A Psychoanalytic Biography Of Ye Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of A Psychoanalytic Biography Of Ye book. This book definitely worth reading, it is an incredibly well-written.
A Psychoanalytic Biography of Ye by Robert K. Beshara Pdf
This book, which includes a foreword by Tommy Curry, is a theoretical biography of Ye. It particularly focuses on the 5-year period from 2016 to 2021 (the Shaky-Ass Years) in an effort to think psychoanalytically about his complex subjectivity, his struggle with manic-depression, the thin line between the personal and the political when it comes to celebrity culture, and, of course, his aesthetic productions – be they in the form of music, video, or fashion – which the author regards as also being ethical and political projects/objects. The book takes what Ye says seriously, as opposed to dismissing him through the use of stigmatizing terms. The author specifically aligned his desire with Donda’s in an attempt to see him from her point of view – that is, through the legacy of unconditional love.
Space, Politics, and Cultural Representation in Modern China by Enhua Zhang Pdf
Regarding revolution as a spatial practice, this book explores modes of spatial construction in modern China through a panoramic overview of major Chinese revolutionary events and nuanced analysis of cultural representations. Examining the relationship between revolution, space, and culture in modern China the author takes five spatially significant revolutionary events as case studies - the territorial dispute between Russia and the Qing dynasty in 1892, the Land Reform in the 1920s, the Long March (1934-36), the mainland-Taiwan split in 1949, and the Cultural Revolution (1966-76) - and analyses how revolution constructs, conceives, and transforms space. Using materials associated with these events, including primarily literature, as well as maps, political treatises, historiography, plays, film, and art, the book argues that in addition to redirecting the flow of Chinese history, revolutionary movements operate in and on space in three main ways: maintaining territorial sovereignty, redefining social relations, and governing an imaginary realm. Arguing for reconsideration of revolution as a reorganization of space as much as time, this book will appeal to students and scholars of Chinese culture, society, history and literature.
The Hebrew writer S. Y. Agnon won the Nobel prize in literature in 1966. Hundreds of literary studies and one Hebrew-language biography have been published about him. This is the first complete psychoanalytic biography in any language.
The recipient of the Kluge Prize for lifetime achievement in the humanities and the Tang Prize for "revolutionary research" in Sinology, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times? From Ying-shih Yü's perspective, the Dao, or the Way, constitutes the inner core of Chinese civilization. His work explores the unique dynamics between Chinese intellectuals' discourse on the Dao, or moral principles for a symbolized ideal world order, and their criticism of contemporary reality throughout Chinese history. Volume 2 of Chinese History and Culture completes Ying-shih Yü's systematic reconstruction and exploration of Chinese thought over two millennia and its impact on Chinese identity. Essays address the rise of Qing Confucianism, the development of the Dai Zhen and Zhu Xi traditions, and the response of the historian Zhang Xuecheng to the Dai Zhen approach. They take stock of the thematic importance of Cao Xueqin's eighteenth-century masterpiece Honglou meng (Dream of the Red Chamber) and the influence of Sun Yat-sen's Three Principles of the People, as well as the radicalization of China in the twentieth century and the fundamental upheavals of modernization and revolution. Ying-shih Yü also discusses the decline of elite culture in modern China, the relationships among democracy, human rights, and Confucianism, and changing conceptions of national history. He reflects on the Chinese approach to history in general and the larger political and cultural function of chronological biographies. By situating China's modern encounter with the West in a wider historical frame, this second volume of Chinese History and Culture clarifies its more curious turns and contemplates the importance of a renewed interest in the traditional Chinese values recognizing common humanity and human dignity.
From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.
