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A Rose of a Hundred Leaves by Amelia Edith Huddleston Barr Pdf
The story of a young woman, Aspatria Anneys, an untrained rose from the north of England, who is determined to cultivate herself to win back the love of Sir Ulfar Fenwick after he breaks off their engagement.
ROSE OF A HUNDRED LEAVES A LOV by Amelia Edith Huddleston 1831-1919 Barr Pdf
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A Rose of a Hundred Leaves by Amelia Edith Huddleston Barr Pdf
"[...]and the damask, and the famous crystal cup in its stand of gold, which was the lucky bowl of Ambar-Side. When Fenwick came back to the hall, there was a feast spread for him; and he ate and drank, and charmed every one with his fine manner and his witty conversation. They sat until midnight,—an hour strange to Seat-Ambar. No one native in that house had ever seen it before, no one ever felt its mysterious influence. Sir Ulfar had been charming them with tales of the strange lands he had visited, and the strange peoples who dwelt in them. He had not spoken much to Aspatria, but it was in her[...]".
A Rose of a Hundred Leaves; a Love Story. By: Amelia E. Barr by Amelia Edith Huddleston Barr Pdf
Amelia Edith Huddleston Barr (March 29, 1831 - March 10, 1919) was a British novelist and teacher. Her career is an illustration of the capacity of woman under stress of sorrow to conquer the world and be successful. Many of the plots of her stories are laid in Scotland and England. The scenes are from her girlhood recollection of surroundings. Her works include, Jan Vedder's Wife, The Border Shepherdess, Feet of Clay, Friend Olivia, The Bow of Orange Ribbon, Remember the Alamo, She Loved a Sailor, A Daughter of Fife, The Squire of Sanddal Side, Paul and Christina, Master of His Fate, The, Household of McNeil, The Last of the Macallisters, Between Two Loves, A Sister to Esau, A Rose of a Hundred Leaves, A Singer from the Sea, The Beads of Tasmer, The Hallam Succession, The Lone House, Christopher and Other Stories, The Lost Silver of Briffault. Early years and education: She was born on March 29, 1831 (1832 is also reported), in Ulverston, Lancashire, England as Amelia Edith Huddleston. Her father was Reverend William Huddleston, a Wesleyan minister.She was brought up in an atmosphere of culture and refinement, and early turned to books for recreation and instruction. When only nine years of age she became her father's companion and reader. Thus it was she read books far beyond her comprehension, but they tended to develop her mental qualities. A brief return to her father's financial stability allowed Barr to return to the Normal School in Glasgow where she learned the Stowe teaching method. Its principles are based on morality and lifelong learning, rather than learning by rote. On 11 July 1850, she and a prosperous local wool merchant, Robert Barr, married. The couple emigrated to the USA in September 1853, landing in New York City. In Chicago, Illinois, Barr tutored at home, and established a school for girls, though she was not involved for long as her husband's business prospects fell through and they traveled west, settled in Austin, Texas. They remained there until after the American Civil War when they moved to Galveston, where Mr. Barr became an auditor for the state, before he and four sons were stricken with yellow fever and died.Of their 12 children, several others children died young. With her three remaining daughters, Mrs. Barr moved to Ridgewood, New Jersey in 1868. She came there to tutor the three sons of a prominent citizen, William Libby, in ancient and modern literature, music, and drawing; and opened a school in a small house.This structure still stands at the southwest corner of Van Dien and Linwood Avenues. Barr did not like Ridgewood and did not remain there for very long. She left shortly after selling a story to a magazine.Barr asked advice of Henry Ward Beecher, then editor of the "Christian Union," in regard to contributions to magazines. He encouraged her to write for his paper. Through the Bouchers or Dr. Lyman Abbott, she met the Harpers and wrote for them many years. After an accident confined her to a chair, unable to employ herself otherwise, she wrote her first novel, Jan Vedder'a Wife. Thereafter, she wrote a great deal.In 1869, she moved to New York City where she began to write for religious periodicals and to publish a series of semi-historical tales and novels. By 1891, when she achieved greater success, she and her daughters moved up the Hudson River to Cornwall-on-Hudson, New York, where they renovated a house on the slopes of Storm King Mountain and named it Cherry Croft.The name has been applied to that period of her career, the most productive and successful. She remained there until moving in with her daughter Lilly in White Plains in her last years. Barr had a sunstroke in July 1918 and never fully recovered. She died on March 10, 1919 in Richmond Hill, Queens, New York. She was buried in Sleepy Hollow Cemetery in Tarrytown, New York near her friend, Louis Klopsch......
A Rose of a Hundred Leaves (Esprios Classics) by Amelia E. Barr Pdf
Amelia Edith Huddleston Barr (March 29, 1831 - March 10, 1919) was a British novelist and teacher. Many of the plots of her stories are laid in Scotland and England. The scenes are from her girlhood recollection of surroundings. Her works include, Jan Vedder's Wife, The Border Shepherdess, Feet of Clay, Friend Olivia, The Bow of Orange Ribbon, Remember the Alamo, She Loved a Sailor, A Daughter of Fife, The Squire of Sanddal Side, Paul and Christina, Master of His Fate, The Household of McNeil, The Last of the Macallisters, Between Two Loves, A Sister to Esau, A Rose of a Hundred Leaves, A Singer from the Sea, The Beads of Tasmer, The Hallam Succession, The Lone House, Christopher and Other Stories, and The Lost Silver of Briffault.
The Proper Decoration of Book Covers by Mindell Dubansky,Alice Cooney Frelinghuysen,Josephine Marie Dunn Pdf
A biography of Morse by Grolier Club member Mindell Dubansky and two thoughtful essays on her work and influence by scholars in the field of nineteenth-century decorative arts is followed by a comprehensive--and lavishly illustrated--survey of all the known works by the designer, drawn from the personal collection of Mindell Dubansky, and from the resources of the Metropolitan Museum of Art. Designed by Jerry Kelly, and printed in an edition of 1100 copies.
