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A Study Guide for Byrony Lavery's "Frozen" by Gale, Cengage Learning Pdf
A Study Guide for Byrony Lavery's "Frozen," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
THE STORY: One evening ten-year-old Rhona goes missing. Her mother, Nancy, retreats into a state of frozen hope. Agnetha, an American academic, comes to England to research a thesis: Serial Killing--A Forgivable Act? Then there's Ralph, a loner wh
Representation of Trauma and Recovery in Bryony Lavery's Play Frozen by Katharina Dellbrügge Pdf
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Cologne (Englisches Seminar), course: Envisioning Mad Selves, language: English, abstract: Bryony Lavery's play Frozen consists of two acts and 30 scenes and was first performed by the Birmingham Repertory Theatre in 1998. The three main characters of the play are Agnetha, an American psychologist, Nancy, a mother whose ten-year-old daughter Rhona gets abused and killed, and Ralph, a sexual serial killer who also murdered Rhona. All three of them can be regarded as traumatised characters and in the beginning of the play they are, literally, frozen. However, Lavery allows each of them to take a journey towards a melting of their frozen states. The term paper investigates how the concept of trauma is represented in the play, which in this case implies a focus on the illustration of the characters' frozen states and their "melting". Therefore I will first provide an overview of the concept of trauma and will place Frozen into the context of "Trauma Drama", before I move on to a close reading of the play.
Four days ago phone call from the police They think they have some news for us Can they come over? A psychological thriller about a mother whose child goes missing; a play about retribution, remorse and redemption and the interwoven lives of three strangers as they try to make sense of the unimaginable. Bryony Lavery's Frozen was winner of the TMA Best New Play award and the Eileen Anderson Central Television Award for Best Play. Frozen premiered at the Birmingham Repertory Theatre in 1998. The play was revived at the National Theatre, London, in 2002 and at the Theatre Royal, Haymarket, in February 2018. 'Bryony Lavery's big, brave, compassionate play about grief, revenge, forgiveness and bearing the unbearable.' Guardian
Staging 21st Century Tragedies by Avra Sidiropoulou Pdf
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice. In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach twenty-first-century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West. Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.
The Oxford Handbook of Adaptation Studies by Thomas Leitch Pdf
This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.
Situated on one of the world's most beautiful harbors, Stockholm has set the benchmark for civilized urban living since the time of the Vikings. Tony Griffiths reveals a city of power, intrigue, and murder; of scientists and investors; and a sensual city, home of Greta Garbo and the smörgåsbord. Its medieval period saw the Vasa dynasty turn a small town into the capital of a dominant European power and a major trading port. In the Napoleonic era, Stockholm established itself as a center of both technical and social innovation. While the city has suffered more than its fair share of misfortune, Stockholm's cultural and commercial elite transformed it into a community which now welcomes innovation and spreads the fruits of its achievements far beyond its borders.
'There are many guides to good writing but none as valuable as this.' Oliver Kamm, author and columnist for The Times Creative writing can enhance wellbeing, which can enhance creative writing, which can enhance wellbeing ... Become a better writer with over 100 inspiring prompts, insights and exercises specially devised by an award-winning author and creative writing teacher. Discover how the practice of creative writing - being expressive, exploring ideas, crafting words, shaping stories - can also deepen your appreciation of life.
Treasure Island by Bryony Lavery,Robert Louis Stevenson Pdf
It’s a dark, stormy night. The stars are out. Jim, the innkeeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in—and her dangerous voyage begins. Robert Louis Stevenson’s classic tale of murder, money, and mutiny is brought to life in this thrilling adaptation.
HOW THE BRAIN FEELS Working with Emotion and Cognition by Philip Harland Pdf
Psychology/therapy/coaching/health/self-help. "Let my heart be wise. It is the gods' best gift." An illustrated guide to understanding and working with emotion and cognition for therapists, counselors, coaches, teachers, managers, and health professionals. Psychotherapist Philip Harland relates recent scientific research on the inter-dependency of feeling and thinking to David Grove's work in Clean Language and Therapeutic Metaphor. He describes powerful new ways of enhancing emotional intelligence that will be of value to clients and facilitators alike.
A novel of time, trauma, and terror by “a writer of spectacularly unflinching gifts [who] leaves most contemporary horror writing in the dust” (Peter Straub). “You wouldn’t think events happening years apart, at points in the solar system hundreds of millions of miles distant, would have anything to do with each other.” When she was six, Daphne was taken into a neighbor’s toolshed, and came within seconds of never coming out alive. Most of the scars healed. Except for the one that went all the way through. “You wouldn’t think that the serial murders of children, and the one who got away, would have any connection with the strange fate of one of Jupiter’s moons.” Two decades later, when Daphne goes missing again, it’s nothing new. As her exes might agree, running is what she does best. So her brother Tanner sets out one more time to find her. Whether in the mountains, or in his own family, search-and-rescue is what he does best. “But it does. It’s all connected. Everything’s connected.” Down two different paths, along two different timelines, Daphne and Tanner both find themselves trapped in a savage hunt for the rarest people on earth, by those who would slaughter them on behalf of ravenous entities that lurk outside of time. “So when things start to unravel, it all starts to unravel.” But in ominous signs that have traveled light-years to be seen by human eyes, and that plummet from the sky, the ultimate truth is revealed: There are some things in the cosmos that terrify even the gods.
The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst of creative self-expression by what in other contexts has been called Generation X, or Thatcher's Children, the 'yoof' who grew up during the last Conservative Government. The book argues that, for example, Trainspotting, Blasted, Mojo and Shopping and F**king are much more than a collection of shock tactics - taken together, they represent a consistent critique of modern life, one which focuses on the problem of violence, the crisis of masculinity and the futility of consumerism. The book contains extensive interviews with playwrights, including Sarah Kane ( Blasted), Mark Ravenhill (Shopping and F**king), Philip Ridley (The Pitchfork Disney), Patrick Marber (Closer) and Martin McDonagh (The Beauty Queen of Leenane).
Frankenstein, based on the novel by Mary Shelley by Nick Dear Pdf
Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie.Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal.Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.Mary Shelley's Frankenstein, adapted for the stage by Nick Dear, premiered at the National Theatre, London, in February 2011.