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"Augustus the Strong (1670-1733) had long been a collector of Japanese and Chinese porcelain, and it was to house his collection that the Japanese Palace in Dresden was purchased. In 1729 Augustus enlarged the building to nearly double its original size in order to create a "porcelain palace." One gallery was to be entirely devoted to Meissen porcelain, including the exceptional animal figures that are the subject of this book and the exhibition it accompanies."--BOOK JACKET.
A young poet and artist by the name of William Blake traveled to the Tower from his Lambeth home to paint and rhapsodize about a Tower tiger and its "fearful symmetry"; a lion named Crowly received frequent visits from an enamored Samuel Pepys; and one visitor seen dropping in on the creatures of the Menagerie in 1389 was the man in charge of Tower upkeep during the reign of King Richard II, Geoffrey Chaucer." "Daniel Hahn's history of the Royal Menagerie in the Tower of London tells the story of the many exotic creatures who found a home in one of the world's most forbidding and infamous fortresses, and explores the way in which the concept of animal captivity for the purposes of entertainment, enlightenment, and science evolved over hundreds of years." "The Tower Menagerie provides survey of our changing attitudes toward animals, and a hugely entertaining journey through six centuries of British history."--BOOK JACKET.
In the 1720s and 1730s, Jean-Baptiste Oudry established himself as the preeminent painter in France of hunts, animals, still lifes, and landscapes. Oudry’s Painted Menagerie focuses on a suite of eleven life-size portraits of exotic animals from the royal menagerie at Versailles, painted by Oudry between 1739 and 1752. These paintings eventually found their way into the ducal collection in Schwerin, Germany. Among them is the magnificent portrait of Clara, an Indian rhinoceros who became a celebrity in mid-eighteenth-century Europe. Her portrait has been out of public view for more than a century, and it is presented here in its newly conserved state.
When King Henry III was given three leopards by his new brother-in-law, Frederick, the Holy Roman Emperor, he ordered -- in desperation -- that they be sent to the Tower of London, his great fortress by the bank of the Thames. After all, where does one keep such things? Soon after the leopards' arrival in 1235 they were joined by an even greater wonder, a huge Norwegian polar bear which was encouraged to catch its own food from the river to save on upkeep expenses. And over the next 600 years -- until the menagerie was closed down by Wellington in 1835, a few years before it became clear he had an interest in the soon-to-open London Zoo -- the Tower played host to thousands more exotic creatures, all brought from overseas by returning explorers or VIP guests. Daniel Hahn's charming history of the first zoo explores the uses and abuses of the menagerie and the legion of Great and Good who came to behold its wonders, from William Blake, who came to look at the 'tygers', to John Wesley, who played his flute to the Tower lions in an attempt to establish if they had souls. Fascinating and insightful in equal measure, THE TOWER MENAGERIE is both an intriguing survey of our changing attitudes to animals and a hugely entertaining canter through six centuries of British history.
Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo — a tale replete with the extravagant, the eccentric, and — on occasion — the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra — which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
In the eighteenth century, it would not have been impossible to encounter an elephant or a kangaroo making its way down the Strand, heading towards the menagerie of Mr. Pidcock at the Exeter Change. Pidcock's was just one of a number of commercial menagerists who plied their trade in London in this period the predecessors to the zoological societies of the Victorian era. As the British Empire expanded and seaborne trade flooded into London's ports, the menagerists gained access to animals from the most far-flung corners of the globe, and these strange creatures became the objects of fascination and wonder. Many aristocratic families sought to create their own private menageries with which to entertain their guests, while for the less well-heeled, touring exhibitions of exotic creatures both alive and dead satisfied their curiosity for the animal world. While many exotic creatures were treasured as a form of spectacle, others fared less well turtles went into soups and civet cats were sought after for ingredients for perfume. In this entertaining and enlightening book, Plumb introduces the many tales of exotic animals in London.
Author : Samuel J. M. M. Alberti Publisher : University of Virginia Press Page : 257 pages File Size : 47,8 Mb Release : 2011 Category : Art ISBN : 9780813931678
The Afterlives of Animals by Samuel J. M. M. Alberti Pdf
This collection of essays comprises short "biographies" of a number of famous taxidermied animals. Each essay traces the life, death and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping.