Joseph Conrad and the Fictions of Skepticism by Mark Wollaeger Pdf
"You want more scepticism at the very foundation of your work. Scepticism, the tonic of minds, the tonic of life, the agent of truth - the way of art and salvation." Joseph Conrad wrote these words to John Galsworthy in 1901, and this study argues that Conrad's skepticism forms the basis of his most important works, participating in a tradition of philosophical skepticism that extends from Descartes to the present. Conrad's epistemological and moral skepticism - expressed, forestalled, mitigated, and suppressed - provides the terms for the author's rethinking of the peculiar relation between philosophy and literary form in Conrad's writing and, more broadly, for reconsidering what it means to call any novel 'philosophical'. Among the issues freshly argued are Conrad's thematics of coercion, isolation, and betrayal; the complicated relations among author, narrator, and character; and the logic of Conradian romance, comedy, and tragedy. The author also offers a new way of conceptualizing the shape of Conrad's career, especially the 'decline' evidenced in the later fiction. The uniqueness of Conrad's multifarious literary and cultural inheritance makes it difficult to locate him securely in the dominant tradition of the British novel. A philosophical approach to Conrad, however, reveals links to other novelists - notably Hardy, Forster, and Woolf - all of whom share in the increasing philosophical burden of the modern novel by enacting the very philosophical issues that are discussed within their pages. Conrad's interest as a skeptic is heightened by the degree to which he resists the insights proffered by his own skepticism. The first chapter introduces the idea of the Conradian 'shelter', and the next two use Schopenhauer to show how the language of metaphysical speculation in Tales of Unrest and 'Heart of Darkness' spills over into a religious impulse that resists the disintegrating effect of Conrad's skepticism. The author then turns to Hume to model the authorial skepticism that in Lord Jim contests the continuing visionary strain of the earlier fiction and Descartes to analyze the ways in which Romantic vision is more stringently chastened by irony in Nostromo and The Secret Agent. The concluding chapter touches on several late novels before examining how competing models of political agency in Conrad's last great fiction of skepticism, Under Western Eyes, situate it somewhere between ideology critique and a mystified account of the exigencies of individual consciousness.
Posthumous Keats: A Personal Biography by Stanley Plumly Pdf
An acclaimed American poet reflects on the life and legacy of John Keats. Posthumous Keats is the result of Stanley Plumly's twenty years of reflection on the enduring afterlife of one of England's greatest Romanticists. John Keats's famous epitaph—"Here lies One Whose Name was writ in Water"—helped cement his reputation as the archetype of the genius cut off before his time. Keats, dead of tuberculosis at twenty-five, saw his mortality as fatal to his poetry, and therein, Plumly argues, lies his tragedy: Keats thought he had failed in his mission "to be among the English poets."In this close narrative study, Plumly meditates on the chances for poetic immortality—an idea that finds its purest expression in Keats, whose poetic influence remains immense. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet—a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status.
Charles Ives, "my Father's Song" by Stuart Feder Pdf
A psychoanalytic biography which examines the lives of Charles Ives and his father, George. It shows how a knowledge of their relationship as father and son, teacher and pupil is central to understanding Ives' work. Charles' music is shown as an unconscious collaboration between father and son.
Author : Stephen A. Crist Publisher : University of Illinois Press Page : 248 pages File Size : 52,5 Mb Release : 2002-12-17 Category : Music ISBN : 9780252050817
In Bach in America, volume 5 of Bach Perspectives, nine scholars track Johann Sebastian Bach's reputation in America from an artist of relative obscurity to a cultural mainstay whose music has spread to all parts of the population, inspired a wealth of scholarship, captivated listeners, and inspired musicians. More than a hundred years passed after Bach's death in 1750 before his music began to be known and appreciated in the United States. Barbara Owen surveys Bach's early reception in America and Matthew Dirst focuses on John Sullivan Dwight's role in advocating Bach's work. Michael Broyles considers the ways Bach's music came to be known in Boston and Mary J. Greer offers a counterpoint in her study of Bach's reception in New York. The volume continues with Hans-Joachim Schulze's essay linking the American descendants of August Reinhold Bach to J. S. Bach through a common sixteenth-century ancestor. Christoph Wolff focuses on Bach's descendants in America, particularly Friederica Sophia Bach, the daughter of Bach's eldest son, Wilhelm Friedemann. Peter Wollny evaluates several manuscripts not included in Gerhard Herz's study of Bach Sources in America. Bach in America concludes with examinations of Bach's considerable influence on American composers. Carol K. Baron compares the music of Bach and Charles Ives and Stephen A. Crist measures Bach's influence on the jazz pianist and composer Dave Brubeck.
