A Soviet Credo

Author : Pauline Fairclough
Publisher : Routledge
Page : 382 pages
File Size : 49,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351577953

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A Soviet Credo: Shostakovich's Fourth Symphony by Pauline Fairclough Pdf

Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.

Author : Pauline Fairclough
Publisher : Routledge
Page : 296 pages
File Size : 53,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351577960

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A Soviet Credo: Shostakovich's Fourth Symphony by Pauline Fairclough Pdf

Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.

Author : Levon Hakobian
Publisher : Taylor & Francis
Page : 512 pages
File Size : 51,6 Mb
Release : 2016-11-25
Category : Music
ISBN : 9781317091875

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Music of the Soviet Era: 1917-1991 by Levon Hakobian Pdf

This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.

Author : Yaacov Ro'i
Publisher : Routledge
Page : 540 pages
File Size : 55,6 Mb
Release : 2018-04-17
Category : Political Science
ISBN : 9781351318983

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Soviet Decision-Making in Practice by Yaacov Ro'i Pdf

The Soviet Union executed an apparent about-face in its traditional anti-Zionist position when the Palestine issue came before the United Nations in 1947. In addition to political support at the UN from May 1947 to May 1949, important military assistance was rendered to the Jewish Palestinian Yishuv throughout 1948 by the Eastern bloc. Toward the end of that year, however, indications of change became apparent, and the Soviet Union began criticizing Israel. This book studies the USSR's attitude toward the establishment of a Jewish state in Palestine in the immediate post-World War II period and toward Israel in the first years of its existence, and it investigates the complex of considerations that caused the initial apparent reversal of traditional Soviet anti-Zionism. The author contends that this support for Israel contributed considerably to the evoking of Soviet Jewry's enthusiastic reaction to the establishment of the State. But this very reaction resulted in turn in Moscow changing its tactics again, since it could not allow its Jewish citizens to identify with a state outside the Soviet Union and the Communist orbit. During the few years after the Israeli War for Independence, in which the Arab-Israeli conflict was relatively low key, the USSR adopted a position of seeming neutrality between two sides—while quietly wooing the Arab nations. Ro'i examines how toward the end of the Stalin period the Jewish problem again intervened with the infamous' 'Doctor's Plot," and how early in 1953 the Soviet Union severed diplomatic relations with Israel. One year later the USSR cast its first two pro-Arab vetoes in the UN Security Council, and from this point on Soviet-Israeli relations openly became a function of the increasingly cordial Soviet friendship with the Arab world.

Author : Paul Hillier
Publisher : Clarendon Press
Page : 238 pages
File Size : 45,5 Mb
Release : 1997-04-24
Category : Electronic
ISBN : 9780191590481

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Arvo PÄrt by Paul Hillier Pdf

World-famous, Estonian-born composer Arvo P--auml--;rt is a unique voice in today's music. From his own extensive experience of working with P--auml--;rt, Paul Hiller here provides the first full-length study of the composer's music. - ;The music of the Estonian-born composer Arvo P--auml--;rt is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, P--auml--;rt created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate tranquillity of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of P--auml--;rt, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of P--auml--;rt's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to P--auml--;rt's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues. -

Author : George Ginsburgs
Publisher : Springer
Page : 407 pages
File Size : 43,9 Mb
Release : 2013-12-01
Category : Law
ISBN : 9789401511841

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The Citizenship Law of the USSR by George Ginsburgs Pdf

In 1968, the predecessor of this volume was published as Number 15 of the Law in Eastern Europe series, under the title "Soviet Citizenship Law". The decision to put out a new version of that study was prompted by the enactment in 1978 of the CUTTent Law on the Citizenship of the USSR and the various changes in Soviet prac tice in this domain which occurred in the intervening decade. I have drawn on the earlier work for background material and in order to make comparisons between the previous record here and the substance ofthe latest statute. However, the pres ent monograph is not a second edition in the sense of being an expanded and updated revision of the original, but stands as an independent piece of research and analysis. Thus, three of the chapters (out of a total of six) featured in the 1968 vol urne - citizenship and state succession, state succession and option of nationality, and refugees and displaced persons - have now been omitted for the simple reason that the situation in these areas has remained virtually static during the past ten years so that the initial treatment requires no significant alteration. On the other hand, fresh problems have meantime arisen - such as, for instance, the connection between citizenship and emigration, and the relationship between citizenship status and the international protection of human rights - which called for attention and are dealt with in this book.

