholars and practitioners. André Padoux opens by detailing the history of Tantra, beginning with its origins, founding texts, and major beliefs. The second part of the book delves more deeply into key concepts relating to the tantric body, mysticism, sex, mantras, sacred geography, and iconography, while the final part considers the practice of Tantra today, both in India and in the West. The result is an authoritative account of Tantra’s history and present place in the world.
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
The Routledge Handbook of Hindu Temples by Himanshu Prabha Ray,Salila Kulshreshtha,Uthara Suvrathan Pdf
This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
"Advaita Vedåanta is one of the best-known schools of Indian philosophy, but much of its history-a history closely interwoven with that of medieval and modern Hinduism-remains surprisingly unexplored. This book focuses on a single remarkable work and its place within that history: The Ocean of Inquiry, a vernacular compendium of Advaita Vedåanta by the North Indian monk Niâscaldåas (ca. 1791 - 1863). Though not well known today, Niâscaldåas's work was once referred to by Vivekananda (himself a key figure in the shaping of modern Hinduism) as the most influential book in India. The present book situates The Ocean of Inquiry as a representative of both a neglected genre (vernacular Vedåanta) and a neglected period (ca. 17th-19th centuries) in the history of Indian philosophy. It argues that the rise of Advaita Vedåanta to a position of prestige began well before the period of British rule in India, and that vernacular texts like The Ocean of Inquiry played an important role in popularizing Vedåantic teachings. It also offers a new appraisal of the period of late Advaita Vedåanta, arguing that it should not be seen as one of barren scholasticism. For thinkers like Niâscaldåas, intellectual "inquiry" (vicåara) was not an academic exercise but a spiritual practice-indeed, it was the central practice on the path to liberation. The book concludes by arguing that without understanding both vernacular Vedåanta and the scholasticism of the period, one cannot fully understand the emergence of modern Hinduism"--
Sacred Objects in Secular Spaces by Bruce M. Sullivan Pdf
We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The "lives†? of objects are considered, along with the categories of "sacred†? and "profane†?, "religious†? and "secular†?. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.
A Lasting Vision is dedicated to the Mirror of Literature (Kavyadarsa), a Sanskrit treatise on poetics composed by Dandin in south India (c. 700 CE), and to the treatise's remarkable career throughout large parts of Asia. The Mirror was adapted and translated into several languages spoken on the southern Indian peninsula (Kannada, Tamil) and on the Island of Sri Lanka (Sinhala, Pali), as well as in the Tibetan plateau far to the north (Tibetan, Mongolian). In all these receiving cultures it became a classical text and a source of constant engagement and innovation, often well into the modern era. It also travelled to Burma and Thailand, where it held a place of honor in Buddhist monastic education and intellectual life, and likely to the islands of Java and Bali, where it contributed to the production of literature in Old Javanese. There is even reason to believe that it reached China and impacted Chinese literary culture, although far more peripherally than in other parts of Asia. It also maintained a prominent position in Sanskrit learned discourses throughout the Indian subcontinent for at least a millennium. This multi-authored volume, organized by region and language, is the first attempt to chart and explain the Mirror's amazing transregional and multilingual success: what was so unique about this work that might explain its near-continental conquest, how was it transmitted to and received in these different environments, and what happened to it whenever it was being adopted and adapted.
In Re-envisioning Śiva Naṭarāja. A Multidisciplinary Perspective the contributors work with hitherto unexplored visual, textual, and epigraphic material and analytical techniques, presenting new insights into the dancing Śiva as icon and concept.
Indic Manuscript Cultures through the Ages by Vincenzo Vergiani,Daniele Cuneo,Camillo Alessio Formigatti Pdf
This collection of essays explores the history of the book in pre-modern South Asia looking at the production, circulation, fruition and preservation of manuscripts in different areas and across time. Edited by the team of the Cambridge-based Sanskrit Manuscripts Project and including contributions of the researchers who collaborated with it, it covers a wide range of topics related to South Asian manuscript culture: from the material dimension (palaeography, layout, decoration) and the complicated interactions of manuscripts with printing in late medieval Tibet and in modern Tamil Nadu, to reading, writing, editing and educational practices, from manuscripts as sources for the study of religious, literary and intellectual traditions, to the creation of collections in medieval India and Cambodia (one major centre of the so-called Sanskrit cosmopolis), and the formation of the Cambridge collections in the colonial period. The contributions reflect the variety of idioms, literary genres, religious movements, and social actors (intellectuals, scribes, patrons) of ancient South Asia, as well as the variety of approaches, interests and specialisms of the authors, and their impassionate engagement with manuscripts.