The Golden Menagerie by Adrienne Nayor,Temple St. Clair Pdf
With an artist's eye and an explorer's heart, Temple St. Clair fashions jewelry from rare colored gems with distinctive gold work to illustrate universal narratives of the earth and cosmos. In each of the one-of-a-kind pieces that comprise her Haute Couture collection, St. Clair explores our relationship to animals through a lens of whimsy and discovery and celebrates a connoisseur's level of gemstones and Florentine craftsmanship. The Golden Menagerie offers an exclusive window into the alchemic jeweler's process, illustrating the collection through St. Clair's original watercolor paintings and luminous photography of each stage of creation. From the articulated Secret Garden Serpent necklace to vibrantly jeweled Fantasy Birds earrings to a ring mounted with a falcon ready to take flight from the wearer's finger, St. Clair's creations come to life on the page, imbued with alchemy and artistry.
“A lovely little miracle of a book.” —Katherine Applegate, Newbery Medal–winning author of The One and Only Ivan “[A] large-hearted and riveting medieval adventure.” —William Alexander, National Book Award–winning author of Goblin Secrets “A breathtaking adventure.” —Kirby Larson, Newbery Honor–winning author of Hattie Big Sky A runaway boy befriends a polar bear that’s being transported from Norway to London in this “stupendous coming-of-age tale stuffed with adventure” (Kirkus Reviews, starred review). The polar bear is a royal bear, a gift from the King of Norway to the King of England. The first time Arthur encounters the bear, she terrifies him. Yet, strangely, she doesn’t harm him—though she has attacked anyone else who comes near. So Arthur finds himself taking care of a polar bear on a ship to England. Tasked with feeding and cleaning up after the bear, Arthur’s fears slowly lessen as he begins to feel a connection to this bear, who like him, has been cut off from her family. But the journey holds many dangers, and Arthur knows his own freedom—perhaps even his life—depends on keeping the bear from harm. When pirates attack, Arthur must make a choice—does he do everything he can to save himself, or does he help the bear to find freedom? Based on the real story of a polar bear that lived in the Tower of London, this timeless adventure story thoughtfully looks at the themes of freedom, captivity, and the bond between a boy and a bear.
Elephant Slaves & Pampered Parrots by Louise E. Robbins Pdf
This lively history “adds a new dimension to our understanding of 18th-century France” by exploring the Parisian fashion of importing exotic animals (American Historical Review). In 1775, a visitor to Laurent Spinacuta’s Grande Ménagerie at the annual winter fair in Paris would have seen two tigers, several kinds of monkeys, an armadillo, an ocelot, and a condor—in all, forty-two live animals. In the streets of the city, one could observe performing elephants and a fighting polar bear. Those looking for unusual pets could purchase parrots, flying squirrels, and capuchin monkeys. The royal menagerie at Versailles displayed lions, cranes, an elephant, a rhinoceros, and a zebra, which in 1760 became a major court attraction. For Enlightenment-era Parisians, exotic animals piqued scientific curiosity and conveyed social status. Their variety and accessibility were a boon for naturalists like Buffon, author of Histoire naturelle. Louis XVI use his menagerie to demonstrate his power, while critics saw his caged animals as metaphors of slavery and oppression. In her engaging account, Robbins considers nearly every aspect of France’s obsession with exotic fauna, from the animals’ transportation and care to the inner workings of the oiseleurs’ (birdsellers’) guild. Based on wide-ranging research, Elephant Slaves and Pampered Parrots offers a major contribution to the history of human-animal relations, eighteenth-century culture, and French colonialism.
'A Little Princess – with tigers! O rphan and outcast Sahira Clive is a brave and plucky heroine with a brightly burning heart. I was rooting for her all the way to the end of this thrilling – and thought-provoking – adventure.' Ally Sherrick, award-winning author of Black Powder Sahira’s family are travelling to England to deliver two majestic Indian tigers to the menagerie in the tower of London. But tragedy strikes and sickness steals Sahira’s parents from her on the journey. Left alone in London, Sarhira finds herself confined to a miserable and dangerous orphanage. Despite her heartache and the threats she faces, Sahira is determined to carry out her father’s last request – to protect God’s beautiful creatures: her tigers. To do so, Sahira must set out on an adventure and use all her powers of persuasion to engage the help of some new friends along the way. Can the quest to find her tigers a safe home, lead Sahira to find her own place of hope and belonging in this strange and foreign land?
The Tower, the Zoo, and the Tortoise by Julia Stuart Pdf
When Balthazar Jones is tasked with setting up an elaborate menagerie within the Tower of London's walls to house the many exotic animals gifted to the Queen, life at the Tower gets all the more interesting. Penguins escape, giraffes are stolen, and the Komodo dragon sends innocent people running for their lives. Balthazar is in charge and things are not exactly running smoothly. Then his wife Hebe decides to leave him and his beloved tortoise "runs" away.--Résumé de l'éditeur.