Author : Laura Dolp
Publisher : Cambridge University Press
Page : 282 pages
File Size : 45,8 Mb
Release : 2017-07-13
Category : History
ISBN : 9781107182899

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Arvo Pärt's White Light by Laura Dolp Pdf

The first substantial volume in English to explore the impact of Arvo Pärt on contemporary music and culture.

Author : Judith Kuhn
Publisher : Routledge
Page : 393 pages
File Size : 51,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351548670

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Shostakovich in Dialogue by Judith Kuhn Pdf

A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle. Judith Kuhn's book begins such a study, undertaken with the belief that, despite a growing awareness of the universality of Shostakovich's music, much remains to be learned from the historical context and an examination of the music's language. Much of the controversy about Shostakovich's music has been related to questions of meaning. The conflicting interpretations put forth by scholars during the musicological 'Shostakovich wars' have shown the impossibility of fixing a single meaning in the composer's music. Commentators have often heard the quartets as political in nature, although there have been contradictory views as to whether Shostakovich was a loyal communist or a dissident. The works are also often described as vivid narratives, perhaps a confessional autobiography or a chronicle of the composer's times. The cycle has also been heard to examine major philosophical issues posed by the composer's life and times, including war, death, love, the conflict of good and evil, the nature of subjectivity, the power of creativity and the place of the individual - and particularly the artist - in society. Soviet commentaries on the quartets typically describe the works through the lens of Socialist-Realist mythological master narratives. Recent Western commentaries see Shostakovich's quartets as expressions of broader twentieth-century subjectivity, filled with ruptures and uncertainty. What musical features enable these diverse interpretations? Kuhn examines each quartet in turn, looking first at its historical and biographical context, with special attention to the cultural questions being discussed at the time of its writing. She then surveys the work's reception history, and

Author : Hanna Stähle
Publisher : Routledge
Page : 175 pages
File Size : 52,8 Mb
Release : 2021-08-23
Category : Religion
ISBN : 9781000420944

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Russian Church in the Digital Era by Hanna Stähle Pdf

The Russian Orthodox Church, the largest and most powerful religious institution in Russia, has become one of the central pillars of Vladimir Putin’s authoritarianism. While church attendance remains low, the religiously inspired rhetoric of traditionalism has come to dominate the mainstream political and media discourse. Has Russia abandoned its atheist past and embraced Orthodox Christianity as its new moral guide? The reality is more complex and contradictory. Digital sources provide evidence of rising domestic criticism of the Russian Orthodox Church and its leadership. This book offers a nuanced understanding of contemporary Russian Orthodoxy and its changing role in the digital era. Topics covered within this book include: • Mediatization theory; • Church reforms under Patriarch Kirill; • Church–state relations since 2009; • The Russian Orthodox Church’s media policy; • Anticlericalism vs. Church criticism; and • Religious, secular, and atheist critiques of the Church in digital media. Using contemporary case studies such as Pussy Riot's Punk Prayer, this book is a gripping read for those with an interest in media studies, digital criticism of religion, religion in the media, the role of religion in society, and the Russian Orthodox Church.

Author : Kevin Bartig
Publisher : Oxford University Press
Page : 245 pages
File Size : 50,6 Mb
Release : 2013-05-02
Category : History
ISBN : 9780199967599

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Composing for the Red Screen by Kevin Bartig Pdf

Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career.