In this provocative and necessary book, Robert K. Beshara uses psychoanalytic discursive analysis to explore the possibility of a genuinely anti-colonial critical psychology. Drawing on postcolonial and decolonial approaches to Islamophobia, this book enhances understandings of Critical Border Thinking and Lacanian Discourse Analysis, alongside other theoretico-methodological approaches. Using a critical decolonial psychology approach to conceptualize everyday Islamophobia, the author examines theoretical resources situated within the discursive turn, such as decoloniality/transmodernity, and carries out an archeology of (counter)terrorism, a genealogy of the conceptual Muslim, and a Žižekian ideology critique. Conceiving of Decolonial Psychoanalysis as one theoretical resource for Critical Islamophobia Studies (CIS), the author also applies Lacanian Discourse Analysis to extracts from interviews conducted with US Muslims to theorize their ethico-political subjectivity and considers a politics of resistance, adversarial aesthetics, and ethics of liberation. Essential to any attempt to come to terms with the legacy of racism in psychology, and the only critical psychological study on Islamophobia in the United States, this is a fascinating read for anyone interested in a critical approach to Islamophobia.
Psychoanalysis and Religion in the 21st Century by David M. Black Pdf
What can be gained from a dialogue between psychoanalysis and religion? Freud described religion as the universal obsessional neurosis, and uncompromisingly rejected it in favour of "science." Ever since, there has been the assumption that psychoanalysts are hostile to religion. Yet, from the beginning, individual analysts have questioned Freud's blanket rejection of religion. In this book, David Black brings together contributors from a wide range of schools and movements to discuss the issues. They bring a fresh perspective to the subject of religion and psychoanalysis, answering vital questions such as: How do religious stories carry (or distort) psychological truth? How do religions 'work', psychologically? What is the nature of religious experience? Are there parallels between psychoanalysis and particular religious traditions? Psychoanalysis and Religion in the 21st Century will be of great interest to psychoanalysts, psychoanalytic therapists, psychodynamic counsellors, and anyone interested in the issues surrounding psychoanalysis, religion, theology and spirituality.
Introspection in Biography by Samuel H Baron,Carl Pletsch Pdf
Most of the essays offered here are revised versions of papers first prepared for an invitational conference on "The Psychology of Biography," held in Chapel Hill, November 12-14, 1981. The conference, which was funded by the National Endowment for the Humanities, brought together twelve biographers—including historians, literary scholars, political scientists, and psychoanalysts—each of whom had composed an introspective essay describing his experience of the biographical process. Each participant was invited to proceed in whatever manner seemed appropriate to him, but all were encouraged as well to address a number of questions that we regard as central to this inquiry: Why did I decide to write a biography, and how did I select a subject? How did I achieve insight into the internal life of my protagonist? In what ways did I put my personal stamp on the portrait I produced? As a result of protracted involvement with the subject, did the latter influence my life, and, if so, how? The contributors have responded to these questions in varying degrees, but they provide evidence enough to permit, for the first time, some systematic treatment of these and subsidiary questions. On the other hand, each paper is marked by an individual approach and style. Taken as a whole, these uncommonly intimate and self-revealing essays illuminate many aspects of the biographical enterprise. The collaborative character of the symposium deserves emphasis. It began with the request that the contributors-to-be all address a number of specific questions. It continued with the cooperation of a majority of the contributors with a psychoanalyst or clinical psychologist, as an aspect of the preparation of their papers. (More on this in a moment.) It went a step further at the conference itself, which served as a forum for an exchange of views so stimulating that it prompted the participants to undertake to revise their papers. Moreover, the conferees were so impressed by the frequent flashes of illumination, most often touched off by Dr. George Moraitis, that they asked him to compose an additional essay (an afterword) for this volume, to bring to a wider public the workings, pitfalls, and potentialities of the collaborative method.
Joseph Conrad once voiced the hope that from the reading of his pages might "emerge at last the vision of a personality: the man behind the books ... a coherent justifiable personality both in its origin and its actions." Dr. Meyer arrives at a unified picture of Conrad's personality by applying psychoanalytic principles and insights to two main sets of data on Conrad: his unusual history and his creative work. Basic psychological and emotional patterns appear repetitively, and Dr. Meyer concludes that Conrad's art served an important psychological function in his life—the achievement through his creative fiction of a corrective revision of painful reality. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.