Author : Anonim
Publisher : Unknown
Page : 338 pages
File Size : 49,7 Mb
Release : 1987
Category : Civil rights
ISBN : PSU:000012760220

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Documents of the Helsinki Monitoring Groups in the U.S.S.R. and Lithuania (1976-1986) by Anonim Pdf

Author : Anonim
Publisher : Unknown
Page : 340 pages
File Size : 49,5 Mb
Release : 1987
Category : Civil rights
ISBN : PURD:32754074682026

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Documents of the Helsinki Monitoring Groups in the U.S.S.R. and Lithuania (1976-1986): Ukraine by Anonim Pdf

Author : Robert Collins
Publisher : Taylor & Francis
Page : 209 pages
File Size : 52,9 Mb
Release : 2022-12-30
Category : Social Science
ISBN : 9781000818840

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Global Tensions in the Russian Orthodox Diaspora by Robert Collins Pdf

This book explores the tensions that have arisen in the diaspora as a result of large numbers of Russian migrants entering established overseas parishes following the collapse of the Soviet Union. These tensions, made more fervent by the increasing role of the Church as part of the expression of Russian identity and by the Church’s entry into the global ‘culture wars’, carry with them alternative views of a range of key issues – cosmopolitanism versus reservation, liberalism versus conservatism and ecumenism versus dogmatism. The book focuses on particular disputes, discusses the broader debates and examines the wider context of how the Russian Orthodox Church is evolving overall.

Author : Joan Titus
Publisher : Oxford University Press
Page : 256 pages
File Size : 50,5 Mb
Release : 2016-02-15
Category : Music
ISBN : 9780199315154

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The Early Film Music of Dmitry Shostakovich by Joan Titus Pdf

In the late 1920s, Dmitry Shostakovich emerged as one of the first Soviet film composers. With his first score for the silent film New Babylon (1928-29) and the many sound scores that followed, he was situated to observe and participate in the changing politics of the film industry and negotiate the role of the film composer. In The Early Film Music of Dmitry Shostakovich, author Joan Titus examines the relationship between musical narration, audience, filmmaker, and composer in six of Shostakovich's early film scores, from 1928 through 1936. Titus engages with the construct of Soviet intelligibility, the filmmaking and scoring processes, and the cultural politics of scoring Soviet film music, asking how listeners hear and see Shostakovich. The discussions of the scores are enriched by the composer's own writing on film music, along with archival materials and recently discovered musical manuscripts that illuminate the collaborative processes of the film teams, studios, and composer. The Early Film Music of Dmitry Shostakovich commingles film/media studies, musicology, and Russian studies , and is sure to be of interest to a wide audience including those in music studies, film/media scholars, and Slavicists.

Author : Kevin C. Karnes
Publisher : Oxford University Press
Page : 128 pages
File Size : 48,8 Mb
Release : 2017-09-27
Category : Music
ISBN : 9780190469009

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Arvo Pärt's Tabula Rasa by Kevin C. Karnes Pdf

One of today's most widely acclaimed composers, Arvo Pärt broke into the soundscape of the Cold War West with Tabula Rasa in 1977, a work that introduced his signature tintinnabuli style to listeners throughout the world. In the first book dedicated to this pathbreaking composition, author Kevin C. Karnes tells the story of Tabula Rasa as one of Pärt and of Europe itself, traced over the course of a quarter-century that saw momentous transitions in European culture and politics, history and memory. Beginning at the site of the work's creation in the Estonian SSR, and drawing extensively upon a range of previously unexamined archival materials, Karnes recounts Pärt's discovery of tintinnabuli amidst his experiments with the music of the Western and Soviet avant-gardes. He examines Tabula Rasa in relation to modernist conceptions of musical structure, the ascetic practice of Orthodox Christianity, postwar experiences of electronic music, and the polystylistic approaches to composition that have become emblematic of the Soviet 1970s. Tracing the export of Tabula Rasa to the West and Pärt's emigration in 1980, the book reveals intersections of critical commentary with visions of the "end of history" that attended the collapse of European communism to suggest that it was in this confluence of listening, discovery, and geopolitical reordering that enduring lines of conversation about Pärt and his music took shape.